Mystic River
Mystic River
R | 08 October 2003 (USA)
Mystic River Trailers

The lives of three men who were childhood friends are shattered when one of them suffers a family tragedy.

Reviews
Skunkyrate Gripping story with well-crafted characters
Bereamic Awesome Movie
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Numerootno A story that's too fascinating to pass by...
Peter Kettle This Clint Eastwood directed film, 'Mystic River', is based on the brilliant novel by Dennis Lehane. The word 'stunning' gets overused but the performances by the cast were little short of that. Sean Penn and Tim Robbins deserved their Oscars; Kevin Bacon and Laurence Fishburne; Marcia Gay Harden and Laura Linney; and a knockout range of fine American actors prove again how deep is the talent in the American movie business. Eastwood's no nonsense direction pushed the narrative along with concision and craftsmanship; he is a master of the subtle 'who did what' drama, such as this, and I bet it came in under budget and on time. (IBDM says $25m budget, box office $157m). My wife and I were gripped by this story of a generation growing up and coalescing later in a Boston suburb. The real Mystic River is seven miles long. It lies to the north of Boston and flows approximately parallel to the lower portions of the Charles River. It flows from the Lower Mystic Lake and travels through the Boston-area communities of Arlington, Medford, Somerville, Everett, Charlestown, Chelsea, and East Boston. The river joins the Charles River to form inner Boston Harbor. And that brought me to Robert Lowell and his Charles River poem, for no good reason other than the sheer quality of the original book, this film and that wonderful poem... All three are superb.
pratikpatil520 The movie is full suspense till the end. You are in for big surprise in the end. I will read the book that this movie is based on for sure. All the actors should be applauded for acting . the part which confused me is Why tim robbins wn an Oscar for this movie ? He was way better in shawshank redemption. Sean penn's acting was way better , as he was portrayng muI ltiple characters on his level. If you watch this movie for crime thriller , you are going to be disappointed for sure. This movie is something more than that. Tim robbin's character brought on himself whatever it is. The movie is twisted because , they have twisted evidence the way they wanted it to be. Confusion is the last parade scene. I was looking for some kind of twist from tim robbin's wife character . but it was nothing. No explanation. That's why normal audience will hate the movie. One thing is certain , The movie is open for interpretation . One time watch for sure.
theresamgill I could tell you Clint Eastwood adds sure-handed direction for this film, and while that is true, it doesn't actually tell you anything. What I can tell you is to watch the eyes. This is a story told by the eyes, and the subject matter couldn't have been approached any better.The plot is fantastically construed, but I believe a slight disclaimer is in order. This is a dark film. Don't come in with expectations to be cheered up after a rough Saturday night when Jimmy left you for hot Chris or whatever-- this isn't that film. And hey, a lot of the best films are very dark in nature. If you end up watching Mystic River and think to yourself, "Wow, that is such an awesome film!" then I also highly recommend the more recent Prisoners. That movie absolutely deserves a review, but not now.Anyways, we are introduced to the 3 principle characters-- Sean Penn, Tim Robbins, and Kevin Bacon-- when they were kids and loved street hockey. Two "officers" come up to them and take Dave (Robbins) in their car. It's never shown but rather highly implied of what they do to poor Dave. Flash forward to their adult lives, and all three of them have issues. Robbins is still uneasy from the childhood experience, Bacon is a detective whose wife left without a word and calls frequently (without any words either), and Penn is an ex-con. Within the first 30 minutes, Penn's 19-year-old daughter is murdered, Bacon is assigned to the case, and Robbins becomes a suspect. It's a compelling setup with all the ingredients mixed in for a great mystery, and it achieves that but with added emotional punch as well.Anybody who says their heartbeat was normal after viewing this film is flat out lying. Penn is dynamic and on edge, Robbins is a very disturbed character whose own wife questions his sanity, and Bacon rounds it out as the sympathetic old friend. In other hands the film could have even turned sappy with all the crossing paths, but this movie is the exact opposite. It is intense in its calmness. All this combines with a score Eastwood did himself with help from his son and an orchestra.Mystic River. It's a pretty ambiguous title that fits perfectly. There's closure to the film, but so much is left open for interpretation to the audience. And that's what Christopher Nolan films and Lost in Translation, among others, do so well that become my favorite types of movies. Throughout Mystic River is well-developed, well-thought out scene after scene that doesn't want you to see it again the next day or even the next week, but in a year or so, you will be dragged back to the film with the eagerness and anticipation to understand the puzzle fully even if it's missing one piece. Perhaps I have not said enough about the film, or did I give just enough context to make you watch it? Who knows, I'll leave it up to you. You can find this review and dozens of others at gillipediamoviereviews.blogspot.com
mdiazf-23880 The plot is twisted and implausible to the point where the movie becomes boring and disappointing. I find no trace of sanity or nobility, no beauty, no hint of redemption for any of the characters throughout a movie that unsuccessfully attempts to be profound and originally dramatic.But it's impossible to admire any of the characters, and the ones that perhaps may deserve compassion, are treated unjustly, disrespectfully and grotesquely. Indeed there is something repulsive and disquietingly grotesque behind the moral premises of the story. One perhaps could forgive the inadequacy of such amorality in a story where haphazardness looks plausible, natural, spontaneous and uncontrived. But in such an absurd and unbelievable story one can only conclude that the dramatist is sick, or perhaps just gullibly read too much of Nietzsche.