Nayak: The Real Hero
Nayak: The Real Hero
G | 07 September 2001 (USA)
Nayak: The Real Hero Trailers

TV reporter Shivajirao gets a chance to be the Chief Minister of Maharashtra for a day, after being challenged by incumbent Chief Minister Balraj Chauhan. After his successful one-day stint, he attempts to get back to his normal life, but it is not as easy as he thought it to be, with the lives of his near and dear ones now in danger on account of his honesty.

Reviews
Infamousta brilliant actors, brilliant editing
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Biswajit Tripathy Shivajirao a TV reporter for QTV takes the interview of Balraj Chuahan, Chief Minister of the State. He asked him questions which humiliate him a lot. Infuriated, he challenged him to become Chief Minister for a day. Shivaji accepts the challenge and becomes the Chief Minister. He is assisted by the cunning assistant Bansal played by Paresh Rawal.After taking over, he suspends more than thousands of babus on charges of corruption. He tours the city, the surrounding areas to find out the various problems. He closes his day with arrest of 12 ministers and the Chief Minister himself. This makes him the target of those peoples once in power. Once his day as the Chief Minister is over, Shivaji tries to get back to his normal life but he won't be allowed to. He finds that being the Chief Minister for one day has changed his life altogether. Suddenly he is being expected by any and everyone to do something. He is being expected by various political parties to represent them for elections. Now he has got two choices. Either he leaves for some distant land where no one would recognize him and he can lead a normal life OR he would jump to the bandwagon that is called Politics and rise to become a honest politician.Anil Kapoor as Shivaji has played a exceptional role in the movie. Action scenes picturized on him are good. Rani Mukherji plays his love interest. Amrish Puri as the corrupt Chief Minister is remarkable. So as Pooja Batra and Johny Lever in there short roles.
rl400 A very silly, bright and brash comic book of a film that highlights Indias significant corruption problems but still entertains. Despite starring the old and hairy Anil Kapoor and the awful Johnny Lever in an irritating first ten minutes this film is bursting with vibrant colour, grand song sequences and energy. Rani is as stunning as ever in her occasional appearances as the love interest and sports a rare (but very welcome!) cute village girl look.Old Anil does surprisingly well as the journalist who turns Ramboesque Chief Minister for a day. He immediately sets about sorting out India single-handed saving dying kids, cutting out corruption, kicking ass and defusing bombs. The highlight being a cheeky Matrix influenced fight scene! The lowpoint being Rani kissing his fat hairy stomach.. gross! The plot is simple, far stretched and a bit of boys superhero fantasy. It won't trouble any brain cells but the three hours whizz by.. a real old school entertainer.
sameerhalai What impressed me most about the movie is the tightness of the script. Events unfold one after the other. Neither too fast, nor too slow. Keeps you gripped. The events are coherent. Something you rarely see in Indian movies is people referring to events that have happened in the beginning of the movie. More often than not, the scripts are improvised on the sets and to maintain continuity the dialogues are abstract in nature so that the different parts gel in. To make a movie with cross references to subtle events needs you to have a script very firmly in place.Second good thing about the movie was the experimentation with Visuals. Though at some points I felt that they have just indulged into special effects without the need for it (they should use effects only where needed), but honestly I was very impressed by the efforts taken to meet quality standards.What has put off many people about the movie is the songs and dance and the unrealistic fights and some silly extremisms. Well the songs really don't have much bearing on the movie. And they have experimented with a very rustic style of entertainment which won't get wasted on everyone. As far as the fights and 'silly extremisms' go, I feel they tried to retain the HERO flavour which would really appeal to a large aspect of the masses.The movie has very innovative ideas and also dares to be different - thougt most of that part should be attributed to its South Indian Counterpart.I would say please go and see the movie. Its a nice experience. Appreciate it for its professionalism and technical expertise. Appreciate it for amazing dialogues and great performances by Paresh Rawal and Anil Kapoor both. It is a thought provoking film - something I feel the movie really set out to be. So its purpose is served.
malamal This is a remake of Shankar's own south film Madhalvan in Hindi. The south Whizz kid director has made an awesome spectacle of a film with Nayak.It is a definite must see. Rahman's music is superb, 'shaka laka baby!' to say the least. This film contains superior special effects and CGI for it's time, unlike others who have no sense of using CGI effectively and non garishly, Shankar has created beautiful sequences for the songs. The cinematography is breathtaking, a joy to the eye. The South influence is very imminent, that is what makes this film so good along with a bravura performance from Anil Kapoor and the sensuous Rani Mukerjee although underused only adds to the films beauty.