Ameriatch One of the best films i have seen

Macerat It's Difficult NOT To Enjoy This Movie

WiseRatFlames An unexpected masterpiece

Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.

Comeuppance Reviews A group of multi-racial pals from France love nothing more than to Parkour it up on the local buildings and walkways. They've become so accomplished at what they do, they decide to open a gym in Bangkok to teach the local, underprivileged children how to Parkour. However, they unwittingly open their gym on the turf of the Japanese Yakuza, who are making inroads into Thailand. Henceforth, the ultimate confrontation begins to bubble up to the surface: who will win, the humble Parkour-ers or the nasty gangster baddies? Dare you find out? Here's what's good about The Great Challenge: there are a lot of extremely impressive physical feats, and the stuntwork and action scenes must have taken a lot of time and work to execute. We truly appreciate that. But here's the problem: there is no plot to speak of, and there is zero character development. So, yes, what these Parkour people do is quite extraordinary, but without decent storytelling, it's hard, if not downright impossible, to care about their plight. Consequently, you "check out" and you stop caring. So as much as we wanted to care about this band of buff ragamuffins (or ragabuffins, to use the vernacular), this movie made it really hard for us to get invested.We think we see what was going on here - make a PG-13-rated movie for the younger, Mountain Dew-drinking set that leverages the current trend of Parkour to get adolescent eyeballs on the screen. One of the main characters even strongly resembles Tony Hawk. While that may not have seemed like such a terrible plan, if The Great Challenge only had characterization, and was darker, grittier, and was rated R, we might have something. As it stands, it's "in one eye and out the other", a forgettable exercise that contains a lot of jumping and CGI sequences, but fails to deliver the serious-minded, bone-crunching blows that hardcore action fans have come to expect. The final brawl is a definite movie highlight, but it should have been that way from the jump (no pun intended). The movie shouldn't have saved its capital with the audience until the very end. By then it's too little too late.In the "mildly amusing" department, the little Thai street urchins have cast-off clothing from English-speaking countries that say "no fly zone", "crabby" and one has a colorful Street Fighter shirt. It's doubtful they know what their own clothing says. But the kids do get their own training sequence, so that's not out of keeping with classic action movies. But does it pay off? Plus, the baddies have these ridiculous bunched-up blankets on their heads that don't exactly inspire fear. The movie may be fast-paced, but where is it going? After seeing the same year's District B13 (2004), there's almost no need for The Great Challenge. So despite the hardworking stunt performances, we can't really recommend this.

HaemovoreRex Team Yamakazi get to display their amazing Free Running skills again in this their second feature film. Once again like the previous movie, the acrobatic abilities of these seemingly fearless individuals is guaranteed to leave ones mouth agape at the sheer spectacle on display here – this truly is an awesome art form and one which proves to be a perfect bedfellow for the action movie genre.Added to the crazy physical shenanigans we are also treated to some highly stylish visuals throughout especially courtesy of the stunning scenery in Thailand and a number of instances of highly imaginative and impressive visual effects such as in one scene wherein our main protagonists are seen traversing continents in one fluid take. Great stuff!Unfortunately however, despite the above glowing accolades, beneath all the surface gloss, it has to be said that when all is said and done the film in question has very little actual substance within.One of the main problems here lay in the fact that there are simply too many sub stories running throughout. Each of our main characters has their own separate 'adventures' in addition to the encompassing plot. Personal voyages of self discovery, the blossoming of love, loneliness, personal ambition and home sickness all feature here which in a much longer film might have sat more easily. However at a mere 90 or so minutes the actual effect is one of disjointedness and one that in addition actually serves to detract from the main plot. Certainly there were those who criticised the first film for the same principle, but it was not nearly as pronounced there as it is here.On the other hand, perhaps it is redundant to judge the film on such principles. After all, as an action movie this delivers some absolutely incredible set pieces; Indeed for pure kinetic enjoyment only the works of the likes of Jackie Chan or Tony Jaa etc are going to provide the same sort of adrenaline fix.In the final analysis then I feel that it is best to judge this film on it's merits as opposed to its flaws and with this in mind I would certainly recommend it highly to fans of crazy stunts, martial arts and general urban mayhem.Overall: An entirely respectable 7 out of 10 (Just don't go trying the stunts at home!)

dbborroughs This is a bad movie If I understand this correctly this is the sequel to a movie about "free runners", the same sort of thing that you saw in B-13, where people run and jump over and around buildings and objects with out a net and with a skill matched only by Spiderman. The first film (as was B-13) was made in connection with Luc Besson, here someone else picks up the rains and it shows. I have not seen the first film and after seeing this I don't know if I ever want to.The plot has a group of these free runners going to China and getting involved with the triads and the Japanese Mafia or some such nonsense. Mostly its an excuse to watch these young athletic guys and girls go running over roof tops and jumping from building to building with out visible means of support. This would be all fine and good if there was anything resembling a story to follow, but there's not. We get a fancy dress party being held in the court yard of a building, when there is a robbery from the upper floors. As the thieves leave through a window there is a sudden and completely out of place rain storm. There is no explanation of where the thieves went only that they landed on another building- somewhere. We then get the introduction of a good many characters all of which make no impression. We also get some action scenes that are filmed in such away that you're on top of each person giving you no sense of the danger or their location. When the final battle comes and the various sides decide to battle it out for no good reason as the police close, in we get a good many people going through obviously choreographed movements in a most embarrassing manner. Think poor French TV movie about martial arts.This is a martial arts turkey that needs to be actively avoided.

british_bpm Seri has triumphed here in a sweat ridden roller-coaster ride of a film. How refreshing to see a unadulterated action flick doesn't rely on the geekery of CGI, to make it's set pieces come to life, but instead depends wholly on the breath taking athletic talents and bravery of it's entire cast.I would explain the plot, but it would immediately expose a series of seemingly contrived plot devices in order to get the Yamikasi (the young troupe of French acrobatic building jumpers) to Bangkok, and into, well a whole heap load of trouble. But this film should not be analyzed in such a manner. Whilst puncturing your cornea with highly graded, much stylized Manga - esque images, Mr Seri has evidently immersed himself in Asian contemporary comic book and film culture, and the essence of marshal arts. Brief moments of spiritual enlightenment, racial tension and a love for one of the most exotically beautiful women to grace our screens in a long while (look out for Elodie Yung) puncture blistering scenes of fights a top bamboo scaffolded buildings, grim darkened steel warehouses, and a breath taking final denouement of ridiculous scale. Without a computer generated figure in sight. This is one for DVD replay buttons as mind boggling stunts are brushed aside with yet more bone crushing jumps, spins and kicks.I already read criticism for this film, but this is the mistaken critique of those watching it in the wrong context. This film should be held up alongside the likes of Akira, and the films of Jakie Chan. And this is where Mr Seri's success truly lies, for he is introducing an entire generation of young Europeans to this much stylized idiom. Suspension of reality for the younger generation, heroics and bravery of young people performing in this high octane circus. If you didn't like it, I suspect you were not the person this film was designed for.Bravo Monsieur Seri, Bravo!