Plantiana Yawn. Poorly Filmed Snooze Fest.

Solidrariol Am I Missing Something?

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

gilbertjones-546-597779 Some of the reviewers on here and I,must have watched different movies.For one thing,there is no character in this movie called Justin.Furthermore,I thought the characters were well developed and the portrayal of the AIDS crisis as it existed in the 1980's was spot on...I,like many other people,sadly,have known several victims of AIDS and have seen many of them die, much too young....The two lead characters,I thought, had a great chemistry together and it was very distressing to watch Jake die and Frank have to go through it with him....Especially touching,for me,was the fact that Frank traveled to Morocco to scatter Jake's ashes,since it was a place Jake always wanted to visit.All in all,I thought this was a great movie and not what I was expecting based on the DVD cover.

EmiSu "House of Boys" is a somewhat deceptive film. At first glance, it looks like a low-budget movie that has nothing to offer except sex, drugs and wild partying set in the 80's. The promotional poster doesn't help to contradict this idea and I personally think it doesn't do the movie justice. The film is divided in three acts. Sure enough, the first is mainly about the things mentioned above. The second act develops the relationship between Frank and Jake where it blossoms from friendship to romantic love. The third act deals with AIDS as Jake is diagnosed with the disease and not only him but the people around him try to come to terms with his inevitable death. I found myself caring for all the characters. I felt sorry for Frank when his love was one sided, then cheered happily when Jake started to reciprocate his feelings and even made the first move. After Jake falls ill and then dies, I mourned with Frank. It's touching to see how Frank stays by Jake's side through the whole ordeal and even gives up his lucrative job at the House of Boys where he was being courted as the "next hot guy". I need to mention the supporting characters, Dean, Angelo (or should I say Angela) and Emma. They were true friends and a real family to each other.In regards to acting, I thought that Layke Anderson and Benn Northover were very good and had great chemistry together. In fact, I came to respect all the actors for their courage in being part of this film. I've been interested in LGBT films for a long time and I've seen quite a few of them now. I've enjoyed this film much more than others which were far more successful with critics and audiences alike (Brokeback Mountain for example). It's all a matter of personal taste, I guess.

gradyharp Some viewers, unfortunately, will pass on this film as the cover of the DVD makes it appear to be a gay sexploitation waste of time. It is anything but that. Written and directed by Jean- Claude Schlim (with assistance from Christian Thiry and Robert David Graham) this is one of the finest films about the early days of the AIDS pandemic and long with 'Longtime Companion' is probably one of the more important films for the public to understand the inception of the disease that still hovers darkly over the globe. The cast is rich in talent and the method of unfolding the story is superb.In opening credits we see an apparent carefree young lad running through sunlit cornfields - perhaps reference the path to Oz: where that goes is revealed at the end of the film. It is 1984 and a gay high school lad Frank (Layke Anderson) escapes his rigid parents by moving to Amsterdam where he lands a job as a bar boy in a gay dance club, the House of Boys run by a man referred to as Madame (Ugo Kier) who keeps everyone in tow as well as performing in drag on stage. Frank is assigned a room with a straight boy Jake 9Benn Northover) who is the club's most popular dancer and who makes considerable money participating in passive physical gratification for the gentlemen who frequent the club. Jake has a girlfriend who sneaks in through the window of their room at night for trysts with Jake: Frank must then move in with transgender Angelo (Steven Webb) and raunchy mohawked dancer Herman (Oliver Hoare) for the night. Frank is talented and wants to leave his job at the bar where he assists the gentle lovely Emma (Eleanor David) and become a dancer. In the meantime Frank has fallen in love with the unattainable straight Jake but the two become close friends. Jake has been saving his money as a dancer and as an escort to run away with his girlfriend, but when his savings go missing he realizes his girlfriend has taken the money to abort Jake's baby. Jake is decimated by this but at the same time he leans on Frank for succor. The two boys realize their friendship has turned to being lovers. Jake introduces Frank to his way with clients and in the process falls through a glass tabletop sustaining cuts the require sutures. Frank takes Jake to the hospital where they encounter Dr. Marsh (Stephen Fry) who ultimately discovers that Jake has no T cells - and the mystery and cruel head of AIDS arises. Jake is fired form the club by Madame who fears for the reputation of this new plague and Frank and Jake move in together, compliments of Emma. From this point Jake has obvious Kaposi's sarcoma and the rest of the film is how Frank and the friends of the club are supportive. The unique aspect of the story is that it is the straight boy receiving passive sex from clients is the one who becomes infected. The beginning of the film is repeated with the full story at the end.This story could have easily been melodrama but the manner in which the story is handled and the fine acting on the part of the actors involved allows it to rise into the realm of very significant films. It copes with tragedy but it also emphasizes the honest meaning of love in all forms. Highly recommended. Grady Harp

vauxtc Just saw this today and have mixed feelings about it. On the plus side there were some decent performances from the three male leads Layke, Benn and Steven as well as Eleanor David. But for me there were too many directorial clichés in terms of characterisation script and cinematography: blue skies, white screens, schmaltzy music. I just felt as I often do when watching gay movies that I wish there could be some real originality in a script. Yes all the types depicted here do and did exist amongst gay men and certainly the era was well portrayed: a free for all time when cheap sex was taken for granted without any consequences. But the only time in the movie where I felt really touched by a striking use of sound and image was when we heard Jake's dying death rattle in his breathing counterpointed with scenes of his sleeping friends there for him in the hospital. I do however have to defend the film from some of the charges in other reviews posted here. Porno scenes? Hardly. The film was set in Luxembourg and this was clear; why Amsterdam? because that was where his friends were going. It also was one of the few places at the time where male brothels existed. And it was pretty clear to me why Frank went there: to get away from hostility in college and at home. I also liked the flashbacks which served to explain why a straight boy like Jake would end up working in a place like that getting used in the same way his father abused him, this time though for money. I also thought the graphic effects of the disease and in particular Karposi's sarcoma were rightly quite full on. I doubt if anyone in the cinema where I saw it, at a Gay film festival, hasn't known someone who's suffered from this dreadful disease. The silence through the last section of the film spoke volumes. I found the drag really bad but it was authentic that bad drag often gets applauded so uncritically as in the House of Boys. Nice to see Udo Kier again, a legend from some of the work of the more controversial directors from the German cinema of the 70s..but does Stephen Fry ever turn anything down? I guess he took part as his name may have helped get funding and I guess also that he believes rightly that these films with this message are needed, they are. I just find it's impossible to get away from him in the media. Overall it's worth seeing this film and for me it got better as it went on.