On the Run
On the Run
NR | 30 January 2004 (USA)
On the Run Trailers

Après quinze ans passés derrière les barreaux, Bruno, qui prône la révolution prolétarienne, s'évade. Ce dernier veut continuer la lutte, faire sortir ses camarades de prison, libérer les masses du joug capitaliste. Tous ses anciens alliés n'y croient plus, même Jeanne qui s'est mariée et a maintenant des enfants.

Reviews
Steineded How sad is this?
Sexyloutak Absolutely the worst movie.
CrawlerChunky In truth, there is barely enough story here to make a film.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Edgar Soberon Torchia Belgian film from 2003, the first part of a trilogy that I had never heard of and that was recommended to me by a cinéphile friend, precisely, from Belgium.With only this movie Lucas Belvaux is a candidate to enter my personal Olympus of Filmmakers. I do not know how the other two movies are yet but this one is good cinema, shocking, sober but extremely violent. It has been 15 years since it was made but it still stands as a solid production with a forceful story. Belvaux himself (who made an acting career in France) leads the cast as Bruno, a leftist ex-militant who escapes from prison, where he has served 15 years of a sentence. Outside the world changed, but not his head. Bruno returns to settle accounts to those who were traitors to the cause, to fight for the proletarian masses, to exterminate the oppressors: so convinced is the man that he unleashes a wave of violence and manifests features of extreme cruelty that catch you by surprise. Now I'm going for the second installment, in which characters that were secondary in the first one come to the fore. Winner of the Prix Louis Delluc and the award of the French Syndicate of Cinema Critics for Best Film of the Year.
CareySandwich I generally don't consider myself the biggest fan of thrillers, but it seems that it may be due to my American upbringing. This makes me real bitter that intelligent, thorough, and stylistically unique films are being made elsewhere, but the American market doesn't seem interested because... why? The subtitles? The acting and writing are still better even if you do have to read the translated subtitles. You know what, I should boycott American movies for a while because I really haven't had much experience with foreign films, but of the last three films I saw, two of them were French, and one was from Hollywood. Guess which two were wonderful, and which one was God-Awful... Cavale was one of the best thrillers I've ever seen. It was dark and shadowy and very well shot. It was full of humanity, which is another thing that American films seem to be lacking. One of the things I liked best about it was the underlying subtlety in the characters. They had tones and textures that really drew me in. If you haven't seen Cavale, do so, you're going to love it.
sara s too bad the subtitles did not include all the chatter (some of the police band radio, the tv, small bits of conversation) -- LOVED this picture which was shot, edited, directed and acted with clarity, economy and emotion played simply & directly. lucas did amazing work as both actor & director (& writer) and richly deserves the accolades he is getting on this project.use of the location was also good, i actually recognised the gare de grenoble as they approached it on the train & one really got the feeling of being EN CAVALE with all the POV shots in the cars, on the train, going through the woods, climbing --
BenidictGauchiet I found this movie very slow moving and ultimately boring, i only stayed until the end because i figured it was building to an interesting climax but in the end it just petered out slowly, leaving a bad taste in my mouth. The cinematography was for the most part bland and TV-like, very uninteresting visually. However I liked some of the editing ideas and the sound design was very good, a lot of the action was told only with sound as there is very little dialogue. I found it very easy to get lost in the story, a lot of the actors are very similar physically and there's not much characterization to distinguish them. The sudden bursts of violence and action were well done, and in most cases shocking and realistic, they jolted me awake occasionly, unfortunately i just didn't really get the characters and their relationships, back story etc. Maybe more will become clear if i see the other two films in the trilogy. However i can't recommend this as a stand alone film at all.