ThiefHott Too much of everything

BroadcastChic Excellent, a Must See

Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Cheryl A clunky actioner with a handful of cool moments.

bletcherstonerson Meyers complex social commentary about the Deep South is layered in a fashion that targets his audience from the first scene. The traveling salesman breaks down, and wanders through a land inhabited by beautifully developed female characters. The women are portrayed in a manner that many males may have perceived them to be, not just in the depression era Deep South, but in many areas across the country. They are beautiful, yet serve no purpose except for sex and entertaining. The southern male is portrayed as weak of character , stupid, and drunk. It is only when a northerner brings in his line of intellect, does life change for the rural people he encounters. While the northern salesman is bland with a mediocre intelligence, he appears to have the answers for the " unfortunates".....if this sounds like governmental policies and a political satire hidden in a T&A flick, then you get it. A sub plot is added about violence against women and lynching. Why I gave this movie a 9. Because it allows me to watch hot scantily clad women engaging in adulterous affairs while at the same time it assuages any feelings of guilt by decreeing that this was a film that mattered and it is important because of the social issues it brings forth....Is it an exploitation film? Or is it much more veiled by the cinematic low hanging fruit of beautiful women.to cover themes that couldn't be expressed in general cinema in that time period. I have to add this because it is a bothersome area of the film, and I can't figure out what Meyers was trying to express ; an ideal, or just shock,,,but the most beautiful actress in the film plays the role of a mute and mentally challenged nymphomaniac. Was this a statement of how men in our culture perceive women and the Jungian principle of the animus? I couldn't tell you, but it made me cringe and squirm, and evoking that response from the audience may be all that Meyer was trying to do with this submission in his repertoire.

jlomax28 Russ Meyer is a great forerunner of independent cinema and free speech. This is a very bold story. Although the camera transfixes on beautiful female forms, the movie as a whole isn't very pretty. But who said that art had to be pretty or in good taste? There is no question in my mind that Mudhoney is a work of art. I like that one of the film's main focus is the hypocrisy of religion. The insane preacher (who screams the Lord's prayer)played by Frank Bolger hides behind religion to cloak a deeper malevolence. By the end of the film this said preacher turns the whole town into a crazed blood thirsty mob. Fans of RM will see many familiar faces like Lorna Maitland, John Furlong and Stuart Lancaster. There is one of the most insane, inappropriate funerals ever depicted on film. This film is artistic and sleazy and dramatic. The final shots of Rena Horten running through the town in a panic were very tense. The looks of guilt of the townspeople after the lynching was very effective and dramatic. Mudhoney AKA Rope of Flesh is a unique entry in the world of Russ Meyer. I loved it.

RanchoTuVu This film is a classic and brilliant Russ Meyer effort which shows talent and creativity, delivering an ultimately jolting and outrageous picture. It has a perfect mix of sex and violence and a great central character who's a complete degenerate who gets his comeuppance in the memorable conclusion. Moonshine liquor, nudity, religion, set in the backwoods of Missouri during the Depression, populated by bizarre somewhat stereotypical characters a seasoned viewer of Meyer's films might expect to see, there isn't a wasted minute, as the film unleashes a variety of assaulting and memorable scenes that follow one after another.

christopher-underwood I know this movie has it's fans, is considered a satire and is preferred to the slightly earlier, Lorna, but I just cannot agree. Certainly this has pretensions to seriousness with it's stance against the simple preacher and the easily manipulated lynch mob, but everything is so overblown all becomes simply crass. As for the bulk of the film preceding the melodramatic ending, tiresome might be the word. There is the crazy family where is Lorna Maitland is reduced to playing a bit part for some reason and the homestead that takes on the new hired hand. There is so much unwarranted screaming and hysteric laughter that I felt like switching off during the first twenty minutes. Sure there are some fine sequences, the rape and murder of the preacher's daughter is very powerful, but I think this loses direction and has a pat 'satirical' theme tagged on for want of something better. The characters are nothing like as rounded as in Lorna and as with the later, Faster Pussycat, Meyer is probably at his best with the themes kept nice and simple.