Rabbit of Seville
Rabbit of Seville
NR | 16 December 1950 (USA)
Rabbit of Seville Trailers

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

Reviews
Beanbioca As Good As It Gets
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
MartinHafer This is a high quality Warner Brothers cartoon,...there's no doubt about that. It's from the most productive and best period for their toons, so the animation quality and the rest of the production values are top notch. The problem, for me, is that this cartoon is not for all tastes and seems overrated. Surely there are much funnier Bugs Bunny cartoons (such as all the wonderful ones he did with Daffy Duck). And, how many kids would really enjoy this cartoon since it is chock full of opera and many of the usual Bugs Bunny hijinks are missing. I think this short is a great example of "IMDb-think"--adults are the ones rating the films on IMDb and so the ratings are strongly skewed towards what adults like. I know as a kid, I hated cartoons like this. Now that I am older (though perhaps not any more mature), I STILL don't particularly like this toon. Nope,...give me the good old Bugs Bunny over this opera-infested snoozer.
jlennon314 Okay, I am not a big fan of Charles Jones later work. I preferred him when he was "Charles M" instead of "Chuck." But this cartoon has persisted to be one of my two favourite episodes of the Looney Tunes characters. There really is nothing poorly done about the entire episode. The script is wonderful and witty, the music subject matter is perfect, and the singing is spot-on (especially for voiced characters). While I feel that "What's Opera, Doc?" is a bit heavy handed, and was never one of my favourites, I will stop what I am doing just to watch the Rabbit of Seville whenever I see that it is on the TV.If you value culture, or classic cartoons, this one has both. Many people in the West feel that cartoons cannot contain a cultural valuability that allows them to be either serious or even good. Well, I can honestly say that this one, while not serious, is actually a good piece of art, and stands alone well, proving to itself and other cartoons that even without seriousness, a cartoon can be more than kiddy jokes.
Akbar Shahzad (rapt0r_claw-1) Warner Bros. Cartoon Department was a factory that churned out the best cartoon shorts in history over a period of thirty years, over ninety per cent of these cartoons above the level most studios could hope to reach. But if that hadn't been so, if all the hundreds of cartoons that were turned out over the decades were complete crap, "What's Opera, Doc?" would come and give the studio world-wide renown. "Rabbit of Seville" seems to be in the same league. It's one of the handful of cartoons that really has no visible flaws. After repeated viewings (thanks to DVD) I still can't see anything wrong with it. The music and the animation are perfectly synchronized, and might be equal Disney's "Nutcracker Suite" sequence from "Fantasia." The action and the music sometimes get so frantic and so fast that your heart beats 200 times a minute. The gags are perfectly ingenious, nobody thought of those kinds of gags before and they were never repeated. Bugs and Elmer are great actors. No cartoons but possibly "Duck Amuck" and "What's Opera, Doc?" match it. Bugs's songs are fantastic, if you can keep up with the words. Nobody had seen anything like "Rabbit of Seville" before and nobody has seen anything similar since. So many trademarks that seem like Warner Bros. staples now were actually only used in "Seville." It really is unmatched. Beautiful.
Young Garrett This animated short is from what dreams are made. Its musical direction, humour, animation, build up and climax are flawless. It is funny that this small animated feature is worthy of such praise, no matter how great it is. However, the fact that this cartoon is only six minutes long means that it can achieve said perfection. Recent, much longer, fantasy epics are some of the greatest films of all time, however, their length (which is totally necessary) adds to the potential for problems.Yet, to say that "The Rabbit of Seville" is short but sweet is akin to saying the battle of Stalingrad was a "bit messy".Chuck Jones, Mel Blanc and all involved created perfection with this, all further attempts at animated comic shorts should be judged by this standard of excellence.
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