Lucybespro It is a performances centric movie

GazerRise Fantastic!

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

twiddlythumbs-1 John Pilger is a unique journalist with credentials to boot. I find this documentary very helpful in shining a light on otherwise ill reported topics. The only problem is that this title is unavailable in the United States just now. It is funny that all his documentaries aren't shown there. Some aren't shown here in the U.K. The idea that he is Anti-west as is touted by some very narrow minded people is absurd. I recommend watching this Documentary and many others of his like it. You will find he is not anti west, just anti corporate globalisation. That is a very important issue that is never covered by the mainstream media. This is the only reason that the other review here is condemning him. Watch with an open mind. With regards here is a quote of Jeanette winterson about history and information in a media frenzied world. "If you want to keep your own teeth, make your own sandwiches." The world needs more information like this. We are tomorrows people and the fact that the U.s, U.K (my own country) and many other huge corporate meccas ignore the rest of the world, creating this muddled up terror riddled nightmare, can only be settled, even a little, by people opening their minds and hearts to more than just their own comfy lifestyle. I not a conspiracy theorist, they should all be condemned. Freedom of information is essential for great journalism, journalism should publicise human beings (like us) being screwed in our name. This documentary is great. watch more like it. Well done again Mr Pilger. :)

Chris_Docker John Pilger has won high accolades for journalism (Journalist of the Year, twice) and award-winning television documentaries. But some people will still ignore him because he is too 'New Statesman'. He utters unpopular views. He backs them up with evidence. But that can leave you feeling uncomfortable. His new film does that in spades. Over South America.This new documentary is his first major film for the cinema.When I personally have travelled in South America, I marvelled at how basic facts about Western foreign policy's role in destabilising 'unfriendly' governments is normal knowledge. From shop workers to academics. Far more than in Britain. Here, most people are now probably aware that the CIA toppled the democratically elected President Allende of Chile. That they were responsible for the succession of the tyrant Pinochet. Those with slightly longer memories probably recall the scandal over Nicaragua when the USA backed the wrong side. Again, against a democratically elected government. To live with ourselves (and our governments) we tend to think these were just mistakes of the past. The reality is that the truth, in those cases, couldn't be suppressed easily. The reality is that similar events are continuing. As policy.Suppressing truth is always a sensitive issue. Many years ago, when I came out of the Singapore War Museum, there were Japanese visitors with tears in their eyes. It was the first time they had been confronted with the horrors that their government had committed during WWII. Other countries frequently feel angry that Japan does not retell more of its war crimes in standard school books. It is simply easier, in most cases, not to. Pilger's film is about crimes against democracy that it is 'easier' to ignore. The culprit being a country that almost invented the word. The United States of America.Interviews are conducted with renegade CIA agents like Philip Agee, but also with Duane Clarridge, former head of CIA operations in South America. Clarridge openly defends America's right to do what they want anywhere in the world and to anyone, regardless of their innocence - as long as it's in America's national interest. 'Like it or lump it,' he says. A harrowing interview features an American nun, Dianna Ortiz. Ortiz reveals how she was tortured and gang raped in the late 80s by a group led by a fellow American clearly in league with a US-backed regime. Ortiz asks whether the American people are aware of the role their country plays in subverting innocent nations under the guise of a 'war on terror'. CIA man and Watergate conspirator Howard Hunt describes how he and others overthrew a previously democratically elected government. Hunt even mentions how he organised "a little harmless bombing".More controversially, Pilger features extensive footage with Venezuelan President, Hugo Chavez. This is a man demonised by President Bush, but one about whom the facts are harder to determine. That he has used much of his country's vast oil wealth to benefit the poor is largely accepted, give or take some details. But that he has taken steps to concentrate power in himself arouses sterner debate. War on Democracy, uniquely, shows us the country from the inside. Many of the conditions are reminiscent of Allende's Chile. The power of the media seems unabated and is fiercely anti-government. But we see how it is owned by the rich half of the class divide. When the military try to unseat Chavez, thousands of people come out of the slums to protest until he is returned to power. These are people who had no voice before Chavez and they are devoted to him as passionately. Just as the wealthy classes are opposed to him. Given the forces he is up against, the assumption of power (and from a democratically elected base) seems more understandable. We recall how Allende, even with popular support, was brought down. Chavez looks like a tougher nut.Pilger's attitude towards Chavez is friendly, although he does ask him about the poverty that remains, in spite of the vast oil wealth. Could his interview have been more balanced without playing into the hands of those fabricating the lies he is trying to expose? Pilger also travels to America and uses undercover filming. The 'School of Americas' in Georgia is where Pinochet's torture squads were trained, together with death squads in other Latin American countries. The wide-ranging testimony is unsettling.Pilger's extensive travels in Latin America, in depth interviews, documentation and film archives obtained under US freedom of information, evidence corroborated by people in opposing camps, his own calm sincerity - they all paint a cohesive portrait of USA attacks on democracy.The main fault I found with the War on Democracy was not any lack of balance. Pilger argues his case quite methodically and convincingly and gives critics ample right of reply. He is not a soundbite merchant, parading flashy quotes in Michael Moore fashion. But the difficulty - and one Moore did overcome - is that Pilger's years of experience on the small screen has not translated effectively to cinema. The timing is probably right - what with the re-examinations of 9/11 and criticisms of US policy now being acceptable topics of discussion. Horrors of Guantanamo Bay and Abu Ghraib quickly come to mind. But it still feels like a television programme, even if it is many notches above Panorama or Dispatches.Overall, The War on Democracy is an excellent primer on US destabilisation and anti-democracy measures in Latin America. To civil rights enthusiasts and Amnesty International supporters, much of it will be nothing new. But it is told with piercing insight and no sense of personal axes-to-grind. Previous films by John Pilger have done much good. $40 million was raised unsolicited by his film on Cambodia (Cambodia Year Zero) which to help the thousands of orphaned children there. The aim of this film is simply to increase awareness.

Cliff Hanley Journalist and conscience of the nation John Pilger has been making excellent 'wake-up' TV programmes for years, and as we enter the new golden age of the documentary it was inevitable that he would move up to the big screen. He has chosen the recent struggle between Venezuela and the US as his leading theme, and the film opens by setting the background, before examining the events of the past few years, first by showing the 'spin' colluded upon by the short-lived coup, its US sponsors and the news media; then by exploding that fiction. It works, as it should in a movie, like an epic thriller. But even Micky Spillane loses out in competition with horrific real life. From Venezuela we are taken back to the other countries, where Uncle Sam has stamped on democracy: back to Guatemala, the original 'banana republic' in the US' arrogantly termed back yard, and including of course Chile. British viewers will be disappointed that Margaret Thatcher didn't get a mention as the gracious supporter of the murderous General Pinochet. There was a mention of terrorist's supporters being as worthy of condemnation as the terrorists themselves. Just a five-frame subliminal shot of Maggie there would do it! But there are plenty of choice nuggets in this film, painstakingly compiled from recent video, Pilger's interviews with Hugo Chavez himself, panoramic shots of these countries as they are now; the hills, the suburbs, the barrios, plus ancient news and propaganda footage. Some of the old stuff brought back the paranoid atmosphere of the Fifties, when we were faced with the Red Menace, and we were expected to 'duck and cover' under the nearest picnic cloth when we saw that Flash. One choice set piece is the interview with Duane Clarridge, ex-CIA man with responsibility for the torture and murder in Chile, justified because it was in America's interest, and sometimes 'you have to take unpleasant steps'. Or, as he put it another way, it just didn't happen. His contemptuous dismissals of all Pilger's allegations go beyond self-parody. Once again, real life leaves no room for the satirists. Despite it being the first really hot day of this wet English summer, the theatre was half-full, and the audience gave a heart-felt applause.

Jeffrey Blackler Students of Uncle Sam's doings in Latin America from the overthrow of Allende or earlier will find little new in Pilger's first big screen documentary. But its message needs to repeated again and again and as widely as possible: that "freedom" and "democracy" loving US regimes have stolen or overridden the rights of the poor in every part of the world, perhaps most of all in the "back yard". I saw the movie in a white liberal middle class district of London where the normally reticent audience gave it a round of applause. Preaching to the converted maybe. It needs to be shown as widely as possible. Viva Pilger!