The Invisible Menace
The Invisible Menace
NR | 22 January 1938 (USA)
The Invisible Menace Trailers

Army Private Eddie Pratt smuggles his new bride into camp in hopes of having a happy wedding night. Instead they discover a murder. Colonel Rogers of Army Intelligence arrives to take over the case. The prime suspect, Jevries, is well-known to Rogers, who sets out to get a confession from Jevries even though there are plenty of other suspects.

Reviews
RyothChatty ridiculous rating
GazerRise Fantastic!
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
mark.waltz When a daffy newlywed married couple (Eddie Craven and Marie Wilson) find a corpse in a military base warehouse, fingers point automatically to the brooding Boris Karloff who must think quickly to defend himself. This lame programmer, either filmdom's longest short, or shortest feature, seems rushed into production, not giving time to really develop the characters and a plot that is extremely cliched. Combining a supposed sci fi element, this film totally disappoints, and the comedy is ridiculously unfunny. Wilson overdoes the dumb blonde act, and Craven has no screen presence. Karloff does all he can to rise above the mediocrity, and the direction by John Farrow (his second with Karloff in just a year) has no real flow. The painless short running time makes this easier to get through, but I classify this as one of the worst Warner Brothers second feature, one that should have ended up in the public domain with a few others whose copyright they chose not to renew, which like this, are among their worst films.
LeonLouisRicci A cobbled together Mismatch of Comedy, Mystery, and a Touch of Terror. An early John Farrow Film whose Career had some Highlights in Film-Noir and other Genres. Boris Karloff is given a Non-Monster Role and He makes the Best of it.But, for some Odd Reason the Best Parts of the Movie are Glossed Over in quick Flashbacks and give way to Irritating, Dated, Date Comedy and some Unappealing Characters. A few Scenes have an Edge of Violence and a Stylish Darkness, but the Movie cannot Recover from the Weak Elements.A Movie dismissed by many and is really only Recommended for Completists and the Curious. There are some Things to See here but they Come at a Heavy Price. Enduring the Embarrassment of the Silly Stuff and a Combination of Elements that Never Mesh is Burdensome.
dbdumonteil Imagine Agatha Christie's Miss Marple in her prime.She would have married a private,unbeknown to her new husband's superiors.As they did not have time enough for a well-deserved honeymoon,they decide to do it military style,that is to say inside the camp.Of course they have to hide away from the staff.To make the matters worse,very mysterious (and even criminal ) things happen and 'official-secrets" might not be secret anymore.In spite of Boris Karloff's presence,it is not really a horror movie,but rather a whodunit:it is not difficult to guess who the murderer is and anyway we have a lady detective.She came "without warning" and she will be very insightful.
Sleepy-17 Murder mystery with a silly title. Better-than-average direction from John Farrow. Marie Wilson is quite funny as a horny newlywed, although the jokes are sticky and worth a few groans. But Karloff as usual is multi-dimensional, spooky and human, a warmer version of the guilty icon that Lon Chaney Sr. perfected.