Diagonaldi Very well executed

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

ianlouisiana Rock 'n' Roll,Jazz and Skiffle.They were the musical choices facing teenage boys in the mid 1950s.The ones who spent a lot of time in their rooms reading quietly and listening to the wireless tended towards jazz,tortured intellectuals who who wanted to ban the bomb and carry washboards beneath their duffel coats preferred skiffle,and those with a healthy interest in sex picked up their Hofners and tried to knock out "Be -bop a Lula". Jim Mclaine certainly falls within the latter category and is a "Bad Boy" before his time.With an over - protective single mother,he drops out from his Grammar School and drifts around the south coast before taking up with a Funfair.Here he cements the reputation of fairworkers as careless Lotharios. Altrhough capable of charm when necessary,he is in fact rather an unpleasant boy whose rejection of his mother is reflected in his conduct towards his sexual conquests. Mr D.Essex manages the difficult task of portraying both sides of his character and making them seem convincing. The movie rather sweetly captures the era of Post - Suez optimism when we could ride our bicycles around the streets without being shot at by warring gangs and hang around town centres without being watched warily by policemen in full body armour carrying gas spray cans. Jim wants to be a rock'n'roll star and makes the irrevocable step in the last scene of the movie where he goes into a music shop and is handed a guitar. Of course it turned out that rock'n'roll was not here to stay after all and only ageing ex - Teds and OAP bikers listen to Jim's kind of music any more as it proceeded to morph into "Rock" and all its sub - divisions of guitar widdle. To see how Jim coped (or failed to cope) with that you must watch "Stardust",the brilliant follow - up to this movie,but "That'll be the day" - in its own right - is a highly enjoyable movie and a wallow in nostalgia for those of us who wish it was still 1958.

Woodyanders Set in a plausibly dreary and defiantly anti-nostalgic late 50's era Britian, this grimly serious kitchen sink drama relates the turbulent up and down tale of one Jim MacLaine (superbly played by David Essex of "Rock On" fame), a discontent working class bloke who wants to be a rock star so he can successfully transcend the dismally unrewarding banality of plain old normal bourgeoisie existence and live a free, spontaneous, not attached to any heavy responsibility life. Jim drops out of school and moves out of his mother's house. He winds up going nowhere slowly, selling beach chairs on the arid shore in order to scrape by, until a shrewd smoothie busboy (Ringo Starr in a surprisingly excellent performance) takes the shy, naive Jim under his wing and teaches the heretofore sweet, guileless lad the fine art of picking up girls and gypping patrons at the local carnival of their spare change. Pretty soon Jim degenerates into a cold, heartless womanizing cad who's incapable of commitment and, as long as he refuses to settle down, just a few steps away from the fame he seeks.Loosely based on John Lennon's actual early exploits, with an outstanding golden oldies soundtrack and a rough, seedy, marvelously unglamorous and unromanticized depiction of the 50's, "That'll Be the Day" offers an engrossingly seamy and minutely detailed evocation of drab blue collar life, chiefly centering on the pertinent role rock music plays in serving as an outlet for overcoming the horrid ordinariness of said average lifestyle. Claude Whatham's astutely observant direction delivers a striking wealth of piquant incidental touches -- the ghastly shabbiness of Jim's cheap apartment, the faulty, out-of-tune speakers at a rundown dance hall, the grungy sleaziness of the fairground Jim works at, an incredibly cheerless wedding reception -- which in turn brings a splendidly gritty, lived-in conviction to Ray Connelly's meticulous, unsparingly downbeat script. Moreover, the acting is uniformly top-notch (Essex's finely underplayed characterization is especially strong), with commendable work turned in by Rosemary Leach as Jim's doting, concerned mother, James Booth as Jim's restless and unreliable absentee deadbeat dad, and Billy Fury as hotshot lounge singer extraordinaire Stormy Tempest. A sterling cinematic testament to rock music's undying allure and magical ability to create hope in an otherwise bleak and thankless world.

rghunt57 especially about "Stardust" As much as I admire "That'll be the Day", the sequel is even better, one of the finest movies about rock music ever made, yet it has never been released on video in any form (at least in the US). It's on my "most wanted list".For those who haven't seen it, it plays on the rock star mythology only hinted at by the final scene of "That'l be the day" and shows Jim's hedonistic rise as a musician, his career encapsulating both the ambitions and the pretensions of the period. Surprisingly - oh, I guess this counts as a "spoiler' - Connolly and crew didn't leave much room for a trilogy here.

smiths-4 ITV have just shown the Jim Maclaine(David Essex) films of which this is the first and Stardust is the second and as an avid supporter and fan of sixties and seventies British cinema i thought i had to check it out.It doesn't disappoint with its gritty evocation of a fifties childhood with a lack of a father figure. Jim then turns to the Rock and Roll world when he buys a guitar from a pawn shop at the end. His rise and fall is taken up in Stardust with Adam Faith taking the Ringo Starr role as Mike.Great, forgotten film with superior performances from Essex and Ringo Starr and a good cameo from Keith Moon and Billy Fury.