The Myth of Fingerprints
The Myth of Fingerprints
R | 17 September 1997 (USA)
The Myth of Fingerprints Trailers

When a New England dysfunctional family gathers for Thanksgiving, past demons reveal themselves as one son returns for the first time in three years.

Reviews
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
paolo_geek Myth of finger prints is truly an interesting film with great performances by the cast and a great screenplay. It is worth buying the DVD. The film its self can tell a thousand words so i just summarized the good things about it. 1. Great directing 2. Outstanding cast 3. Intelligent 4. great cinematography 5.great editing 6. Just a great movie and the standards of movies or films must go higher to be able to beat how great this movie is. The greatness of this film just glows already when you are only holding the DVD.Julianne Moore throws to us an outstanding performance which of course will not be forgotten and i believe that a book that talks about the greatest films ever made this film will be in it.
jotix100 Thanksgiving is that time of the year loved by movie makers as it presents an opportunity to bring together families, even dysfunctional ones. Bert Freundlich sets "The Myth of the Fingerprints" in such a setting. We saw the film it during its initial release, we thought it was a good effort for a young man starting his career in films. On second viewing, the other night, the film, although enjoyable, did not have the same effect as when it made its debut.First of all, some of the relationships don't ring true. That is the case of Mia, the oldest of the girls. We watch as she and Elliott arrive by train while they are involved in a quickie before getting home. This action of being seen in public in such a compromising position, is completely out of character with the Mia we get to see in the scenes that follow. Right after they get to the family home, we get the impression these two are as compatible as oil and vinegar. What is she trying to prove? She goes into town with an attitude of a city slicker, when she meets Cezanne. She reacquaints herself with the boy that had a crush on her, but she has erased from her mind, to the point of appearing this guy was from Mars. This, we didn't buy. Her eventual involvement with Cezanne is something Mia, who hates the rural setting of her youth just doesn't make sense after her haughty demeanor and city ways.Then there is Warren. He still pines after the loss of Daphne, the beautiful former girlfriend who comes to see him when he gets home. Daphne obviously has not stopped loving Warren, but there is an incident that happened some time before during a party. When she tells Warren about it, it becomes plain he had witnessed the incident, but didn't do anything to stop it from happening.The seemingly contented parents are also a puzzle. The father, Jake, is an enigma. He is a taciturn man who doesn't interact with his children well. Lena, the mother, seems to know much more than what she led us to believe about her marriage and her relation with Jake.The acting, in general, is good, no small feat to achieve by someone without much experience under his belt, but Mr. Freundlich succeeds in getting some inspired appearances, especially from Noah Wyle and Julianne Moore. The cast is young and do ensemble work. Hope Davis, Blythe Danner, Arija Baeikis, Michael Vartan, are seen among the supporting cast.Bart Freundlich showed a promise with this film, and has continued to be among our best young directors since this effort.
yossarian100 As those who can personally relate to this story well understand, not all stories about damaged families can have resolution and closure. The Myth of Fingerprints is quite honest in that regard. The story provides some explanation of what happened but not why, much like real life. What we do get is richly painted characters provided by strong performances, good writing, and good direction who tell us their story and allow us to draw our own conclusions. It's well worth the effort for those who appreciate a drama that doesn't take short cuts and permits the characters to tell their own stories instead of spoon feeding the audience and neatly wrapping everything up like an unwanted birthday present.
jbelkin800 If ORDINARY PEOPLE is just too pulse-pounding for you, here's the movie for you. Great, great cast tries to breathe life into this turgid story and characters who have tiny, tiny problems magnified by their incredible narcassism. If you want to see all of the movies in the "upper-middle class navel-gazers who self-psycho-analyses every detail of their life" genre, then see this movie but only after you've seen ORDINARY PEOPLE, AMERICAN BEAUTY, ICE STORM and a couple dozen others. Well-intentioned but sleep-inducing boring.