Perry Kate
Very very predictable, including the post credit scene !!!
Solidrariol
Am I Missing Something?
Edison Witt
The first must-see film of the year.
Karlee
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
glenn-aylett
Eighties football in England was blighted by hooliganism and organised firms of violent hooligans. This is the story of Bex Bissell, leader of a football firm based loosely on West Ham's Inter City Firm, and how he tries to organise a firm to cause trouble at the 1988 European Championship.Although it is a little dated, the film was made at the height of the yuppie era and brick like mobile phones and sharp suits predominate, The Firm's portrayal of groups of men who love violence, but in the case of Bex Bissell have respectable careers and mortgages, is accurate for the time as hooliganism had moved on from the unemployed skinhead image it had in the late seventies. Also Bissell's main rival, Birmingham hooligan Yeti, played excellently by Phil Daniels, drives around in a Volkswagen Golf GTI and wears designer clothes.As for the violence, even now it is quite shocking, but true of the era it was made in. In one scene a young hooligan has his face slashed, in retaliation Bissell tortures the man who carried out the attack, and in the final scene, a vicious fight between Bissell and Yeti sees Bissell gunned down and killed. Also it's debatable whether some of the men have any interest in football, Yeti is seen at a match discussing violence and for all Bissell is seen playing in the opening credits, he seems more interested in his firm and the next fight than match results.All in all The Firm is an excellent film made in the era just before football became the new rock and roll and became respectable. Look out for Steve Mc Fadden( Phil Mitchell) in a cameo and the late Terry Su Patt is excellent as Yusef, a new hooligan who gets his face slashed on his first outing with Bisell's firm.Ironically after I posted this review, there has been hours of rioting by England fans in Marseille, which proves the problem isn't totally dead.
kevster007us
With the greatest respect to the previous commentators...YE'R WELL OUT OF OWDAH (forgive the appalling grammar/vocab. etc) I ask this question. Why would anyone remake this movie? It's not a movie. It's a wickedly acted morality play. That's it. For Americans..period. Oldman gives a great performance (I suspect he always knew he'd get $10M if he lasted long enough (Dracula anyone?)) Enjoy it for what it is. Early Oldman (he is a great but an annoying actor isn't he?) It's violent, so don't hurt people.....(this is a show and I disagree with all of it) Last point We Live on Borrowed Time By Barry Manillow We Love him so Especially Pugs
Rick Reid
What a shame that Alan Clarke has to be associated with this tripe. That doesn't rule it out however; get a group of lads and some Stellas together and have a whale of a time running this one again and again and rolling around on the floor in tears of laughter. Great wasted night stuff. Al Hunter homes in on a well publicised theme of the late 80s- that hooligans were well organised and not really interested in the football itself- often with respectable jobs (estate agent???). But how Clarke can convince us that any of the two-bit actors straying from other TV productions of low quality (Grange Hill) or soon to go on to poor quality drama (Eastenders) can for a nanosecond make us believe that they are tough football thugs is laughable. Are we really to believe that the ICF (on whom of course the drama is based) would EVER go to another town to fight with just SIX blokes?The ICF would crowd out tube stations and the like with HUNDREDS. Andy Nicholls' Scally needs to be read before even contemplating a story of this nature. The acting is appalling and provides most of the laughs- Oldman is so camp it is unbelievable. Most of them look as though they should be in a bubble of bath of Mr Matey. A true inspiration to anyone with a digital video camera who thinks they can make a flick- go for it.
mulhollandman
Alan Clarke has cemented his reputation as a gritty realist director through three successful films. These are " Scum ", " Made in Britain " and " The Firm ". These are his most memorable as they were the launch pads for three of Britain's greatest actors. Ray Winestone as Carlin in " Scum ", Tim Roth as Trevor in " Made in Britain " & Gary Oldman as Bex in " The Firm ". All these films have one thing in common. They do not let up for anything or anyone when it comes to Violence, Racism and anti-social beliefs. The Firm centers around the I.C.C (Inner City Crew) firm and their leader and top boy Bex. Bex is a well to do estate agent who has a nice motor, a lovely home and wife and child. Bex's position is firmly established in their first meeting with two other rival firms. Bex has an vision of a united firm to go to the German European Cup and it is he that should lead it. However he must deal with the leaders of the other firms before he can lead an united front abroad. We see the I.C.C travel to rival turf and stake their claim but this is not before a disaster happens. The world of Football thuggery is dealt with carefully by showing us Bex as a man that craves the buzz that he is top boy. He is not content with being the leader of his own firm he wants more and more. It appears he has everything else a good job, car and a loving wife however as his obsession with being the over all top boy that we are introduced to the cracks that are appearing in his marriage due to his violent past time. This film is excellent in it's character portrayal and it does show a very different Gary Oldman character. Bex at the out set comes across as a typical nice bloke who works hard and has a good sense of humor but at the end of the film you are weary that you would never cross him due to his ferocious temper. There is one great scene when Bex's wife confronts him and asks when is he going to give up this lifestyle and he replies " I need the Buzz ". What can I say this really does sum up the whole idea of grown males going around knocking seven shades out of one another.
My only complaint is that the film was not longer. My reasons for watching this film is because of the new films that are being made about football violence (The Football Factory, The Yank)I wanted to see a film that was made during the time that football violence was in it's prime in Great Britain and Europe. I was also thrilled that there was no mention of any football teams as it showed exactly what these thugs enjoyed doing and that is slapping people. This point is observed by one of Bex's crew at a meeting. If it is ever on the T.V. watch it, or buy the D.V.D it will not disappoint.