The Monster Walks
The Monster Walks
NR | 07 February 1932 (USA)
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Ruth Earlton has come home to her ancestral mansion to claim her inheritance. Accompanied by her boyfriend, she discovers that her father died suddenly under suspicious circumstances. Now it's her turn, as her deranged and relentless uncle targets her for death with the help of his wife and son, plus a very unhappy ape.

Reviews
Cortechba Overrated
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
mrush This is an old black and white film from the early 1930's.The setting is an old house and at night with a storm brewing outside.It has some good elements but in the end it's ruined by just not being very exciting.You get all the elements of a horror film from that time---stormy night,old gloomy house ,skulky characters and ,of course,the reading of a will from a dead man and the ensuing darting eyes after each learns of what he got ,or didn't get, as the case may be.A young women returns to her childhood home after her father dies.She ,along with her doctor boyfriend,arrive on a stormy night for the reading of the father's will at the old darkly lit home.The young woman's crippled uncle,her dad's bother,still lives there along with a tall weird bony old housekeeper/nanny and her equally creepy bony son.Also in the mix is the dead man's lawyer who is there to read the will.And the doctor's driver is also there.One of the unfortunate things about this film is the driver is a typical black character of that era.....slow shuffling bug-eyed fellow with the horrid name of Sleep N' Eat ,altho he is also called Exodus.To top it all off the weird dark old house consists of a nasty dirty looking chimp locked in a cage in the basement.So after the will is read and they all learn the daughter gets everything they all are forced to stay there since the storm is so bad.The nanny and the weird son are peeved cause they got pretty much screwed in the will after many years of drudgery in this old house taking care of two old sick men. During the night murder and mayhem ensues and they suspect the ape in the basement but each time they run downstairs he seems to be locked in his cage cage,or is he? Then they start to suspect each other of the attacks but then next time something happens they suspect the ape again.The doctor and lawyer naturally lead the investigation into the choking attacks and murders.I'm not sure why but it seems always in these old horror films a doctor ,lawyer or newspaper reporter is always doing the crime solving.Altho it's creepy looking and not an absolute waste this film doesn't make much sense.Why would the family keep a pet ape? The young woman is terribly scared of the ape and says it would surely kill her if it escaped it's cage.And how did this young woman grow up normal after being raised in this dark gloomy old house by a gloomy old nanny with the constant fear of being killed by some screaming howling ape locked up in the basement?Why wasn't the police called? All in all this wasn't a complete waste but it doesn't have much to recommend it either.It's totally a period piece,implausible and silly, and the last few unfortunate scenes involving Sleep N' Eat will make your skin crawl more than the rest of the film does put together.The horrible racism in this film was a normal and accepted part of films from that era and that is the really scary thing.The usual bad acting and bad script is here, and I was prepared for those things, but to see a human being degraded for the amusement of the movie goer isn't something you get used to.It ruined what otherwise would have been just a silly little schlocky movie turning it into a sad reminder of how far we've come but how so very far we have yet to go.
gavin6942 A wealthy man dies, causing his family and lawyer to reunite in his home and have his will be read. Who will get the money? While the natural answer would be his only child, daughter Ruth (Vera Reynolds), two factors make this a bit more complicated. First, a chimpanzee that has a violent streak and a dislike for Ruth. Second, the possibility that an illegitimate child may exist and be living in the house.The actual plot of this film is not very exciting and you may have to work to keep your interest. Stories of an inheritance being fought over by family members is nothing unique, and for some reason stories with chimps and apes weren't particular rare in the first half of the 20th century. I'm not sure why -- there's nothing menacing about the ape in this picture. Nothing. There are a few plot devices I found clever (such as secret panels in the house), but overall this is child's play.The acting is also, to put it politely, subpar. The lawyer, Herbert Wilkes (Sidney Bracey), was very hackneyed. Worst of all was Hanns, the maid's son. His mannerisms were exaggerated and he had a broken speech that didn't seem natural. Another reviewer commented that he may have been reading from cue cards, and I wouldn't be shocked. Sure, this was 1932 and America was going through a depression... but couldn't we afford better talent than this? (Believe it or not, just a few years after this film, the actor who played Hanns -- Mischa Auer -- was nominated for a Best Supporting Actor Oscar. He didn't win.) The only thing about this film that makes it maybe worth watching -- and I stress maybe -- is Willie Best, the actor who plays Exodus the manservant. There is a strong undercurrent of racism in this film that I cannot tell if it was meant to be intentional or not. Best (credited as "Sleep N Eat") talks and acts like a white supremacist's vision of the stereotypical black man. He mumbles, waves a gun around (even pointing it at himself) and generally seems highly unintelligent. The most memorable part of the film is when Exodus asks about the ape and the resident doctor explains that Darwin's theory states the ape is related to Exodus (said in such a way as to imply blacks are more closely related than whites). Rather than defend himself, Exodus says something to the effect of, "I had a grandpa that looked like that... but he wasn't as active." Wow.Anyone into the classic black and white films might give this one a chance. It's alright once you get into it. But unless you have a really strong attention span (and this film is only an hour) I'd suggest you try something a little more lively. It's safe to say that if this film wasn't being distributed in copyright-free box sets, it would have faded into obscurity decades ago.
JoeB131 In the early 1930's, they had a series of these "Old Dark House" pictures, usually involving a bunch of people brought together in an old mansion as an unseen killer begins picking them off. This probably had a lot to do with the fact that early talkies were produced by people who had a lot of experience on stage, as many of the silent era directors and actors found themselves out of their depth with the introduction of sound.The film's opening graphic has a picture of half-naked woman being carried off by a ape. Of course, you see nothing like this in the film, as the primary actress never gets very naked or gets touched by an ape.The plot is simple enough. A rich man dies, leaving his entire fortune to his daughter, but her uncle is the next in line to get it if she dies. And the late millionaire had a pet ape he kept in the basement. Did the ape get out and start strangling people? Well, I'll leave you in suspense... of course not. It was old man Krug, he was the ape all along, and he'd have gotten away with it too, if it weren't for you meddling kids.(Actually, I think this is the second movie I've reviewed with someone in an ape suit killing people, which i guess was a pretty standard fare on Poverty Row in the 30's and 40's.) The final point is the actor credited as "Eat N Sleep", better known as Willie Best. He was typical of the way African-Americans were portrayed in this era, superstitious, subservient, and scared. You can't watch these kinds of scenes today without cringing.
dbborroughs This would be a decent creaky old dark house movie if it wasn't for the acting and over acting. Basically a prodigal daughter returns to her home when her father dies for the reading of the will. The servants are weird, the uncle is in a wheel chair, an abused chimp is in a cage in the basement and there are secret passages through the house. This is low budget film from the early days of sound and it seem like it. There is little background noise and no music which more times than not slows things down. Worse is the acting which seems to have been done in some odd experimental style. Misha Auer, seen in later films with a pronounced accent seems almost not to have one. His performance is very odd, especially when compared to later films. Interesting here you get to see just how big and imposing man he was. The movie is painfully slow and probably would have put me to sleep had I been just sitting and watching the film. This is not a film to recommend unless you have insomnia. Its an interesting film as a curio but isn't remarkable and the plotting is truly run of the mill. There are better ways to spend your time.