TrueJoshNight Truly Dreadful Film

NekoHomey Purely Joyful Movie!

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Benedito Dias Rodrigues When l'd watched this picture in 1988 l'd found it a crap...now in first time on DVD with original audio (Ugh!!) looks to me more acceptable and digestible...the plot is very clever but the acting is bizarre...nonsense and surreal....Jacqueline Bisset delivery your attractiveness to saves the movie....Jean Paul Belmondo is fine when he playing the writer only....the Mexican landscape helps to much....this odd french comedy is dated and isn't for all taste...but works for a killing time only and of course to see how beauty Jacqueline Bisset was in the seventies!!! Resume:First watch: 1988 / How Many: 2 / Source: TV-DVD / Rating: 6.25

radiobirdma The first half of "Le Magnifique" is postmodern tongue-in-cheek genius, a wild, ludicrous and in every department excellent mixture of James Bond spoof, splatter effects, slapstick, intertextual verve and romantic comedy clearly exceeding the ten stars limit, plus a downright irresistible Jacqueline Bisset (and I'm not even into brunettes). The second half, hmm, doesn't really come as a letdown, but sticks more to conventional vaudeville formulas and simply can't live up to the absurd roller-coaster folly already established, a few bitter tones possibly due to Francis Veber, a prolific and superb, but sometimes uneven writer who also worked on the script. The Canal Plus DVD features the French original as well as the English and German dub. As for comic dramas of the 70s, unorthodox and essential viewing.

kurciasbezdalas Ussualy spy comedies are boring to me. James Bond was spoofed so many times, that it's not funny anymore (Get Smart (tv series) and Austin Powers is an exception). This movie would be also just another spy comedy, but some things make this movie different from other and even original. The plot is not usual to spy comedies. Actually there were two stories told in this movie - one about a poor writer, another is about a spy, who is a main character of the poor writers book. Both of them are played by Jean-Paul Belmondo, who was just brilliant in this movie. I liked his mimics of the face when he played Bob Saint-Clair (a spy). He played Bob Saint-Clair with some sort of irony and it was hilarious. Most of the jokes in this movie were slap-stick jokes, it looked weird sometimes, but that's probably what made this movie so funny.

Bob Angilly (staffba3) Albanian agents are smuggling missile platforms into Mexico. An American agent is devoured by a shark in a phone booth. Superspy Bob St. Cloud is sent to Acapulco to investigate. There he meets the beautiful Tatiana, but their romance is interrupted when they are attacked by an army of Albanian scuba divers, armed with machine guns. In the middle of the carnage, a cleaning woman pushes a vacuum cleaner up the beach. She enters the door of a small beach house where...In a shabby Parisian flat, Francois Merlin, writer of cheap fiction, is pounding out his forty-third spy novel. He sees a young sociology student through the window of a nearby flat. Though he's never met her, she becomes part of his novel.From this beginning French director Philippe de Broca (King of Hearts) creates a bizarre comedy of frustrated desires and fantastic dreams. Like Walter Mitty, Merlin creates a fantasy life within his novels far more exciting than his own.French film star Jean-Paul Belmondo shows great versatility in a duel role as the campy hero Bob St. Cloud and the burnt-out Francois Merlin. Jacqueline Bisset is the vampish spy, Tatiana, as well as Christine, the sociology student who studying the popular appeal of Merlin's escapist novels. Vittorio Caprioli also plays a dual role as Bob St. Cloud's arch-enemy, the evil Colonel Karpoff, and as Merlin's smarmy publisher Georges Charon.De Broca is a master of light comedy and his film careens wildly through moments of high camp, pathos and outright slapstick, as the story switches back and forth between the fantasy of Merlin's novel to the reality of his own life. In the end Merlin must battle his own fictional alter ego, as well as his publisher, for the love of the fair Christine.