LastingAware The greatest movie ever!

2hotFeature one of my absolute favorites!

ClassyWas Excellent, smart action film.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

sryder@judson-il.edu No masterpiece, but interesting in its own right. Martha Raye, for once, is playing it straight, and not doing the broad comedy/singing routine that was part of her 1930s Paramount films. (She really didn't show this side of her talent again until she had her regular TV variety show in the 1950s. Bob Hope had not yet become the familiar "Bob Hope", wise-cracking and egotistical; rather, here he plays a light comedy romantic lead rather in the British music hall manner. The love scenes between the two are often rather touching in their sincerity. The supporting cast is excellent, especially Gale Sondergaard, the predatory villianness whose shooting skill, which hangs ominously over Hope's head as she forces him into marriage during the entire film, provides the deus ex machina to resolve the romantic plot in a surprise turnabout. The fact that all other roles are played so broadly helps highlight the relatively subdued Raye and Hope performances. In fact, there are several surprises along the way, including the fact that boy and girl marry at about a third of the way through the movie; then fall in love. Very enjoyable.

Jake This early Bob Hope feature is very funny, and quite charming in its own particular way to boot. Of Hope's more frequent leading ladies in film, I have always found his teamings with Martha Raye to be the most satisfying, possibly because Bob and she seem to feed off each other in a way his other regulars (Paulette Goddard/Lucy/Dottie) didn't. Perhaps it has something to do with their vaudeville background. Anyway, both Bob, and particularly Martha, are far more subdued in their roles here than usual, and Never Say Die benefits enormously as a result. (Perhaps in the case of Hope this is due to the fact that this film comes so early in his screen career, before his on-screen persona of the egocentric and cowardly would-be ladies man was so firmly established). Their characters of John Kidley and Mickey Hawkins here somehow have a human dimension which is usually lacking in the usual Hope or Raye portrayal (no matter how enjoyable), and the warmth of the romantic scenes between the two in this picture is something which in my opinion is unique, never repeated by either of them in any of their other film work again.There are other aspects of Never Say Die which have always made it one of my favourite Hope pictures...Gale Sondergard as a man hungry widow, Monty Woolley in a small role as an ambitious medico, Andy Devine as Martha's intended, and especially Sig Rumann as Poppa Ingleborg in some hilarious scenes at the hotel. Also Preston Sturges involvement in the script does show. And has already been noted elsewhere, fans of Danny Kaye may be interested in viewing this picture if only to see an earlier (and one must admit less successful) incarnation of the "flagon with the dragon" routine from The Court Jester.

Petri Pelkonen Never Say Die is a funny old comedy, made in 1939.The movie takes place in Switzerland.In the movie the great Bob Hope plays this guy called John Kidley, who thinks he's dying, so he decides to get married before he's gone.And he marries a woman, whom he saves from a suicide.This woman is called Mickey Hawkins, played by Martha Raye.John and Mickey are supposed to marry some others, but they marry each other, without any love.They hardly know each other.But they've got nothing to lose.And then there is this Henry Munch(Andy Devine), who is very much in love with Mickey.But everything works out just fine.Mickey and John start to love each other, Henry finds his own sweetheart and John's not even dying.The movie has a great ending.Great movie from the 1930's.

Varlaam This supposedly light-hearted romp through Switzerland seems more like spending the weekend at Berchtesgaden with Adolf and Eva.This is quite a surprise when you consider that the script was co-authored by Preston Sturges, and that the cast includes Bob Hope and Andy Devine. I only have to imagine Andy saying "Wild Bill" in that puberty-stricken voice of his, and I laugh. Unfortunately, this is not the old Wild Bill Hickok show.The next Preston Sturges project to misfire as badly as this one would probably be The Beautiful Blonde from Bashful Bend in 1949, with all of those masterpieces still to come lying in between.The film has one interesting sequence, the duel scene, which contains this dialogue: "There's a cross on the muzzle of the pistol with the bullet and a nick on the handle of the pistol with the blank." When you hear this in the movie, said with the proper rhythm, you will recognize it immediately as the "chalice from the palace has the brew that is true" bit in "The Court Jester" with Danny Kaye from 1956. I suppose Melvin Frank and Norman Panama knew a good idea when they heard one and helped themselves. Or do both scenes derive from an even older vaudeville routine?