Frisk
Frisk
| 22 March 1996 (USA)
Frisk Trailers

A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose lead we follow on this path between what is real and what we can only hope is surreal. His friends attempt to determine if he's truly a psychopath.

Reviews
Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.
Rick Powell Perhaps it's not entirely fair for me to review this movie since I walked out in disgust about halfway through and came back only for the last ten minutes. But I agree with Dennis Cooper: The literal interpretation of his book makes the film an entirely predictable exploitation flick - in terms of narrative and in the amateurish way it's all presented - instead of a compelling and artful auto-interrogation of f*cked-up desire. The most damage done is by director Todd Verow's inability to transpose the colloquial first-person of the book into something that makes sense for a movie. At this point in his career, he doesn't have the skills to pull it off, which results in a decision to make the serial killing explicitly real. I suppose Verow thinks that makes his movie more transgressive than Cooper's book which only tells me he didn't understand the book in the first place. Verow can be a creative and entertaining filmmaker - his Once and Future Queen is a scream; and Anonymous showed promise - but Frisk is dull and obvious, and only a half-star away from being complete garbage.
preppy-3 Incomprehensible. It's something about a gay guy who may (or may not) be a serial killer. The film jumps all over the place--there are flash backs, flash forwards, dream sequences all mashed together. Supposedly if you read the book you'll understand the movie. Well--I haven't read the book and I don't think I should have to read it to make heads or tails out of the movie. A movie should stand on its own and this one certainly doesn't.It looks grimy (but I heard that was on purpose); the acting is truly abominable (some of the guys are cute but that's about it); the same actors play multiple roles (which is confusing), and the dialogue read during the killings is just so matter of fact I didn't know HOW to take it! And I didn't find it disturbing or confusing--just dull and irritating.The only saving grace is Parker Posey--she manages to take a nothing role and actually make something of it. She has lousy dialogue too but she makes it work.So--aside from Posey and some cute guys there's nothing to recommend this. I give it a 1.
Ronald-Philip Tanner (GWMJedi) This is a very difficult film to review.First of all, if you are not a gay man then you might as well not bother with this film. Even if you are a gay man, it is still important to note that it is *supposed* to be a revolting and disgusting film. I read the book first, and let me tell you -- it messes with your mind.What disturbs the s**t out of you when seeing the movie is also what is so "awful" about the book: if you stop to think about what the central character's thought process is, then you see certain basic pieces of it that actually make some sense. THAT is what stayed with me and actually gave me a nightmare.Unfortunately, this is where the film is lacking. In the book, we get into the head of the central character, and we hear his thoughts. In the film, Dennis's thought process is implied but not stated sufficiently. The result is a muddled film that just gets more and more violent as it goes on.The men in this film are VERY attractive, and this of course makes it all the more disturbing -- everyone wants to see killers be like Charles Manson -- it's scarier when they look like the boy next door, and they get off on disemboweling other boys next door.I would say that the high point of the film is probably Parker Posey. Lordy lordy, that woman... Tales of the City to Scream 3, with a stop in the middle in Frisk. She brought her usual perkiness to a role that is, well, murderous.To sum up: definitely made for a queer male audience. Far too disturbing for the average sensitive gayboy. Hard to follow if you haven't read the book. A few moments of brilliance, but overall it's muddled. Worth seeing if you have nothing else to do and have a strong constitution and a sick mind. Otherwise, don't bother.
Kevin Keefe This film is very disturbing, and it took a strong stomach to tough it out to the end. It brought to mind stories I have heard about Mexican porn "snuff" films, because the audience is treated to squirm-inducing sado-masochistic rape/murders. Characters murder victims on-screen for sexual pleasure, and unless you enjoy watching that, there is no other value to the movie. There was little, if any character development or plot. I had to wonder if Parker Posey knew what she was getting herself into when she did this movie. I read the other review, which referred to this as a "black comedy", but if it is, I must have missed something. I am also dumbfounded by reference to this as a "coming-out" movie, as it is a deeply sick depiction of the edge of any sexuality (Parker plays a hetero-sex murderer), and only fits the most outraged homophobe's stereotype of what gay life is about. Utterly horrible, and to be avoided.