Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Phonearl Good start, but then it gets ruined

BroadcastChic Excellent, a Must See

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

abb230 The subject of this film is difficult, a friendship and a war that comes in between friends. I would have given it a 9 but the propaganda in the film brings it down big time. This is not a historical film but it appears that some key dates have been followed.Why do I call it a propaganda film? Because, it shows good and bad on both sides but actually it subtly forces the viewer to sympathise with one side. This is the art of propaganda. Also called brainwashing which keeps happening again and again. It feels that we will see many more propaganda films in the future. Also, the Brits got the wrong end of the stick, which is almost funny.The two main characters, Bobby and Said are very likable as they appear as very genuine blokes. Their friendship is a real pleasure to watch, shame it was used to cover up the real agenda.

liten I first and foremost am a man for peace, no matter on what side you may consider me after this review. For me this is truly a story about love. A love between two friends, a love between and Arab and Jew of course, and yet a brotherly love between two human beings. Aren't we all human beings? Shouldn't we all be destined to love each other. This is also a story of choices. The choice of the Arab main character (Said) either to let his American friend (Bobby) die, or save him. And he made the right choice. The choice of the same Arab to shoot his friend and yet again, he made the right choice. The same goes of course to the American main character. Sadly, others made lesser right choices. I may just be referring to the themes of this movie, but regarding this aspect, and only this side of a truly complex subject, where the line between right and wrong and guilt and innocence is so blurred now hardly anyone can set foot on this subject without being accused of extremism b by side or the other...and the themes are in my opinion well portrayed. Love. Friendship. Bravery against all odds when others are making the wrong choices, taking up guns and fighting a battle they have already lost at the hands of the colonial powers. Because let's face it. This is neither the Arab's nor the Jew's fault. It is the fault of a coward colonial power who only decided to save its own neck and buy unloading itself of the Jewish lobby it has been carrying around for the past decades, and not look back one second to the chaos it has brewed. It has even gone as far as "abstaining" from the vote. Hypocrites. But the movies shows it all. From both sides. Although I am not acquainted with the history, I get the feeling that the story is genuine and true. That this is what really and sadly happened, which brings us to the present day situation where nothing has changed and everything has worsened.The most powerful scene for me is of course the last scene so powerfully played. Bobby knew she was going to die and she knew she was going to die, and so did everyone else around them. Yet, he still decided to marry her. A selfless and truly heroic act. One that would fill the world with wonder if other people had but a trickle of it.This movie can't deserve a score. It does not deserve a score. To give it a score would be to limit to to a few acting criteria, some special effects, or other cinematographic jumbo I can't get my head around. But my review is more about the themes of the movie itself, which was awe-inspiringly portrayed.So give it whatever you want. Personally, I loved it!

hassan-38 O Jerusalem is certainly a good step in the right direction. It does not claim to be a historically pin-point accurate epic, but it does cover most of the salient events of that period in history.I have personally known Abdelqader Al-Husseini, and Major – later Colonel – Abdallah Al-Tal. The first was the son of one of the top aristocratic families in Jerusalem, and the second hails from a large tribe in the area of Irbid in what is known today as Jordan. As the film shows, Husseini was let down by the Arab League and was killed in action during the Qastal operation. That corresponds to the facts. When Larry Collins and Dominique Lapierre wrote their book bearing the same name as the film, they interviewed Husseini's sons. One of whom was Faysal Husseini of Orient House fame, and who died of a heart attack a few years ago.Major Tal's intervention during the fighting in Jerusalem was not sanctioned by the British Chief of Staff of the Arab Legion (i.e. the Jordanian Army), General Glubb Pasha, and only hesitantly if at all by King Abdullah. The latter was already pursuing secret negotiations with Golda Meir and Moshe Sharett about getting a piece of Palestine for himself (An act of high treason at that time, at least as far as the Palestinians were concerned). Major Tal's personal military initiative in Jerusalem secured the eastern part of the city for King Abdullah, but also for the Palestinians, until the 1967 Six Day war. But Abdullah became jealous because of Al-Tal's popularity and accused him of trying to seize power in Jordan in order to annex it to Syria (pretty disingenuous!) Al-Tal spent the next twenty years or so as a political refugee in Egypt. To check what Major Tal said during the encounter between him and the Haganah leaders (Moshe Dayan), interested individuals can read Dayan's and Al-Tal's memoirs (probably translated from Arabic by the IDF, and/or possibly by one of the Pentagon many agencies.The film perpetuates a line that has been discredited by historians on all sides, namely purporting that the "Arab governments asked the Palestinians to abandon their homes and leave their country so that the Arab armies could fight the "Jews" with ease". Nobody did call, and nobody would have responded to such a call. But Egypt and Jordan took every possible measure to prevent the Palestinians from acquiring weapons, and non-Palestinian volunteers were not encouraged to participate in the fighting.What is never clarified about the Palestinian-Israeli question, including by the Palestinians themselves, is that they did not rise against the Jewish Arab community that had lived among them for millenia, not even the few Europeans who had settled there during the Ottoman Empire. When, in the latter part of the 1920s and on, a new breed of mainly Eastern European Jewish immigrants escaping the horrors in Europe had started arriving into the country essentially with British help, and with the intent of creating a Jewish-only state; the only way for them to achieve that of course was by force. Nobody can fault anyone for resorting to force to oppose that predicament.I saw the DVD only yesterday in French, though it was obvious that the actors were speaking English, and the French was dubbed over it. I am looking for an English version if such exists. As for the change of title from "Beyond Friendship", which was probably going to appear in English, it is quite possible, though I cannot swear to it, that pressure was put on the distributors to avoid marketing the film in the USA. But then many of the actors are French.Some of the text titles translated into Arabic, and the name of a street or two in Jerusalem were not accurately translated or properly spelled in the film.Elie Chouraqui may be related to the famous André Chouraqui, who translated the Qoran into French, i.e. they should have a good understanding of the Arabic language and culture.All in all, the film could be a good discussion topic for both sides, to give events their proper names and historic dimensions in search for mutual accommodation. That is of course if they are willing and able to undertake this necessary exercise for the sake of their sanity, the future of their children and world peace. Otherwise they have no other choice! If you prefer, you may comment on my review in French.

Dr Jacques COULARDEAU We had expected that film for decades and we finally get it. The absolute irresponsibility of the English in Palestine, the horrendous tragedy of nazism symbolized by the concentration camps as the final solution to the Jewish problem, the extreme barbarity of the extremist Jewish groups, the naive complacent blindness of many on both sides, these are the main reasons why the creation of Israel was more tragic than it should have been. Instead of a multicultural and multi-ethnic state, Isarel was founded as a Jewish state, that is to say a state whose definition was purely religious. For millenia the Jews and the Arabs had lived in normal peaceful relations, except when the Christians decided to come and crusade around in the Middle East, but suddenly the absolute absurdity of the international community was to find the berserk compromise of splitting Jerusalem in two, as a collateral decision of the creation of a Jewish state. Since 1948 the situation has little changed and it is war after war, a quasi permanent state of war. The film is admirable because it follows the historical situation through the eyes of a few young people who knew and loved one another deeply before coming to Palestine, in fact in New York, one Arab, three Jews and one Christian. It thus becomes the story of the uprooting of these friendships and loves, the impossible uprooting that dramatizes every step in this struggle, on both the Jewish and the Arab sides, and makes it become little by little more and more cosmic in the emotional intensity it assumes day after day, night after night. To marry the woman you love in the very last five minutes of her life erases any religious dimension in the ceremony that only becomes the mark of the deepest suffering of all : the suffering of a hope that seems to glide away with a sneer from your grip, especially when one of the witnesses of this Jewish wedding is the Arab friend of the two aspiring husband and wife and the son of the leader of the Arab community who was killed in the fight by the very bridegroom. This is a rewriting of the impossible love of so many tragedies, and first of all Romeo and Juliet, but in such a different context that it becomes a divine surprise that can easily lead to the rebirth of the hope that may have died in the meantime, but a hope that lives and strives in our own minds that one day soon Jerusalem will finally no longer be cut by a wall, that one day Palestine will be one again, in a way or another, for both the Jews and the Arabs, equal in dignity, equal in history, equal in faith and equal in love. When will dates be shared again and the agenda of Palestine be moving along one unified line. Here is the film we had all hoped would come one day like the prophet announcing the real Second Coming of peace on this earth for all the children of the only and yet multiple, or even absolutely non-religious, God of all men and women of good faith and quivering heart. We know it should be soon, but how soon we don't know. Suffering has been bad enough for it to stop now, at once, instantly, immediately. That is at least my deepest wish because we all have to love the Jews and the Arabs as our direct soul-brothers. But there are so many bitter intentions among us that love may wither away and eventually even die.Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris 1 Pantheon Sorbonne