KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

JohnHowardReid SYNOPSIS: London police nail a fence known as "The Squeaker" who anonymously tips off the bobbies to crooks who will not meet his price.NOTES: A re-make of a 1930 movie directed by Edgar Wallace himself from his own screenplay. Percy Marmont, Anne Grey, Gordon Harker and Nigel Bruce were cast. (The Carlton DVD rates at least nine out of ten).COMMENT: This Edgar Wallace thriller has a marvelously atmospheric Rozsa score which is worth the price of admission alone. Plus a couple of songs, "He's Gone" and "I Can't Get Along Without You" by the lovely Tamara Desni. Plus Robert Newton in a typically rattled role, but managing to look suave and elegant as well. Nonetheless, despite its sterling production qualities, the movie does look somewhat old-fashioned these days - an impression that is heightened by the rather stilted dialogue provided by Edward O. Berkman in his screenplay. And the finale did not convince me at all. I cannot believe that the man built up to be such a mastermind could so easily become rattled. Howard's direction is at its best when people are moving, rather than speaking. Photography by Georges Perinal is most attractive. And speaking of "attractive", Miss Todd looks very fetching indeed.

Paularoc Scotland Yard is baffled and frustrated by a jewel fence and informer known as "The Squeaker." In an effort to catch the elusive criminal they re-hire former Inspector Barrabal (Lowe), a brilliant police officer who left the force because of excessive drinking. Suspicious of a businessman who has a penchant for hiring petty ex-convicts, Barrabal goes undercover pretending to be an ex-con. The ending is a bit hokey but it did nicely wrap things up. Lowe does an adequate job as the polished and pleasant Barrabal. I best remember Lowe from the films he and Victor McLaglen did together (What Price Glory? and its sequels and Guilty as Hell). He was better in those movies. And poor Ann Todd - she has a totally thankless (and unmemorable) role in this movie. But, more than making up for this waste, are Robert Newton as a jewel thief (Larry Graeme) who knows who The Squeaker is, and Alistair Sim as the reporter (Joshua Collie) covering The Squeaker's exploits. Newton's character is one thief I kinda hoped would get away with it. As most would agree, Sim is an actor than can make every role, even a small one, memorable. To my recollection, I've only seen one other movie based on Edgar Wallace's work - The Terror. Sim is in that movie as well and is a riot. This movie may not be quite as good as that one but it never drags and holds one's interest to the end. Especially Sim and Wallace fans should see.

kidboots "The Squeaker' was the first Edgar Wallace book that I read and I thought it was the best book I had ever read (I was 10 years old at the time)!!!! Edgar Wallace was the Master of the "I never would have guessed it was him/her" ending!! Aside from being one of the most popular authors of his day, he was also one of the most prolific writers ever to put pen to paper, writing about 170 books and literally hundreds of short stories during the twenties. He usually took 9 days to finish a book but one was written in four days and another was done over a weekend. His books weren't masterpieces, but he knew what the masses wanted - characters were black and white, never grey!!! evil characters were often quite bizarre, there were lots of "secret" organizations and the minor characters were usually clerks, cockneys, race track touts -people that ordinary British readers could identify with. There were even characters inserted for comic relief - his books were made for the movies!!When work started to dry up for some Hollywood stars, many went to Britain to re-energise their careers - this certainly worked for Edmund Lowe. Alexander Korda and American director William K. Howard made "The Squeaker" a top class production and debonair Lowe didn't seem out of place in the London setting. Scotland Yard is baffled by "The Squeaker" - a shadowy fence, who, when his demands aren't met by desperate robbers, thinks nothing of sending the police particulars of their whereabouts. Inspector Barrabel (Edmund Lowe) once the best policeman in the force - now a down and out drunk has been picked up as a suspect in a jewel robbery. He is offered an under-cover job to track down "The Squeaker" - as long as he stops drinking. He goes to his friend Larry Graeme (Robert Newton) but he is not accommodating. He has just had a run-in with the squeaker and was not able to get his price - he was planning on making a new life for himself, together with Tamara (Tamara Desni), a singer at the local club. (Desni sings "He's Gone" and "I Can't Get Along Without You"). Now, going by the name of Captain John Leslie, Barrabel goes to see Mr. Sutton (Sebastian Shaw) a renowned philanthropist, who has a habit of helping men down on their luck. He also makes the acquaintance of Carol (Ann Todd) who is immediately attracted to him. Before too long, the film establishes who the squeaker is - he sends a letter to New Scotland Yard ousting Larry Graeme as the jewel thief. Larry is bought to the Yard but escapes - he knows who the squeaker is but is shot before he can identify him. The stage is now set for an "all the usual suspects" line up and the film is very clever at how they get the guilty party to confess. Alister Sim, a great British character actor, has a part as a quirky reporter, Joshua Collie.Highly Recommended.

spanishflea50 I caught the film on the Studio channel after setting my TiVo to record anything with Alastair Sim in. As the film progressed I went from smiling at it's old-fashioned mannerisms to a real enjoyment of the storyline and the characterisation. Edgar Wallace crime novels sold in their millions in the thirties and forties and would have guarenteed a healthy audience at the cinema. The plot is quite simple: a 'fence' is operating in London and covering his tracks by framing his criminal associates ('squeaking' on them). A sacked detective with a drinking problem is given a chance to redeem himself by exposing 'The Squeaker'. Of course he falls in love with the scoundrel's respectable and innocent fiance in the process. Alastair Sim, one of my favourite actors of this era, plays an investigative reporter with a rather over the top scottish accent. Also of interest are what appear to be a music hall double act (sadly uncredited) as bell-boys in the numerous club scenes. The club scenes are an excuse to show off the minor plot character Tamara; a chanteuse in love the the squeaker's last victim. The dramatic denouement is The Squeaker's confession following unendurable psychological pressure applied by the suave, dapper Inspector Barrabel(played by Edmund Lowe - he looks rather like a poor man's Errol Flynn). Produced by the great Alexander Korda, this is highly entertaining.