Cortechba Overrated

Softwing Most undeservingly overhyped movie of all time??

Mjeteconer Just perfect...

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

stratus_phere Shows like this are hard to find. When we do find them they are too often cheesy and ridiculous. The Secret of Crickley Hall is anything but. This was a wonderful show about an old house in the north of England. It takes place both in modern times and in 1943.After having their son go missing, a family moves to this old estate for a few months hoping to deal with their loss. Unfortunately, the house has a lot of secrets of its own...secrets that need to come out.Shows like this should be made more often. This was atmospheric - especially the first episode - it was tragic and haunting, and it was emotional. Anytime you have ghostly goings-on in an large, old, creepy house in England, you know you're heading in the right direction.This is an actual ghost story, but it's very well done. It's not cheesy, it's not hokey. It allows you to meld into the story, you feel their pain and frustration as well as their emotional rollercoaster dealing not only with their missing son but the tragedies of the past that they begin to uncover.I wish there were more shows like this. Ignore the bad reviews, they probably come from people who read the book and think this isn't a perfect representation. Fortunately, I haven't yet read the book so my viewpoint isn't tainted.

robert-temple-1 This is an appalling BBC mini-series, commissioned by the usual oafs and morons there who are overpaid and 'outtacontrol'. The series concerns the savage physical abuse of children by sadists. Really, is there no limit to the perversities shown on the BBC these days? This series should absolutely not have been made. It is offensive and revolting. I will however compliment the performance of the young actress Olivia Cooke, who plays the character Nancy, and hope that she never has to appear in anything as terrible as this series ever again. Some of the casting is however so uninspired that some of the bad talent to be seen in this series was appropriately dumped into this rubbish bin.

davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday MorningGabe (Tom Ellis) and Eve Caleigh (Suranne Jones) re-locate to the West Country from London a year after the disappearance of their son. They set up home in Crickley Hall, an old residence that used to be a boarding house for evacuees during the war. But it is this fact that holds the secret behind some ghostly hauntings, and a terrifying truth behind what now possesses them.It seems that in the case of a fairly lengthy novel, the format best favoured in many cases for adaptation is to turn it in to a serial drama rather than go all out and just make a feature length adaptation, which may test the viewer's endurance. But Joe Ahearne's approach, with his adaptation of James Herbert's The Secret of Crickley Hall, somehow manages to do this anyway, over the course of three episodes shown over three weeks.There's no doubt the first part opens well, establishing an effective atmosphere and air of suspense, which even someone who's already read the novel and pretty much knows what is going to happen can see. But somehow, even by the second episode that AOS doesn't feel as strong. Spacing each episode out over the course of a week probably doesn't help, dragging it out too long and doing the opposite of keeping you in suspense. Aside from this, certain segments inevitably get lost in translation going from novel to film, and the constraints of being a TV film inevitably creep through. I said 'inevitably' twice in that sentence, and that's sadly what an adaptation of a novel is always going to be: an inevitability. Something that is doomed not to be as good as it's source material from the start, even if it has a bigger budget and goes to theatres, where I think this may have worked better.The performances are probably the best thing in it. Jones shows promise she may be more than another ex Corrie actress, avoiding a future in panto or cheap reality shows, showing an emotional intensity and depth as a mother wrapped up in guilt for the loss of her boy. Ellis isn't bad, but somehow isn't quite as good, except in certain scenes where his character really gets dealt a heavy blow. Douglas Henshall has an undeniable presence as the villain, but his accent is so thick it's sometimes really hard to understand what he's saying. He's at his most unnerving in quieter, more subtle moments, like when he's holding the little boy over the well or is nearly caught whacking him with a cane in his private room.It's all too well made and sincere to even verge in to Sunday Night territory, and even Herbert himself said he thought it was pretty good. If only the whole thing had stuck together more solidly, and not come off so naff compared to the book. ***

Leofwine_draca THE SECRET OF CRICKLEY HALL is a three-part miniseries made by the BBC and broadcast on BBC1 in November 2012. Sadly, like with other recent literary adaptations (GREAT EXPECTATIONS and THE TURN OF THE SCREW for example), this seems to be a missed opportunity, merely going through the motions rather than trying hard to pass as quality drama.I'm a fan of James Herbert, although I haven't read the particular novel this adaptation is based upon, so I can't comment on it. However, this miniseries covers very familiar 'haunted house' territory, jutting between modern-day family woes and a story involving an orphanage in WW2-era Britain.The story fails to work very well because none of the actors seem very convinced in what they're doing. Suranne Jones bags the meatiest role of the grieving mother but I never felt much sympathy for her character's plight, indeed she's rather uninteresting when it comes down to it. The producers try hard to build interest by casting seasoned performers in supporting parts (Donald Sumpter, David Warner, Susan Lynch, GAME OF THRONES' Maisie Williams) but none of them contribute their best work.The three hour running time means that much of the storyline is repetitive; there are only one or two incidents that occur in the 'past' storyline yet the child abuse stuff is repeated over and over again for lengthy stretches; not even a hamming Douglas Henshall can save it. The modern-day stuff is littered with plot holes and the ghostly stuff is silly and slightly twee rather than genuinely haunting.A missed opportunity then - a shame, because once again it could have been great had more care between taken with the quality of the script and performances of the cast.