The Living Daylights
The Living Daylights
PG | 29 June 1987 (USA)
The Living Daylights Trailers

After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.

Reviews
Matrixston Wow! Such a good movie.
SpuffyWeb Sadly Over-hyped
Cassandra Story: It's very simple but honestly that is fine.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
ivo-cobra8 The Living Daylights (1987) is my sixth favorite James Bond 007 film it is the reason why is one of my favorite in James Bond films. I'm a hard-core James Bond fan. I make no apologies for believing that Timothy Dalton is the closest thing we've seen to IAN FLEMING's James Bond. I grew up watching this movie as child it has a great action and one of the best Timothy Dalton's performance as James Bond he is excellent and charming I love his character. It has a beautiful filming locations in Austria Weissensee, Carinthia, Austria. Bond and Kara encounter a roadblock - Drautalstraße just before the Festungsbergtunnel, Carinthia, Austria. The frozen lake chase - Weissensee, Carinthia, Austria. Aston Martin V8 Vantage was used in this movie and you can see laser which he cuts a police car on the chase. This was the fourth film to be directed by director John Glen he previously directed For Your Eyes Only, Octopussy and A View to a Kill. The movie was filmed also in Vienna, Austria on those locations in which was this movie filmed 12 years ago I was in Vienna and I love it there. Not only this movie is an action film it is also a spy film in which James Bond 007 with a sniper riffle shoot's Kara when she try's to shot Koskov. Unaware it was a plot twits on the end and Bond uses Kara to get the Koskov when he find's out an assassins are killing spies. Armed with razor-sharp instincts and a license to kill, James Bond battles diabolical arms merchants bent on world domination in a weapons conspiracy that may be linked to the Soviet military high command. Initially assigned to help a KGB agent (Jerome Krabbe) defect, Bond must prevent an unknown sniper from killing him before he can escape to the West. The mysterious shooter is the seductive and beautiful Kara Milovy (Maryam d'Abo), who is not at all what she appears to be. Bond foils a plot to trade millions of dollars of diamonds for weapons, ending in a shootout high above the clouds in a plane loaded with opium. Great performance by Maryam d'Abo as Kara Milovy Koskov's girlfriend and later Bond's girl. She plays a cello and I like the classic opera songs used in this movie. Great performance from the bad guys Joe Don Baker as Brad Whitaker the main villain and the bad guy.Great performance from Jeroen Krabbé as General Georgi Koskov: Whitaker's ally and a renegade Soviet general the second bad guy. Great performance from Andreas Wisniewski as Necros: Koskov's henchman and assassin he is great as the killer I love the climatic fight on the plane between Bond and Necros on the end off the movie. Great performance from John Rhys-Davies as General Leonid Pushkin who was also in two of Indiana Jones movies I love his performance in this movie.I love the beautiful score from John Barry and wonderful music soundtrack The Living Daylight by A-Ha I love it. I have enjoyed this film it is my favorite James Bond film and I love it so much I have it on Blu-ray disc and I just love to watching it.You have a good stunt work, great action performance, you have a car that explodes you have great explosions. Great stunt work great action. Timothy Dalton is perhaps the most underrated actor to play James Bond, due to his rather brief stint as the character. He is terrific in both his films, and gives 007 a brooding that Bond has not had in any of his previous films. The movie is also good because the romance between Dalton and Mariam D'abo is there and is wonderful to see. Though Kara Milovy is not a tough Bond girl, she is one of the most sensitive and most romantic with Bond himself. The side love story is great to watch.I'm a hard-core James Bond fan I love old movies I love GoldenEye to death, I love Roger Moore and Sean Connery, Peirce Brosnan and of course Timothy Dalton.I love The Living Daylights I love this movie to death I also love Maryam D'abo in this she is enthralling I just love and enjoy watching this film not as much as I love GoldenEye but I love this movie to death. I think it is way underrated because he was in Afghanistan like was Rambo III (1988) and I know a lot of people from 9/11 doesn't like this movie but that time it was different time then now and yes it is my guilty pleasure of mine. If you don't like that's fine but I will take it any time over Daniel Craig and his retarded movies that is just my opinion not yours. You don't have to agree with me. The Living Daylights (1987) is the fifteenth spy film in the James Bond film series to be produced by Eon Productions, and the first to star Timothy Dalton as the fictional MI6 agent James Bond. Directed by John Glen, the film's title is taken from Ian Fleming's short story "The Living Daylights". It was the last film to use the title of an Ian Fleming story until the 2006 instalment Casino Royale.10/10 my favorite James Bond movie. This film is amazing Totally mind-blowing I love it.
gerard-45797 Just because Dalton plays a serious Bond doesn't make this movie one of the best Bonds as so many reviewers here want to convince us it is. It has too many flaws to be considered one of the best.First there is the lack of a strong central villain. Koskov and Whitaker are both unmenacing and uninteresting. Neither one of them measures up the villains of the Bond films that came before or after.Second, there is a distinct lack of sex appeal to the entire movie. For the first time ever in a Bond film, he only beds one woman and at the very end of the movie at that.Lastly, the plot is just too rambling and convoluted for words. The best Bond movies always benefited from use of Hitchcock's Macguffin, from the Lektor Decoder in From Russia with Love to the ATAC in For Your Eyes only. This film outsmarts itself and in turn bores the audience with its overly complex plot.In conclusion, don't believe the hype of some reviews of this film. These are from people delighted so much with Dalton's serious portrayal that they are willing to ignore the fact that this is not a great film.
LeonLouisRicci The Longest Continuous Franchise in Movie History did an Abrupt About Face with the Departure of an Aging Roger Moore and the Over the Top Tone, Layered with Comedic Fluff that had been the Formula for a Decade. Abandoning for the 1970's, the Cynicism, "Black" Humor, and the Serious Semi-Realism of the Connery Films.Attempting the Change was a bit Risky since the Bond Films all made Money. Some made a Ton of Money. The Mediocre Box-Office of the Two Timothy Dalton Bonds had Them Second-Guessing. But in Retrospect both of the Dalton Deliveries Deserved, and have Subsequently Received, a Better Reputation. In Fact, after the Pierce Brosnan Films, Daniel Craig and the Producers Picked Up on the Timothy Dalton Take once again.While this, the 15th James Bond Movie, is Not as Good as the Next and Final Dalton, it is Leaps and Bounds Better than most of the Goofy Roger Moore Movies. It Suffers somewhat with a Bloated Plot and a Residue from the Previous Over-Kill that was Part of the Formula. However, Overall it is a Thrilling Cold-War Finale.It's not a Perfect Bond Movie (few are), but it Stands the Test of Time, for those that take Their James Bond Seriously.
Leofwine_draca It may not be perfect, but the first of the two Timothy Dalton James Bond films from the late '80s is everything you could want from a Bond film. It's a globe-trotting adventure, packed with action, intrigue, romance, and plenty of engaging characters who spend the movie double-crossing each other. It sets the template for many a Bond flick to follow and many films which have come since have referenced it – from RAMBO III to AIR FORCE ONE, along with THE BOURNE ULTIMATUM and QUANTUM OF SOLACE. Yes, there are a couple of flaws – a bloated running time and some typical '80s excess moments which take the edge off some of the action – but for the most part this is tough pulp fun.I firmly believe that Dalton was and still is the best actor ever to have played the British secret agent – Daniel Craig can't match Dalton's cool exterior and air of quiet professionalism. Roger Moore may have the most fun in the role, but Timothy Dalton is the most believable of the pack and his appearance only serves to remind us of Pierce Brosnan's appalling turn during the 1990s. I didn't think much of Maryam d'Abo as the oddly sexless Bond girl (and this has to be the least sexy Bond flick in existence) despite the fact she made some good turns in other productions, she just seems uncomfortable here and her acting strained. There's good support from dependables like Art Malik and John Rhys-Davies but the villains don't make much of an impact: Joe Don Baker chews the scenery in a couple of instances but Dutch actor Jeroen Krabba is saddled with a weedy, slimy bad guy rather than a challenging one. The good news is that this has one of the best henchmen in a Bond flick: German actor Andreas Wisniewski with his garroting headphones. He's powerful, frightening, icily cold and also made a memorable appearance in the following year's DIE HARD as another henchman. Shame he didn't do more films! THE LIVING DAYLIGHTS has many decent action set-pieces, and they're not all of the predictable blow-em-up variety (like Brosnan's were). Okay, so the Arab attack on the Russian base is a bit too pyrotechnic for its own good, but there's a fantastic opening car chase in which Dalton does some of his own stunts to great effect, and a tremendous extended tussle involving a henchman, a stash of opium, and a bomb on a plane. Others keep the film moving nicely and I didn't get bored for a second – so full kudos to those involved for making this such an entertaining entry in the long running series.