SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Staci Frederick Blistering performances.

Cristal The movie really just wants to entertain people.

gridoon2018 "Kill!" (or "Kill!" Kill!" "Kill!" "Kill!" "Kill!" "Kill!" "Kill!"....well, you get the idea) is ostensibly an anti-drug cinematic manifesto, yet it contains some sequences so ludicrous that you have to wonder if the filmmakers themselves were under the influence of drugs when they were filming them (especially the has-to-be-seen-to-be-believed ending). Badly scripted (apparently getting interrogated, intimidated and tied up by a man makes him irresistible to a woman, according to Romain Gary) and occasionally poorly dubbed in English for the supporting characters, this film is far below the talents of its leading quartet of actors, and as anti-drug propaganda pieces go, much worse than the infamous "The Poppy Is Also A Flower". Jean Seberg followers might be interested to know that she has a couple of topless scenes - but I'm fairly certain the body in those scenes belongs to a double. *1/2 out of 4.

Stephen Brooks I stumbled across this film while browsing Netflix. Worth the rent! Anyone who loved Jean Seberg will love this film. She's terrific. This role shows her at her tragic best. Those of you who are used to the American style of crime movie might not get this film. Romain Gary's approach is one of minimalist absurdity. This is much more French ala Goddard than French Connection. But give it a chance. View with no expectations and perhaps you'll see the film for what it is. Stephen Boyd is no slouch either. His scenes with Seberg are very disturbing.

clanciai An extremely remarkable feature, partly because of Romain Gary's script, the husband of Jean Seberg, which does not appear from the information. This multi-award winner writer (of for instance *The Roots of Heaven* (directed by John Huston with Errol Flynn) shot himself December 2nd 1980 one year after the suicide of his wife Jean Seberg, who was hounded to death by the FBI for no valid reason at all. This film was maybe their last major collaboration, and the script (the story of the film) is ingenious, James Mason in the final *ballet* scene seeing his worst nightmare come true. Romain Gary was a survivor of the Holocaust, which is touchingly described in his autobiography "Promise at Dawn", perhaps the most brilliant and moving epic of a mother ever written, in which every word is true.

warrior-21 This movie has suspense action and love all rolled into one loop. An earlier Die Hard movie and this movie is a great emotion builder. The cream of the crop and do not listen to anybody else. Do not miss this movie because their are big stars of the time and did I mention action. Shootouts, interrogations, espionage.