NekoHomey Purely Joyful Movie!

MamaGravity good back-story, and good acting

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Humbersi The first must-see film of the year.

writers_reign Screenright Michael Pertwee and helmer Mario Zampi had two bites at the cherry some six years apart and now Talking Pictures have acquired both Laughter In Paradise (1951) and The Naked Truth (1957) and screen both every few weeks. What emerges from this is that Laughter In Paradise retains all its freshness and stands up far better than The Naked Truth (which, nevertheless) is still well worth seeing. As pedants have pointed out here on imdb the plot does nod to Brewster's Millions but if anyone DOES find something new under the sun perhaps they'd be kind enough to share it. The premise is both simple and effective and actually plays fair with the audience inasmuch as Hugh Griffith is identified as a celebrated practical joker from moment one so we shouldn't be surprised when - after bequeathing £50,000 each to four relatives on condition that each performs a bizarre task well out of his or her comfort zone, and they comply - he turns out to have spent the money before he died. The fun, of course, is watching how the legatees deal with the terms of the will. Well written, cast and directed there is still lots of pleasure to be extracted sixty-odd years later.

moonspinner55 Occasionally likable bit of British whimsy has the four greedy, spineless relatives of a deceased practical joker having to humble or humiliate themselves to get their share of the inheritance; naturally, behaving in a manner they're not accustomed to, they become better individuals. Nicely-cast comedy-drama gives Fay Compton in particular a marvelous role as a shrike who is reduced to working as a maid; small bits by Sebastian Cabot (as a poker player with marvelous eyes) and Audrey Hepburn (as a cigarette girl with a tiny little voice) are also worth noting. Hepburn made brief appearances in several British films of the early-'50s before her breakthrough role in 1953's "Roman Holiday", and it's clear from her cameo here that she had star-charisma but was in need of direction and molding. The picture isn't very funny or fresh, but there are bits and pieces which are successful. ** from ****

bob the moo When well known practical joker and millionaire Henry Russell dies, his surviving relatives are called together for the will reading. The will leaves them each £50K if they can complete set tasks that go against their nature within a set time period. Simmon Russell must marry the first woman he meets after reading the will, Herbert must rob the bank he works at, Agnes must serve as a maid and Deniston must commit a crime and go to jail. As each goes off to try and complete their task they find that money is not all that is to be had in the course of time.I taped this film on the strength of George Cole and Alastair Sim starring in it. The plot is quite clever –like a twist on the old Brewser's Millions tale. In fact it clearly had potential but, after the initial set up the film has little to do. Most of the characters seem to be hanging around waiting for the final third of the film to happen to them and it is a little dry at times. The comedy is OK but rarely hilarious or really clever.The delivery of laughs really comes down to the cast and not so much the material. Cole is quite good and is pitching well with good timing. Sim is the best one of the lot and his scenes tend to be some of the best. Middleton only served to make me think that Terry-Thomas would have been better in the caddish role, while Compton is really used as the moral `life lesson' part of the film.Overall this is an enjoyable film – one that I'm surprised hasn't been remade in some form yet by Hollywood. It could easily be a silly comedy with a B-grade ensemble cast and work well. However this flags at times and isn't as funny as I'd hoped it would be.

Spart-3 One would be hard-pressed not to laugh along with the Russell family in the final scene of this, my most favorite of British post-war comedies. It is a comedy in every sense, albeit one which points up several life lessons as it unfolds. Alistair Sim - whose roles have run the gamut from Headmistress of a girls' public school (the St. Trinian's series)to benign assassin (The Green Man) to the dramatic (the quintessential Scrooge in A Christmas Carol) once again proves here that he is without doubt the best of many comic actors in the English cinema. Surrounded by a cast of equal talents (Fay Compton, George Cole, Guy Middleton, A.E. Matthews, John Laurie, and the irrepressible Joyce Grenfell) Sim leads a Light Cavalry charge through a wonderfully woven plot. There are wonderful morals to be learned here also. If you haven't seen this gem, by all means get the video and fill that gaping void in your filmic experiences.