Goodbye, My Fancy
Goodbye, My Fancy
NR | 19 May 1951 (USA)
Goodbye, My Fancy Trailers

Agatha has fond memories of her romance with college president Dr. James Merrill, when she was a student and he was her professor, and wants to see if there is still a spark between them.

Reviews
PlatinumRead Just so...so bad
BroadcastChic Excellent, a Must See
BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.
blanche-2 "Goodbye, My Fancy" stars Joan Crawford, Robert Young, Eve Arden, and Frank Lovejoy and was made in 1951. It was originally a play by Fay Kanin that enjoyed a run of over a year. Madeleine Carroll starred.Crawford in 1951 was 44, and in those days, after an actress turned 30, she went into supporting roles. It's to Crawford's credit that she stayed a leading lady well past 30, albeit in lesser films.This film is actually a good one. Crawford plays a Congresswoman, Agatha Reed, who is invited back to her old college to receive an honorary degree. She is thrilled, for more than one reason. She has happy memories there and has never forgotten her old love and, though she doesn't state it, she's hoping to see him again. Also, she finds it amusing that she's been invited -- she was expelled from the school for staying out all night and didn't graduate.Agatha and her able assistant (Eve Arden) travel to the college, dogged the entire way by a photographer (Frank Lovejoy) with whom Agatha had an involvement a few years back.Agatha has filmed a documentary that she wants to show at the school. The film is about what happens when people are denied their freedoms, and deals with book burnings, persecution of teachers, etc. She is shocked to find that there is some question as to whether or not the film will be shown."Goodbye, My Fancy" is about going home again, and underneath Agatha having two men interested in her, it makes a statement about McCarthyism which was so rampant at the time. It's also about standing up for what you believe in and having integrity -- true ethics kick in when you've got something to lose.I saw some comments about Crawford being miscast - I'm not sure why - she played strong career women for many years. The casting is off, but it's not Crawford. It's partly the script and partly the casting. Robert Young is very good as the President -- handsome, charming, and formal. Eve Arden is funny as the assistant, wisecracking her way through the role. Shirley Booth played the role on Broadway.The role that's miscast is Frank Lovejoy as Matt Cole. The role called for a macho, attractive tough guy and instead we get the rather sloppy, wisecracking Lovejoy. The ending of the film seemed to come out of nowhere.Otherwise, fairly enjoyable, good cast.
vincentlynch-moonoi Although I gave this film a "7" last time around, I was still a bit harsh about it. Now, having watched it a second time, my "7" will remain, but I'm going to chill out a bit about the film.Here a brash Congresswoman (Crawford) Agatha Reed returns to her alma mater to receive an honorary degree, although her prime motive is to rekindle an old romance with the college president (Robert Young). But, a reporter is after her, too (Frank Lovejoy).It's not the "Mommie Dearest" thing, but -- particularly this late in her career -- I have a difficult time seeing Joan Crawford as a sentimental character, or even being in a romantic comedy. But, Crawford comes across pretty well in the other half of her role here --a Congresswoman. So. it's a balance.Having Crawford as a brass Congresswoman is just about enough brashness for any film, but here we also have -- as her secretary -- Eve Arden. Arden excelled at being brash, and is no less so here. And only she could have pulled this off without the film going overboard in the brashness department.In a way, it almost seems to me that Robert Young was trying out his "Father Knows Best" persona here...just 3 years before that iconic role came his way. I enjoy him here; this is one of his better performances.It's a little difficult to understand why a mellow Young would be so attracted to the brash Congresswoman here. That's one of my biggest problems with this film. She seems more suited to Frank Lovejoy's newspaperman character...but of course, in real life they'd almost certainly end up in a divorce court a few years down the road.There's an interesting subplot about a teacher's freedom to teach students to think...although it falls flat at the end of the film...seems to have been forgotten about. The bottom line here, for me, was why this film grates on me a bit. And I think I finally figured it out. Joan Crawford as a Congresswoman...well maybe. But Joan Crawford fighting for education and freedom and democracy? I just can't buy that. Pretty good movie, but terribly miscast in terms of Crawford. (And her eyes drive me crazy...spooky!). Well worth watching it...once. Oops. Guess I should say twice.
Peter22060 SHAWFAN has the issue correct. The problem is that he does not have a full sense of history. This movie was made in 1951, and there was constant pressure on the motion picture industry to tone down hints of "radicalism".Joan Crawford's attack on the right wing trustee for forsaking the education of these college age students with "entertaining" motion pictures; prevents the message of the film she has brought to campus.Simply, without images, the result of letting the National Socialists destroy education in Germany from 1933-1945, resulted in hanging and executions of the teachers.The trustee in question expressed that buildings were more important than a good education.Yes, there are those gooey moments. They are not there because the film story has a need for it, but rather that the various "approval" boards would have forced the filmmakers to put it in to water down the content.Robert Young's role proves that he is just a weak person. Not the person to stand up for what is right. Even his mealy mouth response to the film being shown AND THE STUDENT'S APPROVAL over everyone's objections prove that.BUT, run this film with two others, THIS LAND IS MINE (1943) and PEOPLE WILL TALK (1951). Then the message of what the film is about comes through like a bell.IN OUR DEMOCRACY EDUCATORS MUST BE BACKED. When cities, states and even your congress-persons yell, CUT EDUCATION SPENDING, these are just three films with which you can relate.peter22060 PS Truth through learning, and a focus on history, should make these three movies text material.
ftljeff40 OK so this isn't Mildred Pierce, but it's not horrible either. Typical 1950's melodrama about a congresswomen (Crawford) who ends up caught between two men and fighting fascist censorship at the same time. Tame by today's standards I'm glad to see that Joan was not scared to throw some mud in the eye of the evil McCarthy witch hunt. (in real life Joan did testify at the McCarthy hearings and basically told them to go to hell, but in a nice way only Joan could pull off). Don't write this movie off, it is now available on DVD through Movies Unlimited as is Joan's last picture for Warners "This Women Is Dangerous". If your a Joan fan these are musts for your collection.