Libramedi Intense, gripping, stylish and poignant

ShangLuda Admirable film.

Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

catebaum This film was worth a look because it's got an altogether British theatre fantasy cast - and Martin Sheen, acting their socks off, until two things became apparent: Martin Sheen would never be married to Susannah York - what? Completely rubbish. She looks about twenty years older than him and completely not his type. Then the ending, oh the ending. A very exciting downpour means the raid goes horribly wrong, and something's bound to happen, but why was Sheen left behind? Why did he make that decision? HOW DID HE GET OUT? It's like the whole film was a dream...Biggest plot hole EVER.

udar55 Thief Mike Daniels (Albert Finney) plans to break into the biggest bank in England for one last haul. His team sets up a false office in order to interview architects with the idea they can coax the suitable candidate into mapping out their underground digging job. Down-on-his-luck American Stephen Booker (Martin Sheen) seems to be the ideal candidate for the job, but he scoffs at the idea of being a criminal. That is until he finds out his wife (Susannah York) reallllly wants to start up her interior decorating business. OH NOES! So he descends (literally) into a life of crime in order to finance her dream. The "loophole" of the title refers to the fact they will break into the vault through the ground and set off a motion detector, but when the cops arrive they will see no one inside the bank and think it is glitch. I'm a sucker for bank heist pictures for some reason and this one definitely falls into that category. Unfortunately, while it has a great cast and is well made, it really takes no risks. There is some tension in the final third as rain starts to flood the sewer system and the men must rush to get out, but even that is handled rather mundanely. Sheen also sticks out like a sore thumb and it is easy to believe the role was written for a British fellow (his wife is a Brit after all) and then changed to an American to increase potential markets. Still, it is worth a look at least once if you loves you some men digging in confined spaces.

rsoonsa A thoroughgoing plan toward husking London's largest and most secure holding bank of the contents of its safety deposit boxes, a quite improbable venture, is basis for action in this nicely finished film that successfully and consistently features valuable understatement in its script. American architect Stephen Booker (Martin Sheen), working and residing in England and married to an English woman (Susannah York), is facing a depressing future after an important contract for which he and his partner have bid is awarded to a competing contestant, leaving Booker's firm essentially fundless and paving the way for what will not be a standardized adventure film. The newly unemployed architect's efforts to find a new position are unsuccessful, as he is repeatedly reminded by those with oversight of the jobs for which he is applying that he is "overqualified", until he is of a sudden hired by one Mike Daniels (Albert Finney) to design a conversion of an entire city block, an assignment that will serve to elide Stephen's rampant personal debts to his banker, played incisively by Robert Morley. However, after Stephen has discovered from documents while developing plans for the project that Daniels, his new boss, is an apparent mountebank, he resigns from his new position, thereby being forced to encounter his ambitious wife's spleen, in addition to that of his banker, so that when Daniels, a proficient safebreaker, urges Booker to rejoin him as part of a carefully selected crew of criminal specialists organized for the bank break-in, Stephen decides that becoming a temporary accomplice is less intolerable than becoming increasingly destitute. And so, into mid-town London's rat infested sewer tunnels goes the skilled team of burglars toward their targeted vault (actually filmed within the Unilever Building upon the north side of Blackfriars Bridge), but their carefully devised heist, that will incidentally free Stephen Booker from his monetary obligations, is fraught with unforeseen complications, realistically presented here by cast and crew. Direction is excellent, focussing upon convincing detail supplied by a well-written screenplay that avoids turgid psychodrama in favour of the mechanics of a scheme that becomes of compelling interest to a viewer who will additionally find the characters of interest simply because their innermost thoughts are not voiced, and the intriguing possibilities suggested by the climax are stimulative. Finney handily earns the acting laurels, dominating his scenes with an engaging performance as an actuating criminal specialist, and there is fine playing by all members of the talented cast, quite synchronous to the refinements soaked throughout the script, with markedly solid turns from Colin Blakely and Alfred Lynch as two of Daniels' henchmen. The superb editing of Ralph Sheldon serves to intensify this well-crafted affair, not distributed within the United Kingdom, and it is salted with the valuable contributions tendered by Michael Reed and his camera, Maurice Cain for always appropriate designing, and Ian Wingrove for the special visual effects, in particular when the sewer exit route to be used by the thieves is flooded following an unforecast downpour.

emm LOOPHOLE has a nifty concept that sounds too good to be true, yet impossible. The unemployed American architect (Sheen) comes to England to devise a plan on robbing the safe from under the city sewers at a British bank. It actually works until.... Along the line, it's more of an adventure than a crime film, but with stars such as Albert Finney and Martin Sheen, don't get too excited about it. This really isn't your typical "bad guy" movie, rather it is tame and subtle. Both actors in their time were known to perform in novelish dramatic roles that appealed mostly to the adult crowd, so there's no modern class here, but maybe Susannah York's towel dropping scene might grab your attention. The end is peculiar and uncertain, right after you've gone through seeing a successful heist well done. All in all, an interesting movie, but if early 80s dramatic acting performances isn't your cup of tea, then you will find LOOPHOLE to be pretty boring.