Look Back in Anger
Look Back in Anger
NR | 15 September 1959 (USA)
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A disillusioned, angry university graduate comes to terms with his grudge against middle-class life and values.

Reviews
WasAnnon Slow pace in the most part of the movie.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.
Dana An old-fashioned movie made with new-fashioned finesse.
alexanderdavies-99382 "Look Back in Anger" marked the beginning of what would become known as the "Kitchen Sink" drama. In addition, John Osborne's play signalled the beginning of a new breed of actor in the British acting industry. There would be actors who would make plays and films which would reflect life in Britain as it really was. If Richard Burton had made more films like the above, then his film career would have been infinitely more satisfying. He is a tower of strength as the original angry young man, Jimmy Porter. Suffering from having an inferiority complex and also a chip on his shoulder, he voices his anger and unhappiness upon his long- suffering wife (well played by Mary Ure). Claire Bloom scored a triumph as Porter's lover. Richard Burton's highly distinctive Welsh voice is put to full use and exercises a wide range of emotions as a result. The film is an excellent adaptation of the play and it highlights the struggles of one man who feels he doesn't belong anywhere except where he is - running a market stall 5 days a week. He was actually a university student and is reduced to wasting his potential. His bitterness is aimed at his in-laws, his mother- in-law in particular. The way he describes her in a tone of mockery and being smarmy, sums up the situation pretty well. You never quite know when the next verbal assault will happen and you brace yourself for when it does. Underneath the anger, there lays a sadness and vulnerability about Porter. His affair with Claire Bloom reveals a more calm and sensitive side to his personality. The scene at the beginning which takes place on a Sunday morning, shows Jimmy Porter staring out the window at the nearby church. The church bells are ringing and Porter screams at the top of his voice, wanting the ringing to cease. Such fiery passion is produced by Burton's voice, I have rarely witnessed such a vocal display. The only other exceptions I can immediately think of, are Robert Shaw, Rod Steiger, Marlon Brando, Gene Hackman and Patrick McGoohan. This is a landmark film and it is just as powerful now as it was back in the 1950s.
HotToastyRag I've seen over thirty Richard Burton movies, and there really isn't any good reason to watch this one. Even if you particularly like his acting, all he does is shout cruelties for ninety minutes. And even if you particularly like Claire Bloom, she wears one deadpan expression for ninety minutes. There's just no point to Look Back in Anger, besides an intriguing title.A married couple doesn't get along, and for no explained reason a mutual male friend lives with them in their English flat. Also, for no explained reason, the male friend never stands up to Richard Burton when he berates his wife. And, it's never really explained why the two were married in the first place, or why they haven't thrown in the towel since whatever they have isn't working. Claire Bloom invites her actress girlfriend Mary Ure to stay with them for a couple of weeks, and even though Richard and Mary claim to hate each other, we can all guess what's going to happen. Figure that you've guessed correctly and rent Who's Afraid of Virginia Woolf? instead.
Leofwine_draca LOOK BACK IN ANGER has the distinction of being one of the first kitchen sink dramas that would become all the rage in the early 1960s. It's an adaptation of the famous John Osborne play about an angry young man and the love triangle in which he finds himself involving his wife and her best friend. I was surprised to see that Nigel Kneale adapted the story for the screen as this is well away from his comfort zone of science fiction and weirdness.The film features a typically bullish performance from Richard Burton as the protagonist who spends the entire running time bullying the women in his life (apart from his mother, as he loves her). Yes, the film is in essence a couple of of hours of Burton abusing people, so I didn't find it particularly entertaining. The characters are certainly well drawn with plenty of depth and more than realistic, but as a slice-of-life story nothing much really happens during the running time (there are no character arcs or anything like that) and I was left feeling depressed about what I'd just watched more than anything else.
classicsoncall Relentlessly depressing, "Look Back in Anger" offers Richard Burton somewhat miscast as a twenty five year old university graduate who spends virtually all of his time railing against his wife, his surroundings and his place as a member of Britain's working class of the 1950's. It would be a misnomer to classify this picture as entertainment; it's harsh and dreary, and except for Mom Tanner (Edith Evans), there aren't any genuinely likable characters here. One could make a case for Alison Porter (Mary Ure), lovely to look at most of the time, but completely subjugated to the tyrannical rants of her husband. The shocker of course was how easily Helena (Claire Bloom) replaced her in the squalid scheme of things, and one never gets a sense of what attracts her to the lout that she had no use for in the first place. It seemed like a plot device to make us hate Jimmy (Burton) even more, as if he wasn't doing a pretty good job of having us hate him all by himself.