Tyreece Hulme
One of the best movies of the year! Incredible from the beginning to the end.
Deanna
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Wyatt
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
JLRMovieReviews
Claudette Colbert is married to Richard Foran and is on her way on a second honeymoon when Richard's friend Don Ameche shows up minutes before they were supposed to leave for the train. It seems Claudette doesn't like to hear from him, as he is always asking Richard for help in his outlandish schemes. The latest one is that Don's boss thinks he's married, because not only did he tell him so, but he showed him a picture of his supposed wife. Claudette doesn't like the sound of this, and rightly so, because the picture of the lady in question is her. And, he now needs her to assist him to carry out this extended farce. Forced against her wishes, she goes with Don, leaving Richard behind due to a misunderstanding. Most of the rest of the film has Claudette with Don posing as his wife, while Richard is trying to get there. The film may sound pretty fun and laid-back with the stars involved, and while it does, it tries too hard to be zany and the situations feel forced, particularly when she decides to turn the tables on Don and act like she likes the position he's put her in. You could do a lot worse, even some of her own films. I've reviewed some of Claudette's pictures that are a lot worse, but considering the stars this feels more annoying in parts than it should. Chester Clute has a memorable bit as a shoe salesman on holiday in the big city, when he recognizes her, which would jeopardize her situation, and all he wants to do is check out her shoes and feet, because he knows his customers' feet! But all he can do is sneak about on the floor under the restaurants' tables, trying to get to her with no sense of direction, startling ladies and causing a commotion! "All I want to do is see her feet!" You may find this little film amusing, but by the end, you'll reach for something better.
vincentlynch-moonoi
Director Sam Wood was in his heydey when he made this film ("King's Row", "Pride Of The Yankees", "For Whom The Bell Tolls"), although his snappiest comedy (IMHO) was "The Devil And Miss Jones" (1941). Nevertheless, this is a fine comedy with two stars that shine.This type of comedy had been done before and later...always involving just whose wife a female lead was (e.g., "My Favorite Wife" with Irene Dunne and Cary Grant). But each time this type of film was done there was some interesting variation that made it a bit unique. Here, a banker (Dick Foran) is reunited with his long-time best friend (Don Ameche). Ameche has pretended that Claudette Colbert (Foran's wife) is his wife for business purposes...even though he had never met her. Foran agrees to go along with the ruse for his best friend, even though they were about to go on their second honeymoon. Colbert is despondent over the situation, but very reluctantly goes along...for a while. And just about when you think this is getting old, the plot twist comes along -- Colbert decides to pretend she is falling in love with Ameche! Claudette Colbert is wonderful here...but then again, she almost always was! Don Ameche shines...and it made me wonder how his long and shining career faded after a time. Glad he came back into the limelight later in life...he was a wonderful actor. The surprise here is how nicely Dick Foran does as the husband. Foran was a decent actor, but usually in B pictures or as a supporting actor in A pictures. He may have been underrated.Two supporting actors who nicely here are Charles Dingle (who in some films get on my nerves) as the boss, and Grant Mitchell as the hotel house detective.Not an A+ comedy, but definitely a B+. You'' enjoy it!
Spikeopath
Guest Wife is directed by Sam Wood, written by Bruce Manning and John Klorer, and stars Claudette Colbert (Mary), Don Ameche (Joe) and Dick Foran (Chris). The story tells of a journalist, Joe, who claims to his boss that he is married because the company would like their employees to be as such, and Joe wants to take some vacation leave. But he happens to still be single. Something that's now a major problem since his boss requests the company of Joe and wife for the weekend! His pal Chris lends him his wife Mary so as to bluff his boss into agreement, however, things start to get complicated.Obviously hampered by the strict censorship that existed at the time of its making, Guest Wife none the less is a cheeky little comedy that boasts fun acting and a safe and solid script.. Tho referred to as a screwball comedy in some quarters, I feel that doesn't quite do the film any favours. Yes the gags are breezy enough, but they are hardly of the whirlwind scattergun variety. The interplay between the wonderful Colbert and the charming Ameche is spot on, even if the heavy cloud of censorship tone downs stops the material from being fully realised into a classic comedy must see. There's an itch about just who we are supposed to root for since Chris is a nice guy and Mary clearly loves him, and of course Joe is a bit of a cad when one considers his deception. Yet we are in the company of Mary and Joe for the most part, which although it be a fake marriage, it's a nice coupling. So either way come the end some viewers will be left disappointed.Safe and tidy, with the film as a whole more likely to leave you with a smile more than a beaming grin. 6.5/10
Richard Burin
Guest Wife (Sam Wood, 1945) reunites the stars of the brilliant romantic comedy Midnight, as happily married Claudette Colbert ends up spending an inordinate amount of time posing as the wife of her husband's best friend (Don Ameche) in a bid to save the guy's job. It's OK, but the comic situations are often more stressful than funny, and the usually reliable Ameche is both cartoonish and flat. Still, Colbert does her best with the material, while character comedians Charles Dingle and Grant Mitchell work wonders in their supporting parts. Dozens of familiar faces crop up in small roles, including Irving Bacon, Harry Hayden and Chester Clute, playing a town gossip accused of voyeurism. The climactic sight gag is the best joke in the film.
