The Grasshopper
The Grasshopper
R | 27 May 1970 (USA)
The Grasshopper Trailers

A British Columbia teenager dreams of show business but winds up as a call girl in Las Vegas.

Reviews
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
angelsunchained I saw the Grasshopper as an 11 year old back in 1969. All I really remembered was the skywriting scene at the end. Now, some 30 years later, I just bought the DVD. Boy, what a depressing movie. Of course the acting was impressive, and it was fun to see Vegas of the 1960s. However, seeing how a young soul is corrupted by life is not a pleasant thing to watch. Somewhat shocking for its time, the Grasshopper seems to have predicted the future for the youth of America....sex, drugs, and rock and roll. When there's no love, no dreams, or hopes, just a good time, the end results are self-destruction and depression. A bleak film with a symbolic ending, the Grasshopper is worth a look, but it leaves the viewer less then entertained.
moonspinner55 Well-scrubbed Canadian girl leaves home for Los Angeles, but gets sidetracked and ends up working as a topless dancer in Las Vegas. Both a cynical and sentimental take on the old she-went-down-the-wrong-path scenario. If it were more of a character study instead of a bad example picture it may have been more interesting and memorable. Still, there are insightful scenes and Jacqueline Bisset does a fine job in the difficult lead (she's playing a woman who is never allowed to be happy, so it's to Bisset's credit that we never tire of her). Directed by future sitcom maven Jerry Paris, who actually does wonders with the spotty screenplay (by comedy writers Jerry Belson and Garry Marshall, from the book "The Passing of Evil" by Mark McShane). Penny Marshall has a tiny role as a groupie, and Jim Brown is terrific in an unusual love-interest role. **1/2 from ****
shepardjessica This forgotten (considered exploitation film) almost, partly because Jim Brown (the great football player had a lead) and because Bissett since the mid-60's was eye-candy (not because of her roles in dopey, sexy spoofs), but because she was too pretty and had an English accent, she had a chance of respect like Potsy on HAPPY DAYS. This is a story (which SHOWGIRLS; already "cult classic") which achieved this kind of status for "seemingly" glorifying a beautiful young woman taking advantage of the System. Nobody ever saw this film (even the Frat boys with the J. Bissett poster from The Deep LATER). She was always looked in a very generic way (that's why she teamed with Candice Bergen in that Cukor film) that NO ONE every respected. This is a gritty early 70's film about (I think she's from Canada) just trying to get happy (IN A VERY STRANGE TIME PERIOD), while adjusting to circumstance, without becoming a whore, or a scumbag, or a yuppie, or a cheat. It's a real story! Even if you don't think Ms. Bissett is attractive (I pity you) She could act and this wasn't the only one, but....it was early, although she'd worked in films with Polanski and Audrey Hepburn and used to have a cool boyfriend back then (Michael Sarrazin; he probably cheated on her..who knows?), she made an effort in 1970 and watch her now in Sleepy Time Gal (couple of years ago) and you'll see she was never a "Bimbo" and is very interesting. A 7 out of 10. Best performance = Jacqueline Bissett. Joseph Cotten is also very involved and performs. Try to find this flick!
vyto34 This badly-done movie comes across as a 1970s porn film--without porn! It has the same 1-dimensional, slimy characters that populated porn films of that era, and it is very hard to believe that this was actually a Hollywood production. The story is insulting to adults--everything is predictable and trite. Jacqueline Bisset is gorgeous, but she does not get to show the front of her body off, despite a bunch of teasing scenes that suggest she might.
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