Lula, the Son of Brazil
Lula, the Son of Brazil
| 01 January 2010 (USA)
Lula, the Son of Brazil Trailers

The true story of a working class boy who moves to the nation's financial capital at a young age and becomes one the most influential politicians in Brazilian history.

Reviews
YouHeart I gave it a 7.5 out of 10
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Yash Wade Close shines in drama with strong language, adult themes.
wega_wide VeryThe film tells the story of the best-evaluated president in Brazilian history and this causes the fury of those who did not vote for him and did not accept defeat in the elections. Unfortunately this president suffered a coup and was cowardly imprisoned without any evidence of crimes he has committed. Great movie!
Filipe Fleming This movie is garbage, and Lula is just a thief.Nothing more than political propaganda to fool innocent people.
fabioblavic This is a terrible movie and an unrealistic story about one of the most populist president of Brazil since Getulio Vargas. Lula is a selfish person who only care about power, this movie is a completely fantasy about his history. There are some correct parts though, Lula came from a very poor family, thats true, and he also has a very strong ability for speech, but he had some bad episodes along his young life which was not presented in the movie. The movie should have been more truthful to Lula's biography. Besides all those problems regarding the accuracy of the story, the movie quality is very bad, the acting is bad, and the movie was funded with public money, which is a shame. Anyway, I don't recommend.
fbellermann-1 I just saw "Lula, Son of Brazil" at the Palm Springs Festival. As others noted, the acting (Glória Pires and Milhem Cortaz ) is very good and first timer Ruis Ricardo Diaz does a good job portraying the future president. The cinematography is also up to the usual high standards of Brazilian films. The portrayal of the Northeast, origin of much of the marginalized population in the industrial southern cities is genuine and sympathetic, as it was in previous films ( "CentralStation", and "Behind the Sun" )The fictionalized and tear-jerky story line, however, comes across as the secular sanctification of Lula. One should not forget that the film's makers and some of the actors are intimately connected with the ex-president. Lula's remarkable popularity and executive success should not be cause to whitewash his entire past and portray him as the proletarian saint he appears to be in this movie. The director ( Fábio Barreto ) admitted that national screenings only netted an audience of 1 Million. In a nation of over 200 Million, that stands in contrast to the reported 85% approval rating of the politician at the end of his term. Ms. Barreto, full of class angst, blames this on the "Class A" population, supposedly the only ones interested enough or rich enough to afford the $5 ticket price. This implies a simplified vision of Brazilian society between the haves (Class A) and have-nots (Class C); exactly the sort claptrap ideological rhetoric that prevented Lula from achieving success in previous attempts. Yes, there is a wealthy elite and yes, Brazil does have lingering problems with class divisions, but there is at least a middle "Class B" (growing, in large part, due to the impact of recent Brazilian economic successes). There are worthwhile role models among the class of small entrepreneurs, possibly even in the "Brahmin" ranks of "Class A". The simple truth is, people in Brazil may largely approve of the ex-president, but they are not excited enough about him and his worker's party to invest the time and fork over the money to come and adore him. They'd rather wait until it's out on DVD and available for a buck on the notorious black market. Go and see this film. It has its merits and foreign audiences, in particular, will learn something about Brazil and Lula, but leave your handkerchief in your pocket.