ThiefHott Too much of everything

Solemplex To me, this movie is perfection.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

hermes49-926-580574 Like others, over the years, I have watched and re-watched this delightful confection of a movie which possesses the rare combination of feeling almost like an indie/documentary/hand-held camera opus while also being very well made. Like art (or good wine) it wears/ages well, presenting a multi-level array of elements including a fun retro look at the gay/bar/fashion/hair scene of the '70's, the "easy to meet people", fun-loving, and not-yet-cynical attitude regarding social life and relationships, promiscuity as no big deal, and the message of self-love and self-acceptance over conformity. Craig Russell is perfect as the hairdresser looking for that "more" within himself and in life. He and his little coterie of friends create a warm, familiar, and almost cozy sense of affiliation/friendship despite the campy and sometimes abrasive repartee. This movie has a lot of heart and I "heartily" recommend it.

jpteets ... has made me think of this movie thousands of times since I saw it (and marveled at Taylor) at the old Playboy Theater in Chicago on a particularly nasty winter night. This was when it (and I) first came out, and I've not seen it since, so pardon my fumbles on the details, but.... One character is *waaay* down in the pit of despair toward the end of the film, and second character basically delivers a get-over-it slap: "You're just like everybody else. You're alive and sick and living in Toronto...." The audience roared. Who needs "alive and well"? We all *are* alive and sick and living wherever. And alive and sick (or sick of heart, or sick of it all) and living lots of places since, it's slapped me back into a smile more times than I can count. It was quite a gift, in its sweet neurotic way.

laughingegg Outrageous! is a truly remarkable film, and an attest to the genius of Craig Russell. The film opened in Manhattan during the early fall of 1977 without so much as a trailer or publicity of any kind...just word of mouth. Within one week people were queuing up in droves to see it! Not coincidentally, Craig Russell, the film's star, was staging his brilliant one man show "A Man And His Women" right around the block from the cinema. This masterful stroke of showmanship made him the toast of Manhattan. Outrageous! is a film about human relationships and acceptance...of loving, supporting and encouraging those people whom you care about. It's filled with character studies that are rich and evocative. Craig Russell was truly a genius. He was in my opinion the greatest female "impressionist" of all time. By utilizing his own vocal talents, facial expressions and simple make-up and costume changes, he would transform into Mae West, Talulah Bankhead, Bette Davis, Judy Garland, Carol Channing or Peggy Lee (to name but a few) so seamlessly, one would easily forget they weren't witnessing the genuine article. His one man show "A Man and His Woman" which played at "Theatre East"in Manhattan allowed audiences to see the true extent of his talent that was only touched upon in the film. Outrageous! is a film that dramatically changed and enriched my life. The film should be restored and reissued both theatrically and on DVD. It sends a profoundly positive message that should be passed on to future generations.Cheers,R. Stephen Weber Burbank, CA

jonygee The acting was superb. A sleeper film if I ever saw one, more people should see it. It needs to be re-released and published for sale.