The Noah
The Noah
| 01 January 1975 (USA)
The Noah Trailers

Noah, the sole remaining survivor on our planet after a nuclear holocaust, finds himself unable to to accept his unique predicament. To cope with his loneliness, he creates an imaginary companion, then a companion for his companion and finally an entire civilization - a world of illusion in which there is no reality but Noah, no rules but those of the extinct world of his memory - our world.

Reviews
Protraph Lack of good storyline.
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Rick Black I had only known Robert Strauss as one of the funny privates in the movie Stalag 17. I never knew that he had a starring role of his own in his own movie. The sad thing about this is that he died right at the time of the movies release. It's in black and white which adds even more dark contemplation to the mood! I recommend this singularly unique, unusually different film I've never seen its like before! Watch it!
gengar843 This is a movie about America and generational shifts. The fact that it was originally shot in 1968 should give you a clue. Plot: old-school army veteran is stranded alone on an enemy (communist China) island outpost sometime after nuclear holocaust (presumably). There are several plot-lines which must resolve during the course of the film.The first is, How does a man - any man - deal with absolute loneliness and the hopelessness associated with knowing that no one else exists in the entire world? Of course, this a step or two beyond Tom Hanks' Cast Away, as there is hope for Hanks, even if the pathos at that movie's end is also debasing. For Robert Strauss, the tour-de-force participant and titular "The Noah," the resolution is quite dramatic if entirely expected. I won't spoil the actual progression of Noah's self-awareness or madness, as the case may be, but I would like to comment that it's not as cleverly done as Cast Away. On the other hand, the impact of The Noah is exceptional, and with subtlety.The second resolution must be, How does a World War 2 dog-of-war deal with the modern (for 1968) age? This is handled on several levels, some with skill, some with a ham fist - your view on which are which will likely be tied to your birth year. Those of "the greatest generation" will possibly feel a great sympathy for the lead character, while those of the "hippie generation" could find themselves alternately awed then nonplussed (younger than that, and you'll be lost, except as it concerns fictional empathy). Not that director Daniel Bourla gave Strauss much more material than playing off old audio tapes from history; or that the screen writing called for a narrow range of emotions, from crotchetiness to self-pity. This is the main weakness of the film itself.The third resolution must be the filmmaker's (and thus your) view of America, especially in juxtaposition with communism. Will you be disgusted, cheered, or bored by the "army" of Chairman Mao busts? Where will you fall in the melange of flags, uniforms, culture shifts, and overarching philosophies? I found the movie to be quite schizophrenic in this regard, and that added another stratum of complexity to an already meaty subject. Just to mention one scene, after the "graduation" the "natives" become restless and it appears that a revolution is brewing; the manner in which The Noah attempts to meet this challenge is fascinating but at the same time quite excruciating since there is little doubt on the end-game and therefore not a lot of tension.Other implications from 1968 are apparent here and there: (1) the obvious counter-cultural message from Friday and Anne-Friday; (2) the overbearing war soundtrack; (3) the selection and arrangement of historical excerpts. Most of this is a bludgeoning message and therefore may be disregarded as so much era-centered squealing.On the very plus side, the finale will mark you. It is deeply etching and undeniably disturbing. It is not that it ices a cake, but that it is the cake. We learn in fact that the entire movie was a baking process leading to a product, which is the final few minutes. It will make you judge the rest of the film that much more harshly, but maybe that's good.
j_chy I think that someone was trying to be allegorical. They Failed.The first 2/3 of the film are mildly interesting as Noah invents friends and something resembling _DRAMA_ shows up, you almost feel as if maybe a _PLOT_ might ensue. There are nascent _CHARACTERS_ and some minor _CONFLICTS_ hinting that a larger conflict could occur. (Protagonist is up the tree, we know that rocks can be thrown at him.. and we are eagerly anticipating the first volley...) But then....nothing happens.The final third of the film degrades into a cacophony of a history-buff's self-serving game with an audio tape recorder. All links to plot, allegory, drama, character, conflict, and sanity are severed. Maybe this is supposed to represent Noah's ever-less-grounded state of mind, but the degree of his grasp on reality was well-established earlier in the film and the noise becomes as annoying as a Phillip Glass composition.Now to 2 small details worth mentioning: 1)There are some weak humorous points such as Noah's ability to construct a latrine or Noah's resemblance to one of the Marx Brothers. 2)The in-your-face allusion to The 10 Commandments was out of place and over the top.
Vangelis-K Truly remarkable. A one-man film that held my full attention for almost two hours. The storyline is deceptively simple given the complexity of the issues raised: the sole survivor of a nuclear holocaust tries to cope with his new reality by reconstructing, piece by piece, an imaginary civilization based on his memories, fears and desires. It is this illusion that will eventually bring him to face his utter loneliness and powerlessness. Rendered in stark B/W photography, densely punctuated with historical references (including authentic voice recordings of the protagonists of 20th-century history), 'The Noah' is the kind of film that challenges the viewer to see it again and again, each time discovering something new. But where can it be found? I saw it at a CUNY-TV showing years ago. To my knowledge there has not been another TV showing and there is no VHS or DVD of it anywhere.
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