Humaira Grant
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Roy Hart
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Aneesa Wardle
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
in_negotiations
It's sad when the only good ratings a movie can get are from the filmmaker's family and friends. Well, here's the dead matter in a nutshell: The vampire (Andrew Divoff) wears a blonde lady's wig that looks like it's on backwards. The storyline is… oh wait, there is no story. The overweight zombies look worse than what you'd expect to see at a local haunted house run by high school kids. The music just drones on, but maybe it's better than nothing. The movie is described as a campy horror comedy, but there's nothing humorous at all about this film, except maybe the terrible acting. No boobs, very little blood and no interesting death scenes, nothing you haven't seen a million times already, and no hot chicks, just a few frumpy fat dudes. The actress that plays Gretchen is cute, but not in a "hot" way. And like I said, no boobs. I can't even recommend this train wreck for a beer and B-movie night. It's just a huge waste of time.
Paul Magne Haakonsen
When I found out about this movie, my interest was peaked and I was thrilled to find out about what Midnight Syndicate would muster to put into this movie.And now having seen it, it is with a heavy heart that I must say that in my opinion, then Midnight Syndicate should stick to what they do so well, and that is making music - not movies! This movie was bad, plagued by a shallow storyline, unenthusiastic acting performances and generally a lack of appeal. I am sure that Midnight Syndicate meant well and tried their best, but the end result was just not that impressive.And more so, it was just downright tacky the way they were self-promoting themselves throughout the movie; such as the ring-tone on a phone was a classic Midnight Syndicate tune, and the mentioning of the band when someone was looking at vinyl albums. It was just too sleazy the way they were subtly trying to promote themselves through the means of the storyline.The story was mediocre at best, though it was heavy with stereotypical things, and it didn't really work out all that great. If they had stuck to just one type of classic horror creatures instead of two, it would have worked out much better. Either go with zombies or vampires, both of them together just doesn't really work out all that great.And what was up with the horrible fake wig plastered to Andrew Divoff's head? It looked God-awful, and I was laughing most of the time when he was on the screen because of it. So it was hard to take this movie seriously. And it was far from anywhere near the usual performances that Andrew Divoff delivers in movies. It was cool to see Tom Savini in the movie, though, and that much credit is due to the movie."The Dead Matter" is a shallow movie experience that is thick with self-promoting from Midnight Syndicate. And for a horror movie, then it turned out to be as far as it could be from being a horror movie. It sort of resembled a parody of horror at best.The one thing, and the best thing, that the movie had working for it, was - without any surprise - the music score / soundtrack. As always with Midnight Syndicate, you get some really great atmospheric and ambient music that emphasizes on the horror and occult aspect.
lovecraft231
It's a bit weird to me when a movie that's less than a year or at least a year old passes me by, or that I've heard of it but haven't seen it. Case in point: last year's "The Dead Matter." Directed by Midnight Syndicate main man Edward Douglas, and a remake of sorts of his earlier film of the same name that was shot on camcorder, I had heard good things about this movie, with Fangoria, Arrow in the Head and FEARnet singing its praises. So, does it live up to the hype? For the large part, yes.The plot goes a little something like this: Gretchen (Sean Serino) is morning the loss of her brother, so she and her buddies-Mike (Tom Nagel), Jill (C.B. Spencer) and Frank (Christopher Robichaud) hold a séance to bring him back. Well, what do ya know, Gretchen finds an ancient relic that can bring back and control the dead. Thing is, two warring vampire lords-Vellich (Andrew Divoff) and Sebed (Tom Savini) want possession of the relic, and vampire hunter McCallister (Jason Carter) wants to destroy it.If there's anything that harms the movie, its the fact that the actors playing our heroes don't do a good job. Serino tries her hardest, but she's just not that convincing as our lead protagonist, no matter how hard the movie tries to make us care about her plight. Meanwhile, Robichaud is hit and miss as the science loving Frank-sometimes admirably goofy, but other times kind of flat, while Nagel and Spencer feel like they're just kinda there.Apart from that, "The Dead Matter" is a lot of campy fun, and one of those movies I find myself disappointed that I didn't see it sooner. A fun mix of Gothic atmosphere and tongue-in-cheek black humor, the plot and events usually play like Hammer meets a horror-comedy from the 80's ala "Night of the Creeps" with vampires and zombies. Speaking of which, the dead here are interesting-the zombified Mark (Brian Van Camp) is amusing with his drinking beer and other goofy antics that thankfully don't suck, but most of the dead here of of the more haunting, specter like variety ala "Carnival of Souls." I find it refreshing to see someone who thinks outside of the box instead of constantly feeding us the typical zombies eating yards of intestines type of movie.Also, while our heroes are bland, everyone else does a fine job. Divoff is a hoot to watch (bad fright wig and all), while Savini makes the most of his time as his vampire rival, and Carter is a lot of fun as the vampire hunter out to stop them. Oh, and while not a gore-fest, you still get some nice scenes here and there (including an awesome bit with a jaw being torn off), though I must say the director must also be commended for not going overboard with splatter.So, will "The Dead Matter" win any awards for originality? Probably not. It is however, a refreshing little sleeper that shows what plenty of gumption and can-do spirit can accomplish, and for that, I applaud it. Check it out if you dig your Gothic horror with a sense of humor.
cjh668908
The Dead Matter...This is the imagination of Gothic/Halloween band Midnight Syndicate founding member Ed Douglas at work. Being creative always starts with an idea and a vision. In the mid 1990s he had an idea. He had a vision. He had a dream. He had $2,000. He had...............a Super VHS camera that he borrowed. It was used to film the first version of The Dead Matter, released in 1996. You have to start somewhere. A decade later an opportunity to re-make The Dead Matter with a much larger budget was realized (about $1.5 million). The script was co-written by Ed Douglas and Tony Demci, just as it was in the original 1996 film. Shooting took place in August and September 2007 in the Mansfield, Ohio area. To make this movie, Douglas went to the well and drew on his many talents, knowledge, creativity, interest in horror films, and prior background as a filmmaker and musician/composer, not to mention a college degree in theater and filmmaking. The end result is a dream realized. An excellent independent horror film with excellent actors, an excellent musical score courtesy of Midnight Syndicate themselves, not to mention contributions from other artists in the form of rock & roll songs (Lazy Lane, Eternal Legacy, and HipNostic).This movie stars Andrew Divoff (CSI: Miami, Lost, also movies such as Wishmaster, Air Force One, The Rage, Indiana Jones 4), Jason Carter (Babylon 5, Beverly Hills 90210, Angel, Charmed, Third Rock From The Sun), special effects legend Tom Savini (From Dusk Till Dawn, Dawn Of The Dead, Lost Boys 2, Grindhouse, Friday The 13th), Sean Serino (The Rage), Tom Nagel (North Mission Road, Beast Of Bray Road), CB Spencer (Passions, Ally McBeal, the movie Ballistica) Christopher Robichaud (the original 1996 version of The Dead Matter, plus voices on Midnight Syndicate albums), Brian Van Camp (New World Disorder), Donna Williams (The Rapture), Jim O' Rear (Hell House, Vampyre Tales), Meredith Beardmore (CSI: NY, A Family Matter), Kenyatta Foster, and "Big Chuck" Schodowski (American Scary), to name just a few, along with special effects/makeup artist Alan Tuskes (Star Trek, Vanilla Sky, The Rage). The narrator is Richard "Count Gore De Vol" Dyszel (The Alien Factor, Chainsaw Sally).What is this movie about? It's about a grief-stricken young woman named Gretchen who will do anything to contact or "reconnect" with her deceased brother. She stumbles upon an ancient Egyptian occult relic that leads her into the dark world of vampires and the living dead. She gets more than she bargained for, as all hell breaks loose. Two warring vampire lords are in search of the relic, which can control the dead. A vampire hunter is trying to stop them from obtaining the relic. This movie is unique in that it mixes both zombies and vampires. If you're somebody who is a fan of the Halloween season and its darker aspects, yet also embraces the lighter side of Halloween, then this movie will entertain you, as it is both on the dark side and lighter side. This movie has horror, humor, twists and turns, and keeps you guessing. The atmosphere is dark and creepy in parts, while at other times everyday activities and locations are used, such as in houses, bars, office buildings, etc. Midnight Syndicate doesn't hesitate to embrace the lighter side of horror/Halloween once in a while, and this movie proves it. You can't go wrong. I don't want to reveal too much. Watch it and be entertained. It's destined to become a Halloween classic, one of those movies that you'll want to watch every year during the Halloween season or on Halloween night after the trick-or-treaters have gone home and the jack-o-lantern has been extinguished. While not that scary, it does have its moments that will catch you off guard.Ed Douglas and Tony Demci were inspired and influenced by horror films of yesteryear, particularly from the '30s, '60s, '70s, '80s, Creepshow, and the Hammer films, but the bottom line is that The Dead Matter is ORIGINAL. The movie takes the "old school" approach of yesteryear, and it works. I personally think it's a great movie and I think you will, too. It doesn't take a lot of money to accomplish the primary goal, which is to scare or at least entertain the audience. Think of films like Carnival Of Souls (1962), Night Of The Living Dead (1968), and Halloween (1978). These are perfect examples of independent films that make their point and get the job done by scaring and entertaining you and creating the perfect atmosphere with minimal money.The Dead Matter is 89 minutes long and is presented in widescreen format.The extras on the DVD are excellent. There are two Midnight Syndicate music videos ("Dark Legacy" and "Lost", both of which appeared on The Dead Matter: Cemetery Gates album, released in 2008), three finalists' music videos from the Midnight Syndicate 13th Anniversary video contest, gag reels, audio commentary by Ed Douglas, Robert Kurtzman, and Gary Jones, a feature called Maximum Dead Matter that allows you to watch a scene in one corner of the screen while simultaneously watching the actual filming of the scene in another window, interviews with cast and crew members, locations, and concept art.Robert Kurtzman (producer, From Dusk Till Dawn, The Rage, Wishmaster), Gary Jones (Xena, Hercules, Boogeyman 3), and Ed Douglas all co-produced this movie.Yes, there is still hope when it comes to the making of quality horror movies. Thankfully, there are still a few people out there who actually have their own ideas and imagination. This is a standout independent horror movie gem released during the Age of Horror Remakes that we're currently living in. As good as this movie is, I believe that time will elevate this movie's status even more.
