Contract to Kill
Contract to Kill
| 09 December 2016 (USA)
Contract to Kill Trailers

Harmon is a CIA/DEA enforcer investigating Arab terrorists captured in Mexico. With his team--seductive FBI agent Zara and spy-drone pilot Sharp--he flies to Istanbul and uncovers a brutal plot: Islamic extremists plan to use Sonora drug-smuggling routes to bring deadly weapons, and leaders, into the U.S. To prevent an attack on America, Harmon must turn these two savage forces against one another before his time--and his luck--run out.

Reviews
Matcollis This Movie Can Only Be Described With One Word.
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Kinley This movie feels like it was made purely to piss off people who want good shows
lacarcagne Never have I seen a more disgusting scene than fat old Segal, fully clothed, orange shooting glasses, leather coat and all on top of the lovely Jemma Dallender, mauling her beautiful naked breasts with his chubby hands. I will never watch another one of his movies again. Oh, the rest of the movie was poorly written as well.
Paul Magne Haakonsen Another year, another Seagal movie......but wait, haven't we seen this before? Seagal as a former government-super-secret-special-something-something taking on the entire world by his merry lonesome? Yep. And haven't we seen that since the 1980's? Indeed we have! "Contract to Kill" offers nothing, and I mean absolutely nothing to the genre, and nothing that Steven Seagal haven't already done to the brink of pointlessness in one of the endless heap of movies similar to this one that he has notched on his black belt.It used to be fun to watch Steven Seagal back in the 1980's and 1990's, but it has progressively just become more and more tiresome to watch his movies, as they are all exactly the same, year after year. It is time to branch out and try a new approach.However, it was sort of embarrassing to witness Seagal in this movie, as he seemed like a beached whale fighting to survive as he waddled his way through scripted fighting and stuttering dialogue.I managed to survive for about 50 minutes into "Contract to Kill", before I just simply lost the will to go on. I got up and just gave up on the movie. It offered nothing new to the genre, nor nothing new to the Seagal repertoire.If you have seen any single one of the myriad of Steven Seagal movies in the past, then you have essentially already seen this movie as well. Trust me.The characters in the movie were so generic that it was just amazing. They could be cut out of this movie and pasted directly into any other Seagal movie and they would fit right in. So don't get your hopes up for anything that even remotely resembles character development and progression.This was nowhere near being anywhere near the usual entertainment, albeit its overwhelming generic entertainment, that Seagal usually delivers, and I have no intention of returning to finish the rest of the movie, because I already know exactly what will happen."Contract to Kill" was a wide swing and a wide miss, even for the teddy bear of action movies Steven Seagal.
lee nicholson (dolemite72) The Plot: Seagal plays ex C.I.A operative john Harmon. His character seems like an off-shoot of Jonathan Cold (more 'The Foreigner' than 'Black Dawn' though) Harmon is lured back into taking out an Islamic terrorist, who is brokering a deal with Mexican Gangsters in Istanbul (?) for safe passage into the U.S. in order to activate (previously planted) 'cells'As part of a 3 person team, Harmon utilises technology and surveillance to play both fractions off against one another. When given an eleventh hour change in plan by his handlers, Harmon disobeys orders and together with his team, take the fight to the badguys on the night of their meeting.Action: Despite a rather talky start, the movie moves along at a fairly brisk pace, and is pretty much non-stop carnage, for the final third of the movie. However, the action is rather low-key (so don't go expecting any huge set pieces) what you get is about 2 or 3 explosions, a brief car chase, multiple shoot-outs and about 6 or 7 quick (but brutal) fight scenes for Seagal. The quick cut editing is on display (as per usual) but there's a few longer shots of Seagal dishing out punishment. The doubling is kept to a minimum. He bends a lot of arms (no snaps, sadly) flips a few guys over, kicks a couple, punches most of them, crunches one guys head open with a metal pole (ouch!) and shoots the rest (although, to be fair.....Seagal doesn't actually shoot too many people, preferring to actually fight them.....which may please those sick of the over-reliance on gunplay in previous movies?)Production Values: For a lower end DTV movie, it looks pretty polished. As previously stated, there's no big set pieces, but the cinematography is crisp, and the locations colourful enough (if sometimes uninspired) The green screen employed in the car chase actually look stylish (for a change) The editing is good (albeit, erratic during certain fight scenes) and the soundtrack has a cinematic feel to it.Performances: Seagal (as with 'End Of A Gun') is extremely profane throughout this. At one point, whilst giving a briefing to his team, he likens the mess of a mission to (quote) "A monkey trying to fcuk a football" (which not only raised a wry smile from myself....but also to the actual characters he says it to) Seagal isn't as 'quiet' as usual in this movie.....but speaks very slowly. Which is just as well, because most of his dialogue consists of abbreviations for various law enforcement agencies and terrorist groups and other organisations. The first third of the movie is very dialogue heavy....and if you're willing to endure a bit more exposition than usual, there's a pretty good thriller for the remaining hour. The other performers are competent enough (no one embarrasses themselves, I guess?) and Seagal's team also kick a lot of ass also (but not as much as the big guy)Final thoughts: Whilst not perfect, Contract To Kill is a competent enough thriller. The problem being that it's marketed as an 'Action' movie. If it was sold as a thriller, it would be an action-packed thriller. But sold as an action movie, it probably doesn't have enough "kiss kiss bang bang" for jaded millennial audiences. It's problem might be that (even for a Steven Seagal movie) it's actually (scarily) plausible? Playing like a downscalled 20 minute 'Mission Impossible' segment (with a touch of 'Eye In The Sky' added for good measure) Contract To Kill isn't likely to give THREE DAYS OF THE CONDOR sleepless nights, but I do think the recent bad reviews it's received have been rather unjust. It's fairly complex, but not at the expense of 'filler plot & characters' Had the exact same movie starred a bunch of A-listers....I'd wager critics would probably praise it. Unfortunately, critics seem to expect every new Seagal movie (however low the budget) to be 'Under Siege' (and quite frankly those days, not to mention 'budgets' have long gone, I'm afraid) Fans of Seagal would do well, to ignore the negativity of the critics (let's face it, they pretty much slammed all his earlier movies as well) and give this movie a chance. The key to enjoy recent Seagal movies is to like them for what they are (and not for what they aren't)
John Zappulla What the hell did I just watch?? It's actually been a while since I watched a "new" Seagal film and this atrocity is the reason why. First I have to say that it was as if I was watching 5 different movies at the same time that all had no relationship to each other. Except for the fact that Seagal got to hit people in each version. I mean many of us watched Seagal to see him perform his unique brand of martial arts but if that's what you are hoping for in this disaster, then surprise!!.... he does a little but it's mostly close ups of fists with allot of sound effects. Gone are the days of seeing Seagal actually fighting. OK, so he's put on some weight. Well, allot of weight and every shot of him was carefully crafted to make sure we didn't see how huge he has become. But, like everything else in this film, it didn't work and his bulk was obvious and embarrassing. Now I haven't kept track of Seagal's health but did something happen with his voice? It seemed painful for him to speak and his voice was very raspy. I sincerely hope he is OK, but please Mr. Seagal call back this film and burn all the masters.