Race for the Yankee Zephyr
Race for the Yankee Zephyr
| 28 November 1981 (USA)
Race for the Yankee Zephyr Trailers

In a lake high in the mountains of New Zealand hunter Gibbie Gibson discovers a plane wreck from WW2. When he tells it around, a gang of crooks follows and threatens him and his daughter, because they know there are 50 million dollars in the wreck. Helicopter pilot Barney helps Gibbie against them, risking his life thereby.

Reviews
Laikals The greatest movie ever made..!
Smartorhypo Highly Overrated But Still Good
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
ma-cortes In a lake high in the mountains of New Zealand hunter Gibbie Gibson (Donald Pleasence) discovers a plane wreck , the contents of the stash in the cargo aircraft comprised a shipment of gold war medals, Christmas mail correspondence, a crate of 100 bottles of Kentucky-made Old Crow bourbon whiskey, 1000 gold-bars in gold bullion and the entire payroll in cash for the American South Pacific Fleet. The value of the cargo in the film's story-line was said to be US $50 million . Finding it after four decades is quite a challenge , but holding onto it is really an adventure . It puts moody Gibson , her daughter (Lesley Ann Warren) and an adventurer , a helicopter pilot (Ken Wahl), chasing the treasure hidden since 1944 in the plane wreck of the Yankee Zephyr and risking their lives thereby. Meanwhile , a nasty gang boss (George Peppard) and his hoodlums on their tails . As a group of crooks follow and threaten them . This exciting film packs thrills , non-stop action , humor , helicopter pursuits , motorboat chases and wonderful landscapes . The picture was originally conceived as being a comic-adventure caper in the style of 1963's It's a Mad, Mad, Mad, Mad World and the film was "New Zealand's first big budget ($6 million) co-production". There's denying the energy in the frenetically paced flick but it remains flawed and sometimes unfocused. One of the big early creative decisions about the picture was whether this action-adventure-race film would be an off-road land or underwater salvage movie . The movie was re-titled 'Treasure of the Yankee Zephyr' for its distribution in the USA and it was first shown in America via pay-cable, where it carried no rating but was preceded with a warning vis-a-vis violence and strong language . The casting is frankly good , as Star Billing the followings : Ken Wahl , Lesley Ann Warren , Bruno Lawrence and special mention to George Peppard as a snarling villain and Donald Pleasence as a likable drunk . Gorgeous outdoors shot in location in the rugged terrain from New Zealand . Although the film was made in New Zealand instead of Australia due to an Australian Actor's Equity dispute , this was due to the refusal to permit four foreign actors to be cast in the film's four top-billed lead roles ,as such, this meant there would be not one Australian actor in any of these parts . Before the picture's setting was located to the South Island of New Zealand due to union disputes, the film was originally intended to be set in the rain forests of tropical north Queensland, Australia, specifically in the region of Cape York. This was second of two Australian theatrical feature films that were directed by David Hemmings in the early 1980s , the first was The survivor (1981) . Both films were made with producer Antony I. Ginnane and both movies featured an airplane as a central story element . David Hemmings replaced Richard Franklin as director. The latter was the film's original director but withdrew from the production when the filming location changed from Australia to New Zealand . This was last cinema movie directed by David Hemmings for around eleven years until 1992's Dark Horse (1992). Hemmings' only other theatrical feature after that movie was 1996's Lone Justice 3 (1996). In between these three pictures Hemmings did direct in television such as A Team (1983), Airwolf (1984), Magnum P.I. (1980) and Quantum Leap (1989).
merklekranz First off, the initial concept of a lost fortune in gold bars discovered in a New Zealand lake, inside a downed World War 2 plane is a great opening. What follows is nothing but cartoon like drivel. Men chasing men, cars chasing men , helicopters chasing men, helicopters chasing boats, boats chasing boats, for the better part of an hour, the most boring nonsense, with absolutely no advancement to the story. Special mention must be made of the chop shop editing, as many scenes seem to have been spliced together in random order. The acting by all concerned is an embarrassment. One last thing, the picture quality and sound quality is so bad on this DVD that you will be appalled. - MERK
Woodyanders Scruffy rough'n'tumble helicopter pilot Barney (a likable turn by Ken Wahl), his boozy and crotchety hunter buddy Gibbie (delightfully played with deliciously hammy gusto by Donald Pleasence), and Gibbie's feisty daughter Sally (a fine Lesley Ann Warren) venture into the scenic New Zealand wilderness in search of the Yankee Zephyr, a downed American World War II Navy cargo plane containing valuable medals and $50 million dollars worth of gold bullion. Meanwhile, snooty, yet ruthless businessman Theo Brown (nicely essayed to the suavely slimy hilt by George Peppard) and his pernicious flunkies also try to get their wicked hands on the booty. Director David Hemmings, working from a witty, eventful and blithely silly script by Everett De Roche, relates the lively story at a constant snappy pace, maintains an engagingly breezy and lighthearted tone throughout, and stages the exciting action set pieces with a substantial amount of skill and flair (a thrilling boat chase rates as the definite heart-racing highlight). Moreover, the enthusiastic cast have a field day with their colorful roles: Wahl, Warren and Pleasence make for appealing protagonists, Peppard has a ball as the fey villain, and Bruno Lawrence does well as Brown's equally no-count partner Baker. Brian May's spirited score hits the stirring spot. Vincent Monton's sumptuous widescreen cinematography offers plenty of lovely shots of the exquisitely lush and verdant New Zealand countryside. The movie's overall amiable sensibility and infectiously giddy sense of good-natured goofy humor add considerably to the film's cheerfully inane charm. A neat little flick.
doc91555 This is a nice campy little film that the whole family might enjoy IF you can find a copy anywhere. However there are many unrealistic "shoot em up" scenes, which may leave the young to think that gunplay has no consequences. I won't describe the plot as given elsewhere.There are two great helicopter chase scenes in the film (reminiscent of "the Gauntlet") that really show off some of the backcountry beauty of New Zealand that frankly, you would not be able to see without a helicopter.There are also many later scenes of "expert maneuvers" in helicopter, such as "quickstop-pedalturn-reverse heading", a "hammerhead pushover" or two, "sidewall dismount", and "confined spaces settling". The pilotage is excellent.The film also shows some of the wild ruggedness of New Zealand's South Island, where(at the time the film was made at least in 1981) the only paved roads are in larger towns and cities, and the country thoroughfares are primarily just "metal" (gravel roads) though always well maintained. And yes, the peaks really are that jagged. No special effects.Donald Pleasance, as a happy go lucky over the hill sot, plays his character to perfection. He makes numerous muttering quips similar to the humorous mutterings you hear in the vintage "a.a.p." Popeye cartoons. Unfortunately, many of these mutterings in RFYZ are unintelligible without multiple rewinds and equalizing to hear what is said. A bit frustrating, as there are probably a few lost jokes in there.George Peppard's accent is a very forced upper class snotty, which conforms to his portrayed character adequately.Ken Wahl and Lesley Ann Warren's characters play well off of each other to establish a typical independent rugged male vs. coddled entitled wenging female dynamic that would be "toxic" if not for nuances of a smoldering mutual sexual interest. There is one very brief fully clothed and appearing to have been intentionally directed "doggie style" movement between Wahl and Warren masked in a "struggling to escape" context that adds a subliminal mild eroticism to the play, but will go right over the heads of the kiddies. (Though may well spark Mom and Dad's fantasies once the kiddies have gone to sleep . . . .) There are no overt sexual references in the film that the kiddies would understand, however there is a brief "wet slip" scene which does faintly reveal the nature of LAW's upper "endowments".Shooting violence is significant, including use of assault weapons, but amazingly through the expenditures of hundreds of rounds of ammo, nobody ever gets hurt(hooray for Hollywood), nor is their accompanying gore.Conversational and expletive profanity (all but the F word and genital synonyms) are typical for middle class language, and would likely only be offensive to "devout" types, though may be inappropriate to guarded "inculcation" of pre-teens. Overall a fun "adventure" type film that all can enjoy as long as the young'uns are thoroughly coached or cognizant that in real life all the gunplay would really end up with lot's of dead people. And a must see for anyone interested in the wilds of New Zealand that could otherwise not be seen, or any student of rotor-wing aviation. Though all shots are exterior, so accurate control inputs are not shown. Choppers used are Hughes 269, Hughes 500C and Bell 206.