Platicsco Good story, Not enough for a whole film

Breakinger A Brilliant Conflict

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

TheLittleSongbird This has to be one of the best Mickey-Pluto cartoons. It is quite dark for a Disney Silly Symphony, with some parts scaring me as a kid(such as Pluto's heart being at his throat). As a young adult I still enjoy it while admiring its technical values. The story is simple, but still manages to be engaging with a lot of suspense. The animation is just fantastic, the black/dark and white/light shades are some of the best I've seen, helping at times to give some depth to Mickey's design as he enters the Mad Doctor's castle. I also loved the animation for the catacombs, recalling Egyptian Melodies, and the skeletons that Mickey has a constant battle with, imaginatively animated and very expressive even for skeletons. Mickey has more depth animation-wise than he has ever had before and is as likable as ever, Pluto is cute and energetic and the Mad Scientist immediately makes an impact by how frightening he is. The gags are clever, the creatures are suitably creepy and the cartoon goes at a terrific pace. Overall, while some MAY find themselves cheated by the "it's all a dream" ending, this cartoon is an absolute must see for Disney and animation fans. 10/10 Bethany Cox

mail-671 I can recall only seeing this once on tv some 30 years ago & was a rarity amongst Disney's early output/ This is no Silly Symphony and has a particular interest in that it was given a very limited release in the UK for one good reason - it has the rare distinction in the history of animation of having the then censor's new "H" for horror clapped on it (noone under 16 years admitted irrespective of the programmes). Disney's best children's later attractions as Snow White,Dumbo, Pinnochio & Fantasia had their darker moments of terror which gave the then censor some problems(unlike today!).Hence,like the later Wizard of Oz Snow White was initially given the "A" certificate before going on General Release when it was then changed to the Universal cert unlike Wizard which was never changed. Ever since The Skeleton Dance, ol'Uncle Walt like Hitchcock took secret glee in the anxiety element. Perhaps that there Big Bad Wolf in the 3 Little Pigs was not so far from The Wolf Man! Boo!

Robert Reynolds This is a fascinating cartoon-sort of a cross between Skeleton Dance and the much later Brave Little Tailor. A dramatic, rather scary short in spots, with some incredible visuals throughout, but most particularly a long scene set in a tunnel. Disney did some exceptional work in the early 1930s and the quality is still clearly evident even some 70 years later. There is apparently a computer-colorized version skulking about. I haven't seen it and, to judge by the colorized early Mickey Mouse black and whites that I have seen, I hope I never have it inflicted on my retinas. Part of the scariness here is the use of shadows in the black and white background. Colorizing this lessens the impact of those shadows. Excellent cartoon with an early appearance by Pluto. Well worth watching. Recommended.

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.Brave Mickey tracks THE MAD DOCTOR who has kidnapped Pluto to a spooky old castle of horrors.This fascinating little black & white film was considered so frightful and inconsistent with other Mouse cartoons, it was hidden away for decades in the Disney vaults. Heavily influenced by the horror films of the early 1930's, there are some truly eerie moments as stalwart Mickey searches the castle and must deal with the dangerous skeletons that follow him, while poor Pluto is strapped down in the laboratory and threatened with a hideous fate by the deranged Doctor. Besides the plot, the animation is excellent, with the artists getting to entertain the viewers with intriguing experiments in light & shadow. Walt Disney supplies Mickey's squeaky voice.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.