The Talented Mr. Ripley
The Talented Mr. Ripley
R | 25 December 1999 (USA)
The Talented Mr. Ripley Trailers

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

Reviews
Tedfoldol everything you have heard about this movie is true.
Stevecorp Don't listen to the negative reviews
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
Cheryl A clunky actioner with a handful of cool moments.
joshlangg When you put Matt Damon, Jude Law, Gwyneth Paltrow, Cate Blanchette and the late Phillip Seymour Hoffman together, you get a superb film. The fact that it's set in beautiful Italy only adds to how good this movie about deception, love, greed and jealously really is. 10/10
zanydr18 This is a REMAKE of the 1960 movie, "Purple Noon", a foreign film. It starred Alain Delon. I do not know why this is not said anywhere at all! Having seen both, I believe this one was much better. The acting, the plot, the suspense timing and twists done, all coincided well with the 1960 film, but this version outdid the original by far. The only thing else I could say is the 1960s actors were prettier.
eric262003 Off my back the musical backgrounds to "The Talented Mr. Ripley" is really ear-friendly thanks to the great composer Gabriel Yared. The score is very reminiscent to the classic scores from the old Alfred Hitchcock films that Bernard Hermann contributed to like "Vertigo", "North By Northwest", and the always crowd-pleasing "Psycho". The opening titles has that feeling like Hitchcock as the picture slowly materializes into a stream of different colours. However, the film falls flat in trying to be a modern-day Hitchcock film, because the Master of Suspense would never consider making something so disjointed and muddled.Under the direction of Anthony Minghella who directed the riveting ghost romance "Truly Madly Deeply" and the overlong and mundane "The English Patient", which won him an Oscar in hopes to repeat himself here as well being that this film is also within the 2 hour and 30 minute range. That's five times longer than Hitchcock's "North by Northwest" with the difference being that Hitchcock's film starts slow and the intensity builds up as the film progresses. Minghella's film fizzles as it goes along and ends without any kind of logic once the credits roll.Set in the 1950's, Matt Damon stars as Tom Ripley, a low-income musician who gets mistaken for a Princeton graduate. When approached by a wealthy shipbuilder Herbert Greenleaf (James Rebhorn), he's assigned to go to Italy to bring his son Dickie (Jude Law) back home. Dickie is enjoying the life there with his wife Marge Sherwood (Gwyneth Paltrow). Ripley get adjusted to this lifestyle and does everything he can to nurture it as much as possible. Damon and Paltrow have been good in many films, but here, they seem to be streaming along with very little complexity. Jude Law seems type-cast in roles he's played before like "In the Garden of Good and Evil" and "Wilde". The real standout performances are by Cate Blanchett and Philip Seymour Hoffman, but they're just fillers and it saddens me to see how underused they were.I went to see the film because I was fascinated by the wonderful novel it was based on by Patricia Highsmith who also is known for her book "Strangers on a Train". The movie looks good when wrapping up around the two hour mark, but instead we're forced down out throats with a unnecessary scene by dawning Ripley's homosexual urges which before then was only pondered upon. The gay subtext was only meant to be a mystery and should never have been revealed. This is just another fine line of Hollywood clichés of gay serial killers which to this point has become homophobic and inexcusable.On the positive side of this movie, it's great to see the legendary Walter Murch in charge of the sound design and the editing. He's done plenty of collaborations of some of the biggest films in cinema including "The Godfather Trilogy", "Apocalypse Now", and "The English Patient". His specialty is cutting a scene with its sound to follow and it proves effectively in this suspenseful drama. It's probably the best thing about this movie that's worthy of a second look.The first hour of the movie was incredible and I enjoyed it very well. Still I have my doubts if its highly recommendable. It could be to some extent, however I get better satisfaction watching classic suspense films like "North By Northwest" and the original incarnation of this film Rene Clement's "Purple Noon".
Kirpianuscus one of films defined by this simple expression. a good job. almost impeccable. because it is a thriller, a trip in Italy, an useful lesson of psychology and remind of the talent of few admirable actors. Jude Law is perfect in the skin of Mr. Ripley. sophisticated, selfish, profound in a bizarre manner, his character is the picture of a social class. Matt Damon is the inspired choice for the translation of a fundamental transformation step by step. the fascination about a friend, new life style, possibilities as gifts of a status, the seductive flavor of a dangerous game for survive. a film who reminds old fashion thrillers. and who has the great chance to have the perfect cast. one of memorable movies for rhythm, performances and the levels of story. see it !