WasAnnon Slow pace in the most part of the movie.

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Rama Rao This is a film with some witty dialog and good songs that make this very interesting to watch. This is the story of a controlling father who thrusts a bashful suitor Terry Clayton (Alexander Gray) onto his daughter Betty Braley (Bernice Clare) when she is interested in Steve Alden (Lawrence Gray). Terry hatches a plan to win back Betty with the help her sister Mary Jane who advises him to make Betty jealous by making romance with another woman. The trick works. When Betty's father banishes Alden from coming into the house, he comes to elope with Betty but Terry intervenes and carries her off for himself. John Frances directed this film and it was written by James Starr, which was based on a Broadway musical. There are some good songs that are worth listening to; "Have a little faith in me," "Crying for the Carolines." "What's the biog idea," and "Bad baby?"

ptb-8 This is seems to me to be a very true adaptation of a Broadway musical of the late 20s, filmed in quite a static way with the characters lined across the screen playing it exactly as if they were also across the stage bellowing lines into each other's faces so the back row could hear it. Given this performance is for a film it seems nobody thought to re direct it for a cinema audience who could hear every word courtesy of fantastic chunky Vitaphone gramophone sound. There is no doubt the dippy parents and flapper daughters play it well to the audience who even might have been expecting a play on film. SPRING IS HERE is quite funny, very stage bound and completely what we expect 80 years later: stodgy comedy, vaudeville mugging wonderful Rogers and Hart music all flattened into the technical aspects of the time. This film is a curiosity piece really, and would irritate your friends who do not understand that it is the restrictions of the medium of the time that makes a film like this attractive to those who love 1920s sound films. Beautiful clothes and sets add to the fun; but do not inflict this film on anyone not familiar with the time tone and tinniness. Maybe play the scenes of just the songs, as they are terrific. No wonder the talkies took off, but you can also see why depression audiences soon tired of songs being yelled at them.

drednm Not bad early musical based on a flop Broadway show by Rodgers and Hart.Willful Betty (Bernice Claire) thinks she loves flashy Steve (Lawrence Gray) because Terry (Alexander Gray) is boring and because her father wants her to marry him. But with a little coaching from her dizzy mom (Louise Fazenda), Terry turns into a lover and wins the day.Set among the "Long Island set," this breezy little film is full of smart retorts and good songs. It also features a funny performance by Ford Sterling as the frantic father and good work by Inez Courtney (from the Broadway show) and Frank Albertson as the younger set.Claire has a pleasing soprano and the Grays (not related) also sing well. Best known song here is "With a Song in My Heart." The Brox Sisters show up at the party and sing the hit "Cryin' for the Carolines." Also noted in the cast are Natalie Moorhead as the vamp, Bess Flowers as a guest, Gretchen Thomas as Maude, and Wilbur Mack as the vicar.While Lawrence Gray gets top billing here, it's Bernice Claire and Alexander Gray who are really the stars. They starred together in 3 films in 1930.

webmasterbob Actually, the songs for this film; Absence Makes The Heart Grow Fonder (For Somebody Else), Bad Baby, Cryin' For The Carolines, Have A Little Faith In Me, How Shall I Tell?, What's The Big Idea? were not written by R&H but by Harry Warren. This was Harry's big break into Hollywood songwriting for the silver screen. Due to the success of his music in this film, Harry Warren was brought out to Hollywood for a second film, "42nd Street", which is by and large considered to be the "grand daddy of all musicals". Harry then left Tin Pan Alley, and signed on to write the music for another 32 Warner Brothers films. Many of these were co-written with Al Dubin, and then later on with Johnny Mercer.In the end, this was the first film that Harry wrote music for. He went on to be the most successful songwriter in Hollywood, and that success propelled him to the top of the pop charts as well, writing 81 top ten hits, along with eleven Oscar nominations for best song.