StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

merklekranz What immediately separates "Take a Hard Ride" from the multitude of post Sergio Leone "spaghetti westerns" is the preponderance of American actors in this film. Very little dubbing is the first thing you notice. The actors mouths are actually speaking. Second, for Lee Van Cleef admirers this is a real treat. He has lots of screen time, with plenty of his patented menacing closeups. Jim Brown and Fred Williamson play off each other quite well, and the entire cast seems to be enjoying their work. Though cartoon-like at times, this is easily overlooked in favor of the humorous touches. Though not exactly a parody of the fast fading "spaghetti western", "Take a Hard Ride" approaches the western in a light and fast moving manor. This is without a doubt one of the better "spaghetti westerns". - MERK

Spikeopath Take a Hard Ride is directed by Antonio Margheriti and written by Eric Bercovici and Jerrold L. Ludwig. It stars Jim Brown, Lee Van Cleef, Fred Williamson, Catherine Spaak and Jim Kelly. Music is by Jerry Goldsmith and cinematography by Riccardo Pallottini.Trail boss Pike (Brown) promises his dying employer Morgan (Dana Andrews) that he will travel across the dessert to deliver $86,000 in payroll money to a ranch in Sonora, Mexico. Forming an uneasy alliance with dandy gambler Tyree (Williamson), Pike quickly realises that many other people are aware of his task and want the money; including Bounty Hunter Kiefer (Cleef).What do you get if you take a large pan and throw in some Spaghetti and Paella, add some Blacksploitation beef and season with Kung-Fu? The answer is Antonio Margheriti's Take a Hard Ride.It's a fun movie, even unique in some ways, but it ultimately doesn't add up to much more than a series of action scenes, some good - some poor, glued together by a very ordinary and adventurous screenplay. Cast are hugely watchable, with the leads supported by Western pros Barry Sullivan and Harry Carey Junior, and the Canary Islands location is beautifully utilised. Bonus is the score from Goldsmith, who tinkers with traditional Spaghetti Western strains and adds in his own harmonious grace. Apparently Margheriti rearranged much of the score to suit his own editorial purpose, it's testament to Goldsmith's skills that even though the chronological flow of his piece has been defiled, what exists still marries up superbly with the vistas.It flopped at the box office and it has over the years been the source of much rib poking, however, from an action stand point it often delivers the goods. Bodies pile up, stunt-men and horses (PETA would go nuts!) fly about everywhere, and explosions are not in short supply. Yes it's poorly written and directed without due care and attention, but you may find it hard to dislike on account of its machismo and oddity value. I mean, if you can't enjoy a Western that has Jim Kelly suddenly turning into Bruce Lee and laying Kung-Fu down on some outlaws? Then entertainment is dead... 6/10

Ruth Voboril Thank God blacks have gotten past this stage of films. How completely undignified.Moreover, this was for me, a painful film to watch. Such a wonderful talent as Ronald Howard, playing the crooked preacher, in this, his last film, which turned out to be complete crap. The cameramen didn't even have the grace to give him one lousy decent shot. Every time it looks as though he might get a little bit of exposure, the camera returns to that damned Lee Van Cleef. It is clear to see how this led him to finally abandon acting entirely. What a waste of talent. Very sad indeed.

Wizard-8 One of the last spaghetti westerns (though really, there was a good amount of American talent in front of and behind the camera), it does definitely have some novelty value - the cast, some good Canary Island scenery, a quick pace, and some good action sequences (best being the gunfight in the canyon). Still, there was clearly a bunch of potential wasted. Brown is good, Williamson does okay, but the rest of the cast isn't actually given that much to do. Kelly's character could easily be written out, and Van Cleef's bad guy character isn't fully developed (for one thing, the movie doesn't seem to know what to do with him at the end.) And the script really isn't that much - it more or less consists of either the protagonists riding through the desert, or engaged in action.Die-hard western fans (especially those who like spaghetti westerns) will probably find enough to enjoy about it, but this certainly won't convert anyone who normally avoids this genre.