Shadows of a Hot Summer
Shadows of a Hot Summer
| 15 September 1978 (USA)
Shadows of a Hot Summer Trailers

The story of 1947, when Bender's band, after a beating of the Nazis, tried to fight their way through Czechoslovakia to Austria. They come out of the forest to occupy the family's rural estate, kidnap doctors to help heal one of their wounded.

Reviews
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Grimossfer Clever and entertaining enough to recommend even to members of the 1%
pointyfilippa The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.
Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
cranesareflying Once more, Vlacil's films are largely about subjects that are not seen on screen. With some spoilers, here we have a story set in 1947 when Ukrainian right-wing anti-Communist guerillas, looking like and feeling like Nazi's, are trying to fight their way through Czechoslovakia to Austria. They come out of the forest to occupy a family's countryside farm house, kidnapping a doctor to help heal one of their wounded, but this could just as easily be about the post-war occupying forces in Eastern Europe, or the occupying Soviet forces in the 60's, as there is an initial belief that there is nothing anyone can do, or to coin a STAR TREK phrase, `Resistance is futile.' The film has a very languid pace which establishes the mood and pace of this small village, much of it is wordless, with a Sergio Leone acid-western feel, easily the most outstanding feature is the original music by Zdenek Liska, which plays on the inner psychological turmoil, providing an unseen character in the film. The father gives the appearance of passivity, as he is outmanned and outgunned, while his eager young son wants a taste of immediate revenge. But a wiser course of action is called for, waiting, giving the impression he is yielding to their demands, as the father wants to protect the lives of his wife and children, which allows for large doses of screen time where various family members are performing daily farm chores, just trying to survive this ordeal, while interspersed in each frame are men with machine guns who sadistically threaten their every impulse. This farmhouse under occupation represents a country under occupation, all feel like helpless victims where every moment is spent in fear, any minute things could spin helplessly out of control, and this film skillfully gets under everyone's skin.
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