Here Comes the Groom
Here Comes the Groom
NR | 20 September 1951 (USA)
Here Comes the Groom Trailers

Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted.

Reviews
Teringer An Exercise In Nonsense
Cleveronix A different way of telling a story
SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.
Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
edwagreen What a wonderful Bing Crosby and Jane Wyman vehicle. No wonder the two were used again the following year in "Just for You."Wyman needed a break after such heavy dramas as "Johnny Belinda," and "The Blue Veil." This was a perfect movie for her, playing the tired fiancée of Bing (Pete Garvey). Fed up waiting for him from returning from France as a foreign correspondent, she agrees to marry her boss, Franchot Tone, worth $40 million.The 2 adorable children that Bing brings to America provide charm and elegance. There is always Connie Gilchrist, who brings her charm by doing what she knows best- playing a common woman full of love and joy. She is glad that the wedding is over, even though it didn't go her way, because she can now take off her corset. That was Gilchrist for you.The big surprise of the movie is Alexis Smith, who nearly steals it. She is a riot as Tone's 4th neglected cousin. Spurred on by Crosby, to win Tone away from Wyman, she provided side-splitting hysterics in the film.The film makes us remember that it was impossible for single people to adopt children. With the Oscar winning song, In the Cool, Cool, Cool of the Evening, the film is an absolute hit in so many ways.
wordsmith_57 If you like fun, whimsical, mostly predicable plots that involve a couple of well-known stars, then pop in Here Comes the Groom. Bing Crosby and Jane Wyman aren't exactly Cary Grant and Katherine Hepburn, but they definitely made a great team in this Capra vehicle. It doesn't matter this is a patchwork quilt of other movie plots, (The Philadelphia Story, for instance,which der Bingle did his own way with Grace Kelly), it's a cute little bit of cinema fun that had me grinning and even out right laughing in parts. Some will slice and dice the movie for editing and extraneous bits, yet movies from this era, as ones from today, were sometimes supposed to be fluff. So enjoy this one in the cool, cool, cool of the evening, or any time you want a lift and a smile.
raskimono One has to wonder why Frank Capara is so renowned with books written about him till this day. His hey day was the thirties where more than a couple of gems were made but even then his direction was that notch. It was the sharp story with good performances that sinewed and chugged along these movies disguising his directorial flaws. After Mr. John Doe, I think the scripts were not up to snuff, the movies too long and the dialog draggy and haltingly haughty. This movie has all the recipe to be a sharp portrait on the perennial battle of the sexes roles as perceived in society but regurgitation and elemental whimsical and cloying make a peg round as a square. Pardon my regurgitatant riff and whimsical drift. Fair is fair, this was a contract movie and he did it to fulfill his contract, so maybe it's not all his fault. Crosby is a reporter in France, who lives his poor girlfriend waiting on him without ever getting down on his knees and pulling the doodad out of his inner pockets. Her clock ticking, she jumps for the wealthy Franchot Tone. Crosby returns to hear the news, two annoying French orphans in tow and of course tries to win her back. The musical numbers are perfunctory apart from the Oscar winner and chart topper "In the cool, cool, cool of the evening" which is slyly done, introduced and well choreographed to make me smile. Crosby and Wyman have a good chemistry but Tone and Crosby just sparkle especially in a scene in the back of Tone's car which is so well-written and is what the whole movie needed. Alexis Smith, an actress who had never left an impression on me in her previous works, sparkles as a comic ingénue. And then cloying starts again. It began if I have not mentioned in the scenes in Paris which really serve no purpose but to show the kind of guy Bing is. It is way two heavy-handed. And anytime, there is hope, the distracting cloying comes in again. The ending made me want to puke. This movie bares a similarity to a Crosby movie "Waikiki Wedding" which has a similar ending to this movie but is better handled in that movie. In fact Crosby does this role and part better in 1956 in the smarter and delightful remake High Society. So watch this movie if you are fans of the stars in the cool of the evening. It might go down best that way.
dhosek This is my favorite of Bing's movies, a light comedy with great musical numbers, centering on the fantastic song and dance routine with Bing and Jane Wyman in the office building singing, "in the cool cool cool of the evening". Rent this or catch it on cable or do what you have to, it will be worth your while. Frank Capra's light touch does not disappoint.