ManiakJiggy This is How Movies Should Be Made

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

FrogGlace In other words,this film is a surreal ride.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

MartinHafer Dr. Scott has created a miracle serum. When he's given it to animals with horrible injuries or on the verge of death, they quickly recover and are healthy. So, they want to try it out on a human...but ethically the only way they could do this is to give it to a terminal patient with no hope for recovery. Kyra (Mari Blanchard) is dying of advanced tuberculosis and she very willingly agrees to be the guinea pig. Amazingly, she soon completely recovers. However, there are unforeseen complications--she is now virtually indestructible AND she's evil!Soon, Kyra is off doing rotten things...and with seeming impunity. In a really, really neat scene for a 1950s film, she bashes some poor guy over the head while stealing something. When the police are searching for her, she hides out in a dressing room and wills her hair color to change...and it does on camera! Then, she just walks off...as they're looking for a brunette and she's now a platinum blonde! And, she seems to exude sex appeal that turn men into puppets in her hands! What's next for this budding sociopath with X-Men powers?!Overall, this is a highly entertaining film that doesn't always make sense. Why didn't the doctors go to the police? This never made complete sense.

JoeKarlosi Two scientists (Albert Dekker and Jack Kelly) treat a young female patient's medical trauma with an injection that has a profound effect: the woman's black hair becomes luminously blonde, she gains an irresistible sexual magnetism, but she also becomes an impulsive thief and killer possessed with the instinct to get whatever she desires at any cost. Mari Blanchard is ideal in her role as the gorgeous femme fatale, who has also gained an immunity and cannot be stopped even by her own doctors who've created her. Albert Dekker (popular to fans for his title role of DR. CYCLOPS) spews a lot of hokey dialogue in his remarkably self-assured manner. The younger Jack Kelly is his assistant hovering on falling under Blanchard's spell. Another fun 1950s 'B' . **1/2 out of ****

gopaco I too recall this picture when I saw it in a movie theater in Ashtabula, Ohio in the 50's. What I found fascinating about it was the Dr. who was in love with this patient and how difficult it was for him to finally make the decision to give her a shot of the anti-serum to stop the violence. I remember how she willed herself to change and become a blonde when she was in the changing room, how the Dr. stole some hair from her hair brush so he could have it analyzed and when she is given the final anti-serum and reverts back to the sweet brunette he loved. Even as a 8 year old,it touched me and made it quite memorable, even in these times. Would love to see it re-done as well. Also, does anyone know if there is any way to get a VHS of this picture?

eastofeden87 I remember seeing this movie when I was a kid on the Sunday afternoon TV matinee. In the film, a terminally-ill woman will die unless an experimental drug is administered by the scientist who developed the serum, if I remember correctly, from some type of insect or spider (or was it some deadly plant?). Her life is saved, but she has developed extraordinary methods of survival and becomes seemingly indestructible. What can the scientist do to solve this situation? In many ways, this film is typical of the 50's "horror" genre as seen in its low-budget, B-list tier of performers and the opinion that a man can save a woman, but who can save a woman from herself (especially one who's developed into some kind of monster)? As a kid, I remember being really impressed with a scene where, to avoid being caught, the woman (having developed those incredible survival techniques), mentally changes her hair color from brunette to platinum blonde (much like a chameleon). I remember thinking that would be really cool to be able to do that! So while this film is no awards-contender, it's a memorable quasi-horror title from the 50's!