Don Beck
Wow this was a wild movie! A low budget film with a lot of heart. It left you wondering what just happened. The acting was on par, as it made up for the low budget, and the visual effects were quite disturbing for what they had to work with. One particular scene was a heavy nod to Blue Velvet, and quite graphic. I chuckled my way through that scene. The antagonists in the film were a bit like the Manson family members, but with a severely sick twist. A fifteen inch phallus can do a lot of damage! That's all I can say about that without giving anything away. I enjoyed the trip, may watch it again with friends just to see their reactions.Thanks for the ride tho!
FilmFatale
I'm wondering if I saw a cut version, even though it said it was unrated. Basically, some students take an experimental drug and get visited by some long-dead sadistic serial killers. Or do they? Noah Segan is gorgeous, and that went a long way towards my tolerance of Someone's Knocking at the Door. It's kind of a mess, and sometimes it's pretty boring and annoying but it's short, has some decent moments, and it's fun at times. The acting is serviceable, and the sound work is pretty great in parts - especially when they unknowingly mimicked one of my cell phone alert sounds (yeah, I jumped. :)) I also found the soundtrack to be very enjoyable. SKATD is not for everyone's taste, but also not the "extreme" movie I'd been led to believe it was.
Jeff Long
If you've watched Someone's Knocking at the Door then you know the visceral violence and suspense Chad Ferrin and co. put into the film. It has been controversial. My take is that Mr. Ferrin won't compromise on his vision, and that's a good thing. You sit down to watch the movie, expecting to be entertained, and if you're used to watching horror movies, you're expecting to only be mildly affected. Mr. Ferrin doesn't let you get away with that. He lets you sit down and push play while he's smiling, but then he grabs you by the collar and drags you through exactly what he wants you to see and feel and you have absolutely no choice but to just deal with it. Brilliant! You can argue about this or that and analyze small nuances if you want, but in my book the film overwhelms you with gripping terror and doesn't let go and that makes the film work. The plot is unique, the characters interesting, and the pacing is great.Part of what I like is what you don't see. In an independent horror film you expect to hear lousy muffled audio, bad colouring, contrast, white-balance, too low or too high lighting, or any one of a number of bad technical issues with the film itself, not to mention bad editing and bad camera work in general. You won't find that here. SKATD looks and sounds like an "A" budget movie. I only had one small complaint in one scene that the background music was too loud for the character to be heard properly. That's it - one small technical issue. Mr. Ferrin has such a distinguished career already that by this production he has "movie making" down.SKATD really made me think, really made me feel, and really made me want to turn the f*cking lights on. That's what a good horror movie is supposed to do.Cheers!
Janet Youngman
Horror films are often made by independent filmmakers because of their ability to be produced for a smaller budget and the current worldwide popularity explosion that makes distribution a little bit easier. Consequently, there are a lot of really bad horror films made to simply try and capitalize on a growing market, instead of making the film because there was something to be said. Well, Chad Ferrin's film Someone's Knocking at the Door is thankfully one that has purpose and high skill with which the narrative is conveyed, taking the audience to a truly unique world that is fairly unfamiliar. This film came to the Arizona Underground Film Festival last week and after viewing, it was clear that the filmmakers had a definite vision to express. The film explores the relationship between a group of medical school students who are sexually obsessed, unconventional, and overwrought on drugs that they gain access to because of their connections through medical school. The other thing to keep in mind with this film is that it clearly steps outside the constraints of the horror genre, straddling comedy, drama, exploitation, grindhouse, and horror all at once for a rich and cinematic portrayal that will certainly keep the audience on the edge of their seat.The students are examining, of their own volition, a case from the 1970s about Wilma and John Hopper who were serial murders and rapists. The thing is, they seem to have returned, bringing their brand of psychedelic terror with them. These are two of the most creepy and demented characters to grace the screen in front of this writer's eyes. Their method of dispatching their victims is, well creative, disturbing, terrifying, and unique. It certainly raises the pulses of the audience as these villains are just so bad, almost demonic in nature rather than just disturbed humans.The medical students in the film are using drugs for many reasons, but one other than the easy access they have is a desire for the expansion of the mind. However, their use of an experimental drug in particular opens the doors of their minds, perhaps a bit too far, and allows the Hoppers to terrorize once again. It cannot be stressed enough how creepy and demented the Hoppers are. They are the antithesis of everything warm and fuzzy in the world, down to their method of extermination.The film is filled with terrifying situations, but they are of a psychological and gory nature, not a startling variety generally speaking. The question of what is really going on in the film world, what is motivating the madness of the characters on screen is what is terrifying to consider. Do the Hoppers have a higher purpose or are they just plain mad? Are the students being influenced by drugs or are their feelings and hallucinations real? This film explores many questions, doing a nice job of answering them for the most part, while ultimately leaving the audience to sort out the truth of the film through the complex, yet extremely coherent narrative which leads the viewer on a thrilling path that showed this writer what a horror film should and can be. Even the sound design seems to go far beyond the average horror film, showing attention to detail and a desire to utilize the cinematic medium to its fullest.Another great aspect of the film is that it is genre bending, possessing elements of comedy, subversion, satire, and true gore, yet in spite of its flouting of convention, it chooses to follow one important tenet which is keep the viewer on the edge of their seat throughout the film, something lost on many current horror productions as their goal seems to be to make an interesting DVD cover with a half naked person on it and hope the masses take it home. The half-ass filmmakers hope that the consumer is simply too lazy, too busy, or too ignorant to bring the film back to the place of purchase. Someone's Knocking at the Door does not presuppose ignorance or laziness, but rather, it hopes the viewer comes with a certain type of film acumen, and applies it to the piece. If the viewer does that, they will be rewarded with a rich and deeply meaningful work of art in front of their eyes.Films like Someone's Knocking at the Door obviously could be objectionable to some viewers, but this is why watching film is a two way street. If you are the type who is offended by content in films, you should be vigilant in researching what that content is going to be in a film that you choose to go and see. Stifling and censoring art is a one way ticket to Nazi Germany, Russia under Stalin, hell, the United States under its current police state mentality. This is not where art culture should be. Filmmakers should be free to make any film that they see fit, not just films that fit into a preformed box that only offends "x" percentage of people, and "y" percentage of people will find it favorable with a chance for a return visit. It is that capitalism thing that can often drive art to the embarrassing place it is being relegated. The films being pumped out at your local mall every week are mostly terrible, and yet people just keep going. Instead of accepting the rubbish you are being fed, take in a film like Someone's Knocking at the Door at your local art house, independent, not corporate, whatever other types of theaters there are in your town, and turn you back on the fraudulent films being pushed on consumers by big business.By Eric Shlapack Tucson Film Industry Examiner
