The Aviator
The Aviator
PG-13 | 17 December 2004 (USA)
The Aviator Trailers

A biopic depicting the life of filmmaker and aviation pioneer Howard Hughes from 1927 to 1947, during which time he became a successful film producer and an aviation magnate, while simultaneously growing more unstable due to severe obsessive-compulsive disorder.

Reviews
Ehirerapp Waste of time
NekoHomey Purely Joyful Movie!
2hotFeature one of my absolute favorites!
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
adonis98-743-186503 Howard Hughes early filmmaking years as owner of RKO studios but mostly focuses on his role in designing and promoting new aircraft. Hughes was a risk-taker spending several fortunes on designing experimental aircraft and eventually founding TWA as a rival to Pan AM airlines owned by his rival Juan Trippe. The Aviator is a fun and very good looking Martin Scorsese - Leonardo DiCaprio movie although it's far from being their best work together the film has enough energy, fire and Leo's charm that does the job quite right even despite flaws. (7.5/10)
Leofwine_draca THE AVIATOR is a lengthy biopic directed by Martin Scorsese and covering the life and career of the notorious Howard Hughes, a Hollywood film producer and director and aviation expert. Leonardo DiCaprio bags the main role in an early grown-up star-making turn and does pretty well with it, although he did better in his next Scorsese film, THE DEPARTED. The film as a whole drags a bit and suffers from a surfeit of riches, with too many supporting actors playing famous faces and not all of them doing a very good job (I was cringing at Cate Blanchett's Hepburn portrayal, for example). The first half is by far the worst, a slow run through uninteresting romances and early film-making, but things pick up in the latter part with psychological depth and complexity and some decently-staged quiet tragedies. Scorsese's attempts to give the film an old-fashioned look which develops with the progression of the years is a clever angle, but those bad CGI planes come as an unwelcome surprise.
Davis P The Aviator really is a fantastic film. The acting is so wonderfully done! I adored Cate Blanchett gives an impeccable portrayal of Katherine Hepburn. I mean everything from the voice and the behavior to her emotions. Very well deserved academy award victory! And of course Leonardo DiCaprio does a great job with his representation of the famed Aviator Howard Hughes. He is charming when the film calls for it, acts like a real old timey gentlemen, but then he can turn into a totally unhinged crazy person. And DiCaprio handles both kinds of demeanors very well. The script is very intelligently written and it gives such lengthy character development for both Hughes and Hepburn. I just adored the scenes that involved monologues by either Hughes or Hepburn, or scenes where it's them conversing back and forth. The acting is so involved and as I've mentioned, the script provides such deep character detail that when you combine those two things, it makes for an absolutely magical moment. And there are plenty of those kind of moments. The film handles the final stage in Hughes's life well, him going crazy, locking himself naked in a theater room. Long nails, long hair, completely naked, it would be an understatement to say he went "mad" towards the end of his life, and Leonardo plays this so well! Very realistic and it all flows naturally, doesn't seem forced in the slightest. Overall a fantastic film based on real people. 10/10!
Red-Barracuda The Aviator is another dynamic film from Martin Scorsese. He has employed his energetic style to the story of the Hollywood mogul / aviation pioneer Howard Hughes, the result is a fast-paced and entertaining biopic. It's a more restrained effort than Scorsese usually delivers and it's pretty obvious that it was going very much for a PG-13 rating given the very blatant method of including one f-bomb to affect this. So the material, while still showing the darker aspects of the title character, nevertheless whitewashes him considerably too – in real life he seemed to be anti-Semitic and racist, while he also killed someone due to dangerous driving (neither of these two aspects made it into this film). What we do see is still a man with many flaws though with his recklessness, excessive perfectionism, womanising and germ phobia. Leonardo DiCaprio really is excellent in the part it has to be said and shows again just what a skilled actor he really is.Unusually for a biopic the story begins with Hughes already a millionaire and in the middle of making the World War I fighter-plane epic Hell's Angels. We see the money he threw at this picture and his perfectionist attitude leading to it being a very elongated shoot. Despite the film's huge success, he was never fully accepted by the Hollywood old boy's network and was considered an outsider. It's this aspect that has been used to make a hero of Hughes in this film, a man against the system if you will; even though I am sure the truth was less clear-cut given his massive wealth and more unsavoury character traits. Whatever the case, we see him push the boundaries of acceptability in movies with his violent crime film Scarface (1932) and his racy feature film The Outlaw (1943), we see him design ever more ambitious planes, we hear of him circumnavigating the world, and testing aircraft himself (this includes an expertly filmed sequence where Hughes crashes one of his planes into the middle of a populated area), we witness him founding his own airline TWA and in the process gain powerful business and political enemies which leads to a congressional investigation and finally we see a man suffering from paranoia who becomes a mentally ill recluse.The story of Hughes life certainly was a dramatic one and Scorsese presents it as such. He even had romances with Katharine Hepburn (played brilliantly by Cate Blanchett) and Ava Gardner (Kate Beckinsale), which adds a glamorous social life to his high profile public achievements. The lush period detail adds a great deal to proceedings with a beautiful look maintained throughout. Scorsese even went so far as to use an old two-strip Technicolor process for the cinematography which leads to the strange moments where we see fields and golf courses replete with blue grass. So, all-in-all, this amounts to another typically well executed, handsome-looking and energetic effort from Scorsese and his first genuinely great collaboration with DiCaprio.