Develiker
terrible... so disappointed.
Stellead
Don't listen to the Hype. It's awful
Sammy-Jo Cervantes
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Philippa
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Lechuguilla
Illegal looting of ancient human artifacts is the unusual theme of this adventure story, set mostly in Mexico. Told in flashback, the lead character is a man named Al Colby (Glenn Ford) who gets involved in intrigue when he agrees to deliver a small packet from Cuba to a Mexican destination via ship.Assorted characters complicate Colby's courier task. But none of these characters are interesting, least of all the flippant Jefferson (Sean McClory), with his crew cut and awful glasses. Indeed, the main problem with the film is the script, with its contrived and hokey premise, and the Jefferson character as a villain.On the other hand, the tours of the various archeology sites are fascinating. And if the script had dumped some of the characters and focused more on the treasure hunt, the film would have been better.The B&W cinematography is quite good, with its dark shadows and strange camera angles. It's almost noirish. Filmed on location in Mexico, the outdoor visuals convey a sense of grand scope and historical authenticity.Francis L. Sullivan is well cast as a shady businessman. And lovely, exotic Patricia Medina is ideal as the mysterious and sultry Anna Luz. But Glenn Ford is a poor choice for the lead role. Had he been any less animated, he could have passed for one of those stone statues at the ancient ruins.The film is worth watching once, mostly for the outdoor visuals and the small part of the plot that deals with characters using clues to find missing treasure. But the film could have been so much more entertaining with a more adventure-minded actor in the lead role, and a plot geared more to the frustrations and unknown dangers linked to the task of finding buried treasure.
orion47
Near the beginning, in Mexico, Glenn Ford goes up to the bar and the bartender has on a sweater. A second later, at another angle, the sweater is gone!This is an interesting, archaeological treasure hunt flick. The story is pretty good and the characters interesting.I only wish it had been filmed in color so the beauty of the ruins could be seen by all. Nevertheless, even in black & white it is still beautiful.This movie could easily be remade and brought up-to-date. Any number of today's top actors could fit into Glenn Ford's role.
Rand-Al
Not much of David Dodge's novel remains in this film version, other than the names of some of the characters and the basic plot. American insurance investigator Al Colby is hired to smuggle a package out of Havana and into Oaxaca, Mexico. When the man who hired him is murdered aboard ship, Colby decides to find out what he is carrying and why it is worth killing for. Unscrupulous antiquities dealers, disgraced archaeologists, and desperate women all clash in a search for buried Zapotecan treasure. Glenn Ford is serviceable as Al Colby, but the plot is murky, the characters are under-developed, and the location is inexplicably changed from Peru to Mexico. Although it is long out-of-print, copies of the book are still relatively easy to find (unlike prints of this film, which is still tied up in Wayne estate litigation), and reading the book is a much better use of one's time.
bux
David Dodge's novel is brought to the screen with Ford excellent as protagonist Al Colby. The script however, plays fast and loose with the novel, changing the locale from Peru to Mexico and now the search is on for Aztec artifacts instead of Incan. All things considered, this is a tightly directed and well acted tale. It has not been available for viewing as it seems to be tied up in litigation along with "Island in the Sky"(1953) and "The High and the Mighty"(1954)as the Wayne Family battles Warner Brothers and we are the losers.