Lumsdal Good , But It Is Overrated By Some

SpecialsTarget Disturbing yet enthralling

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Neil Welch When Robert Macpherson inherits the family business (making traditional tweeds) he brings in American efficiency expert Angela Barrows, who proceeds to introduce changes which are almost all for the worst. Meek, gentle manager Mr Martin, trying to keep her at bay (despite the fact that she has Macpherson under her thumb) comes to the conclusion that the only solution is to murder her.This 1960 black and white British comedy, based on a James Thurber story, stars the then 35-year old Peter Sellers as the late-50s Martin, sporting a gentle Edinburghian accent (the film is set in Edinburgh), Robert Morley as the rather histrionic Mcpherson, and Constance Cummings as the not as clever as she thinks she is Barrows. The film is not hilarious, but it is constantly amusing. And Sellers - gloriously underplaying in a movie where everyone else is over the top - is brilliant. But then, he always was.

bob the moo In order to get her out of their hair, her US employers send powerful businesswoman out to Scotland on some vague mission to investigate export potential. On the way she meets businessman Robert MacPherson who asks for her help to improve the efficiency of his late father's company. The mere suggestion that a woman would be brought into the male dominated company causes panic within the stuffy departments of the company – especially since the sole woman employee only makes tea for the men. Things only get worse when she starts updating the company, suggesting centralised tweed production in a factory, changing filing systems and carrying out time & motion studies. Happily employee Mr Martin is on hand to try and outwit her modernising ways.In this comedy the plot could easily just involve a man coming into a company because the battle is less one of male versus female and more a matter of old school versus new school where, much I'm Alright Jack, Sellers leads the defence against such action. Looking at it this way the film is much more interesting because it keeps it relevant (nobody likes change) whereas the idea of working for a female boss is no longer the crazy modern idea that it may have once been. The film uses this story reasonably well and produced a few chuckles from me while managing to maintain a consistent amusing tone. The lack of really sharp jokes or big laughs is a bit of a problem though, and it would have been better if the commentary had been sharper and some of the comic sequences had had more laughs but the overall tone is quite nice.The main reason it is quite funny is the subtle playing of Sellers who is gently amusing and sets the tone well for the material; perhaps not one of his most famous creations but he is enjoyable nonetheless. He is well supported by Morley, who plays the blundering boss with enthusiasm and adds to the comedy. Cummings is quite good and brings out well the manipulative nature of some women – turning on femininity and tears when it suits them; she does this well without being cruel to her sex I thought. The support is mainly good and includes a brief appearance from Donald Pleasence but really the film belongs to Sellers in his quiet role along with Morley and Cummings.Overall this is not a great film mainly because it lacks a sharp intelligent edge that it could have had and not replacing that with enough broad laughs to do the job. The cast really help and the material is good enough to be roundly amusing and it is worth a look because it is a pleasing little film even if it isn't anything that special or memorable.

heedarmy This well-cast adaptation of a classic James Thurber story relocates the action to Edinburgh and offers Peter Sellers one of his best roles as a timid bureaucrat who turns into a man of action when the crusty family firm he works for is threatened by an "efficiency expert" (and a female one at that!). His bumbling attempts to resolve the situation at the climax are a delight whilst co-star Robert Morley is perfect in the sort of role that he was born to play.There's some fine location work, beautifully shot in black-and-white by Oscar-winning cinematographer Freddie Francis and a late screen appearance by "Doctor Praetorius" himself, the sepulchral Ernest Thesiger.

foordie A delicious mix of dry comments, cultural clashes and devious expressions. Sellers is excellent as the mouse-like Mr Martin shocked to the core by the brash Miss Barrows and driven by his devotion to the family to protect tradition at all costs ! The bumbling uncertainty of the head of the Tweed empire could only be achieved by Morley whose portly figure towers over his frail employees as they await his next disastrous decision. Great examples of new not always being better (or not allowed to be !) form the key of the battle until the final hilarious showdown between the American and Scottish way of thinking. Every second is a film treat - should be on everyone's shelves !