Haunts
Haunts
PG | 27 August 1976 (USA)
Haunts Trailers

A woman is haunted by psychosexual nightmares while a maniac commits a series of brutal scissor murders. The local smalltown sheriff must find the connection before it's too late.

Reviews
Brightlyme i know i wasted 90 mins of my life.
Pacionsbo Absolutely Fantastic
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
evanston_dad "Haunts" is a movie that put me in the mind of films like Robert Altman's "That Cold Day in the Park" and "Images" or Roman Polanski's "Repulsion." Stories about lonely women whose obsessions and mental wanderings leave the viewer in doubt about what is real and what's the result of the heroines' fevered imaginings, and that often end in violent acts carried out by the women in their own defense. Of course "Haunts" isn't anywhere nearly as good as any of those other films. It uses a serial killer premise as a red herring, but presents the protagonist's story literally, not even suggesting that there may be some doubt about what's real and what's not until what amounts to a surprise ending makes us realize that the woman was cuckoo all along. That ending is admittedly rather effective, but because there was no mystery leading up to it and the film itself is rather poorly made in most regards, it doesn't have much of an impact.It didn't help that I saw "Haunts" as part of a boxed set of terrible picture and sound quality, but I doubt that high def and pristine sound would have made me like this film much more. It's mostly just boring, which is one of the worst offenses of which a film can be guilty.Grade: D+
a_baron More than one reviewer has likened this film to Polanski's classic "Repulsion". That is true after a fashion, but "Haunts" begins with the pretence to being a thriller or even a slasher film; there is a psychopath on the loose who is raping and murdering women in small town USA. This town is so small in fact that although it has a sheriff it appears not to have even one detective, yet bizarrely it sports its own TV station.The heroine is Ingrid, who is both a stunning blonde and an old maid. There is a false lead or two, but the bad guy is tracked down by the sheriff who does a fair job of policing, when he isn't throwing up after overindulgence in alcohol or slapping the ne'er do well who has put his daughter in the club. Or perhaps that should be sheriffing? What happens next you will have to discover for yourself, dear reader, but if you can work this one out there is a job waiting for you at Oxford University, explaining to next year's intake how to crack Fermat's Last Theorem.
Zeegrade This was a real chore to watch. I'm not exaggerating when I say that at least thirty minutes can be cut off this clunker without missing any plot lines whatsoever. May Britt plays Ingrid, the most unlikeable main character in movie history. Not only is she the coldest fish on earth but she's also a fierce man-hater. The small town she lives in has been plagued with murders committed by a scissor wielding madman. This makes Ingrid even more unbearable to be around as every breathing man she comes into contact with is automatically trying to rape her. Number one on her list is the town rowdy Frankie who also works as the butcher in the local market when he's not having a very inappropriate relationship with the sheriff's seventeen year old daughter. This would be fine had the man playing Frankie not appear to be in his late thirties at least. What's more absurd is that Ingrid constantly refers to him as "that boy". Ingrid lives alone (no surprise there) on a farm but is helped on occasion by her Uncle Carl played by B-movie king Cameron Mitchell. Did I mention that she also has hallucinations too? Usually the incoherent flashbacks come over her every few seconds. Rubbing a goat, flashback, feeling a bed sheet, flashback, someone closes a door, flashback. Ingrid comes upon a corpse left on her property and that pushes her off the mental edge she was teetering on to begin with. The ending is quite bizarre as Ingrid's fate as well as the relationship between her uncle and her mother are slapped across you face like a dead salmon.I couldn't care less what happened to Ingrid because her performance was as dead as the person she portrays. We are lead to believe that she was raised in this small California coastal town yet her thick accent begs to differ. This is explained near the end as the time she spent at "a European school up the coast". What? Did they suck the life force from her too? Let's hope Werewolf in a Girl's Dormitory is better.
JimMcKeny I voted 10 because i had a small part in the film (the bartender) and having been a big fan of Aldo Ray - younger gen's won't know that in his time Ray created the same kind of electricity in the film world for his unique approach to acting as did the likes of Dean & Brando (however short lived that electricity may have been)- I was thrilled to be able to chat and hang with him on set. Herb Freed & Anne Marisse were extremely kind and lovely people to work for and with. This was the second film I worked on in Mendocino, CA - the first one still has ghosts attached to it. Many LA film companies used Mendocino, CA as their location. Perhaps the most notable (and certainly the funniest) was "The Russians Are Coming/The Russians Are Coming". Many years later, TV came to town to shoot exteriors for "Murder She Wrote".