CrawlerChunky In truth, there is barely enough story here to make a film.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Cheryl A clunky actioner with a handful of cool moments.

robert-temple-1 It makes a difference to see it from the French point of view. After all, ten percent of the population of France are now refugees or descendants of refugees from Muslim North Africa. This film is about the French Secret Service, which has initials I can never remember, but you know the one. It portrays them as hyper-efficient, hyper-modern, ruthless and dedicated professionals who will, as Gérard Lanvin the lead actor puts it in the film, be 'patriots' who will 'do anything for my country'. And 'anything' really means, unfortunately, 'anything'. The film portrays in grim, horrifying, and fascinating detail the fantastic entrapments devised to recruit young agents in the fight against Muslim terrorism. The French call the Qaeda fanatics by their alternative name of 'Salafis' rather than 'Wahabbis'. The terrorists are portrayed in 'Damascus' and 'Afghanistan' (both actually filmed in Morocco) with extreme and convincing realism. The film is disturbing in many places, with one homosexual rape scene and several murders. I believe the horrifying footage of the dog in the glass cage who is killed by cyanide gas is a real Qaeda video. The set-ups carried out by the French secret service are so devious that they would make Machiavelli blush. The film does not have the Hollywood approach to violence, which always focuses on childish and adolescent fantasies of things crashing and exploding. Instead, the French, who are a far more sophisticated people, concentrate on what happens to people rather than the havoc wreaked to mere objects. In this, they are more straightforward. If a severed head has to be delivered in a cake box, it is delivered in a mundane ordinary manner, and it does not have to be delivered by a helicopter smashing into a skyscraper. Anyway, there are few skyscrapers in Paris, thank God. (Skyscrapers have no business existing anywhere other than New York and Shanghai.) The attitude towards the agent ('humint' to the Americans) is brazenly unfeeling. As Lanvin says: 'An agent is not a person, he is a tool.' Controllers are not allowed to treat their agents as human beings. The film features an astonishingly versatile performance by the young actress Vahina Giocante, who is tricked into becoming an agent, and who screams at Lanvin when she realizes what he has done to her that he is 'all alone'. He answers with resignation: 'Yes, I know.' The whole story is very bleak, that is, when it stops its restless pace of action long enough to allow anyone a moment to reflect. The film is really a most impressive achievement, exciting, well made, relentlessly entertaining, if you have the stomach for the grisly bits. The director, Philippe Haïm, who also wrote the story, appears from his name to be of North African descent, so perhaps he has a special feel for all of this. He has done a superb job of making a French 'blockbuster'

brianwoodward77 Right, I think the first issue is with the editing, pace was roughly there but it just seemed to stutter in places and when most of the actors seem to have come straight out of stage school the pace really needs to be right on the button(compare and contrast with the UK TV drama, Spooks).The story was weak and watered down, too many jumps without any suggestion, a poor script and direction also.Thirdly the female lead, Vahina Giocante, really should have been shown the door after the first week, too much overacting for me, I've seen comedians act better. However I haven't seen any of her other stuff though so it could have been just a duff one for her.Simon Abkarian has played measured bad guys before and did pretty well but I'm afraid that poor old Gérard Lanvin just didn't have enough script to go on, they spent too much time on the Martyr when they could have worked more on his character.Sorry I really had high hopes for this and really wanted to like it, I even watched it twice to make sure I wasn't missing anything, but remember this is my opinion I'm sure others will love it. they tried to take the Spooks concept and do a French big budget movie, perhaps they should have got a script re-write and got Mathieu Kassovitz to direct.

writers_reign You can't of course copyright a title so if you are going to duplicate one a mere ten years old the least you can do is to be as different as possible. In the case of Secret Defense Jaques Rivette got their first in 1968 but there's not much chance of anyone turning out a film like Rivette so where that was a rambling discursive intellectual exercise this one is more a melange of John Le Carre and David Mamet involving cross and triple cross in the ongoing war against Islamic terrorists bent, as always, on making the rest of the world cry Allah. British television does much the same thing in its series Spooks', indeed one of your friendly neighbourhood terrorists here', Simon Akbarian, appeared in around 6 episodes of Spooks so presumably was able to phone it in for the big screen. Gerard Lanvin, more or less the only 'name' in the cast, is perfectly cast as the head honcho more than prepared to sacrifice his own personnel if and when required and it is, alas, required. Well worth catching.

GUENOT PHILIPPE That's the most wonderful and convincing film ever made about french Intelligence Services - DGSE - the equivalent of the CIA, MI 6 or MOSSAD. A rough, sharp, accurate and awful programmer which tells the story of ordinary people who are manipulated by their own "managers" in order to become decoy themselves. Before being wasted, in the name of the National Security.It made me puke. But so realistic.Lanvin is terrific as a cold blooded, ruthless supervisor who doesn't hesitate to sacrifice his own recruits, the rookies. As his character says in the movie: "Agents are not human beings but weapons..."No comment.Simon Abkarian is also delightful as a machiavellian terrorist. In this film, many things are revealed about Intellingence horrible proceedings, as well as terrorists networks.It's the first movie made about that subject since Frederic Schoenderffer's AGANTS SECRETS, in 2004.