The Lost Son
The Lost Son
| 25 June 1999 (USA)
The Lost Son Trailers

Xavier Lombard is a world-weary private eye in London, in exile from his native Paris; his best friend is Nathalie, a high-class call girl. He gets a call from an old friend from the Paris police department, now a businessman whose brother-in-law is missing. The missing man's parents hire Xavier over their daughter's objections, and quickly he finds himself in the realm of children's sexual slavery.

Reviews
SincereFinest disgusting, overrated, pointless
HeadlinesExotic Boring
Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Jenni Devyn Worth seeing just to witness how winsome it is.
angelwild18 I just watched this film on DVD, and sought it out because I love Daniel Auteil's acting.This film felt very French to me in its cinematography and overall styling, although largely London based, and shot mainly in English. The acting throughout was excellent, perhaps with the exception of Ciaran Hinds' Brazilian/American/Irish accent! Ciaran plays the lost son's brother in law, who brings Lombard, the French private detective living in London, in to try to solve the case of the disappearance.The film does deal with a very sensitive subject, but I felt it did so sensitively, showing how an empire can be brought down by one man, if he feels strongly enough to sacrifice everything he has.There are some very violent scenes, and they are wholly central to the script, highlighting how low Lombard's character, is brought by his passion and anger at what horrors he has uncovered in a paedophile ring, involved in the disappearance of the lost son. Lombard makes moral decisions throughout the film that are understandable and I feel that this is a very powerful film.The late Katrin Cartlidge puts in a very strong performance, supporting Lombard's character in his ultimate revenge plot. Lombard's "tart with a heart" best friend, Marianne Denicourt, is excellent in a stunning bitter-sweet role, and Billie Whitelaw is fabulous as the stern, businesslike matriarch, whose lost son is being sought by Lombard, and who also comes to terms with tragic loss, as Lombard also must. Auteuil, as always, is credible, beautiful and gives a very moving performance. Although it took me a few minutes to get over his English "voice"!In my opinion, this must be one of the best international, cross-over, thrillers in recent years.
MartinHafer First off, you need to know this is NOT a movie you should let your kids see. The subject matter of the movie is the child sex trade and there is a considerable amount of intense violence in the film. I think all but a mature audience would be pretty traumatized by the film--I know I was a bit put off by the disgusting plot initially.Second, this film was a lot of fun for me to watch because I have seen Daniel Auteuil in many films and this was the first time I saw him acting in English and he did an excellent job. In addition, the character he played was a lot different than I was used to seeing. In Hollywood, this role might have been played by a more traditionally "macho" star--but I really think it helped to have a shorter, middle-aged and not particularly hunky guy play the role. It helped to make the plot seem more real.As mentioned above, the plot involves child sexual abuse and the sick soul-less people who profit from buying and selling children. Auteuil plays a private detective who stumbles into this industry when searching for a missing man. But how he resolves this will either totally put you off or offer a great reward depending on your sensibilities. If you can't accept him becoming a vigilante and killing or maiming these evil people, then I suggest you don't watch the film. I admit was totally repulsed by the sexual deviants and found it very satisfying to watch them get killed--particularly the last guy. The film really manages to tap into your visceral disgust for sexual predators--and some may feel disturbed that they can ENJOY watching these men die.About the only negative is the role played by Nastasia Kinski. Her character, at times, seems a little too shrill and annoying--almost more of a caricature than a 3-dimensional woman. Later the movie explains, in part, her over-reactions but I just felt she was a poorly developed character. However, considering she is NOT really that important to the plot, this can be overlooked.The writing, direction and most of the acting is first-rate. Give it a try.
billpride Violence, abuse, psychological drama, and sexual predation are real, and they're portrayed shockingly here, as is appropriate. Be warned. It makes you want to become an activist or a vigilante. Where was the law? Where were the other tradtional protectors? Can it ever be prevented and will it ever end?
mariogiannini Auteuil is magnificent as the French loner who has somehow become a lost soul among the shadows of London's West End. The private detective, who discovers the cracks in his own life though an investigation that leads him through the seedy underworld of the child prostitution trade, takes us through the shoking stages of his discovery with much suspense. One of the best modern detective stories to have been filmed in London for many years and a film that deserves much better attention than it got when first released.