The Mystery of a Hansom Cab
The Mystery of a Hansom Cab
| 28 October 2012 (USA)
The Mystery of a Hansom Cab Trailers

Melbourne, 1886. Two gentlemen climb into a hansom cab late one murky night. One man climbs out, the other travels on to St Kilda. On arrival, the driver finds the second man dead; murdered. The ‘high-society’ killing sends shockwaves through the young city, still flush from its gold-rush boom.

Reviews
Flyerplesys Perfectly adorable
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Peter M This 2012 ABC TV movie is based on a best-selling Australian crime novel from 1886. It is the hunt for the murderer of a man who was killed in a hansom cab in Melbourne, and involves figures from Melbourne's aristocracy as well as the under-class of the city, and their intersection via the secret marriage across the classes. Part-Dickens, part- Midsomer Murders, the story rockets along, and looks quite handsome and Victorian, in both its senses. The dialogue is sometimes a little stilted perhaps in an attempt to catch the speech of the day. Others have criticised this, but if you can put up with Midsomer Murders and many BBC Dickens productions, you can easily stand this, and get a pretty recreation of olde Melbourne, and a crime drama with enough twists to fill an evening. I enjoyed it.
stevenaaus The Mystery of a Hansom Cab is an emotive Australian crime drama, with an outstanding cast and lavish sets and detail. It is a telemovie of Fergus Hume's book, first published in Australia in 1886. Set in Melbourne, it brings to vivid life the privilege and struggle of the upper and lower classes of Melbournian life from the 1800s.The plot centers around an engaged couple whose marriage is left in limbo when the groom is held on charges of murdering an odious blackmailer to the Bride's affluent Father. It has an almost Wildean sense of society and emotion, and in true crime tradition, the viewer is left pondering the guilty right to the end.The all Australian cast has a strong gravitas. Sometimes the period's drab and flowing attire causes a little confusion of who is who, but eventually faces stick to characters, and the viewer connects to the intriguing plot. The two detectives have dissimilar, but striking charms. "Kenny"'s Shane Jacobson is a little out of his depth as the main prosecutor; but plays an entertaining role, while Felix Williamson is devilishly suave as Shane's sharply-cut adversary in law. Jessica De Gouw is lovable as the bride-to-be, and together with the groom, Brian Fitzgerald, they make a charming couple whose drama fills the movie. Michael Carman plays a lovely characterised villain. John Waters as the family patriarch , and Marco Chiappi as his friend and barrister, have strong and grounding presences.Sets are beautiful and graphic; though not as lavish as overseas productions. And on occasion, prominent Melbourne locations are shot with CGI backdrops of the olden town. The back-street dens have a glamour and seediness that brings them to vivid life (similarly to "The Harp in the South"), and the splendor of the mansions is convincing, though shot on a smallish budget.Mention should also be made of the smooth but engaging score. and production on the whole is creditable.Mystery of a Hansom Cab is a period drama that the BBC churn-out - with more polish, but less charm - but that Australian cinema does not achieve so often. This lovely but sometimes-confusing movie is definitely worth a second viewing.
mpm1958 The original novel was a best-seller in its day. This screen adaptation was about as convincing as a junior high school production. Nothing seemed to work ... accents were inconsistent and inaccurate, delivery was appalling, script was poorly constructed. Sets, costumes, sound, make-up and lighting were ridiculously caricatured. At times it seemed as if the whole thing were supposed to be some sort of joke. I kept waiting for a punchline which never arrived. As it progressed, I felt more and more uncomfortable and acutely embarrassed that overseas viewers might think that we're actually proud of material such as this.It's hard to understand how such a talented group of Australian actors could put their names to such amateurish rubbish.Such a disappointment!
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