Scared to Death
Scared to Death
R | 01 March 1980 (USA)
Scared to Death Trailers

A series of hideous murders is taking place, and Inspector Capell and cop-turned-novelist Lonergan are investigating. The murders are found to be the work of an out-of-control experiment in genetic engineering. The two men must descend into the city's sewer systems to destroy the horrific miscreation. It won't be hard to find, as it's already looking for its next victims...

Reviews
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Leofwine_draca SCARED TO DEATH is a nice little monster flick from director William Malone, shot on a very low budget in Los Angeles. Despite the lack of money and technical prowess, this has a cheap and scuzzy vibe, a kind of spooky atmosphere which works really well. In addition, there's much more interesting plotting than in a typical slasher film of the era, so even when the monster isn't around it's still interesting. The hero is a former cop turned writer who is reluctantly called in to help when a number of murders are committed by an apparent serial killer. The monster itself is no great shakes - merely a man in a suit, inspired by ALIEN as so many were - but the kills are gruesome and the climax may have inspired THE TERMINATOR.
DigitalRevenantX7 Former detective turned private eye Ted Lonergan & his girlfriend / assistant Jennifer Stanton are approached by one of Ted's former colleagues, Detective Lou Capell, to help with investigating a rash of killings where the victims fall into a coma after being drained of their spinal fluids. Jennifer manages to find a lead when a genetic scientist calls her with information but is attacked by the killer & left in a coma. Ted & the scientist discover that the killings were the work of the Syngenor (an acronym for Synthesised Genetic Organism), a genetic cyborg creature that was created by a dead scientist & that has escaped from the laboratory & is lurking in the sewers in order to feed on human spinal fluid in order to survive.Believe it or not, Scared to Death is probably one of the very first ALIEN templaters to have come out in the 1980s, alongside other similar films such as THE INTRUDER WITHIN & the el bizarro British entry XTRO. The film was the debut of director William Malone, a makeup effects artist who has designed the mask of serial killer Michael Myers from the Halloween films whilst working at Don Post Studios. Malone raised $74,000 in order to make the film & co-wrote the story with another effects wizard, Robert Short.Scared to Death is an interesting film, although nowhere even near the stature of the original Alien – while the Syngenor looks a bit like a H.R. Giger creation, it still is kept to the shadows to disguise its shortcomings (although the creature's body suit looks quite impressive). The rest of the film is basically Alien melded with Friday the 13th – plenty of undressing girls & shenanigans going on in the dark. The idea of a genetic cyborg (a being made from synthetic DNA) is quite good – indeed the film's attempt at setting the template on Earth & providing a reasonable explanation for the monster's nature earns full marks for being innovative despite the ultra-low budget. The only problem being that Malone is nowhere even near the skill set & vision of Ridley Scott, with his handling frequently turning the film's pace into a hard slog & having no idea on how to create suspense. Still, it was one of the earliest Alien templaters & the Syngenor still looks cool, enough for a sequel-remake to come out a decade later.
darkblood55 (Warning: I'm not fully bilingual, so please forgive me for my poor English vocabulary) This one was awful from start to finish! There was no notable action: the main characters were in a big investigation, full of dull dialogues, and the creature was just wandering around in the sewers doing some cheap kills once in a while, nothing too original, entertaining or gory.Not absolutely painful, just plain boring.If you want to see something a little better with the same creature, try Syngenor instead. I'm a big fan of the genre, especially the "so bad it's good" sub-genre, but this one is definitely not in that league. Avoid.
Woodyanders A lethal scientific mistake called a Syngenor (an acronym for Synthetic Genetic Organism) makes its home in the Los Angeles sewer system and occasionally comes out to either stick its slimy forked tongue down people's throats so it can feast on their spinal fluid or drag various unfortunate folks underground to feed its grotesque shellfish-like offspring. Dorky ex-cop turned bestselling novelist Ted Lonergan (an engaging performance by John Stinson) and attractive genetics student Sherry Carpenter (the fetching Toni Janotta, who resembles a young Barbara Steele) go after the malevolent humanoid reptilian monster (Kermit Eller in a nifty rubber suit) while the police make fools out of themselves trying to figure out the baffling clues. This really fun and lively earthbound "ALIEN" clone starts out rather sluggishly, but still winds up delivering the satisfying creature feature goods with an especially stirring and suspenseful conclusion. Writer/director William Malone, who went on to helm the big budget "House on Haunted Hill" remake and the dreadful "FearDotCom," keeps the pace moving at a reasonably brisk clip, only slowing things down for a few dreary dialogue scenes and a boring romance between Lonergan and girlfriend Jennifer Stanton (the lovely Diana Davidson) that are sandwiched between the pleasingly snappy and fairly gruesome beast attack set pieces. Moreover, the sequences in the sewer have a genuinely creepy and claustrophobic atmosphere to them, the monster is very cool, and the film overall has a certain earnest quality to it that's both endearing and entertaining.