ThiefHott Too much of everything

Mjeteconer Just perfect...

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Abegail Noëlle While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Horst in Translation (filmreviews@web.de) "Free Radicals" is a 1958, 4.5-minute short film by Len lye from new Zealand. And even if this one is also almost 60 years old, it was Len Lye's penultimate work and he wasn't a prolific artist at this point anymore. Nonetheless, this one here is definitely a contender for his most known and best-received work. Other people moved on from color to black-and-white, but Lye, who already used color in his early works made this one here in black-and-white, so he went against time basically. I am not sure if this metaphor was his intention though. Maybe he was just in the mood for something different. The animation is nothing special as in most of his other films. To me, the music has always been the highlight and it is in this one as well. The melody of the drums is nice to listen to. However, a record can give me the same experience. I do not need to watch an experimental film for that sensation. Not recommended and I believe in terms of what we see this is certainly among Lye's weaker versions. I guess a lot of his creativity had already vanished at this point and new ideas were rare.

gavin6942 Displays the graph that follows traditional African music's voice strains of sway, between music and graphics so mix and so gave the impression of beauty in the melting pot of musical art and graphics.Len Lye recalls, "I made Free Radicals from 16mm black film leader, which you can get from DuPont. I took a graver, various kinds of needles. (My range included arrowheads for romanticism.) You stick down the sides with scotch tape and you get to work with scratching the stuff out. … … You hold your hand at the right height and act is if you were making your signature. It goes on forever. You can carry a pictographic design in your head and make a little design. You can't see what you're doing because your hand is in the way. That's why those things have that kind of spastic look." There are some people that call this film original and innovative while others say it is just one of many doing the same thing about the same time. Now, I am not familiar enough with this sort of film to speak intelligently on that. I am not aware of the timeline, or which films came first. What I do know is that original or not, this is an interesting way to show the music of tribal people. We could film them dancing and that would be a great anthropological document... but there is something interesting bout turning it into both audio and visual art.

MartinHafer FREE RADICALS has very glowing reviews and I have to dissent. Having seen many, many animated shorts and experimental films, when I saw this film I thought "oh no--not ANOTHER film like this!". That's because I've seen lots of films with simply drawn images (often scratched into the film) dancing to the music. With films such as FREE RADICALS, A COLOUR BOX and HARPYA (among others) in this style, you certainly CAN'T call this film original or ground-breaking. It's just one of several and after seeing one or two, I can't stand the thought of watching more.Overall, it's interesting if you haven't seen anything like it, but otherwise I can't see the point. Plus, if you show it to kids, they're likely to balk at seeing the film--even though it is only five minutes in length.

kemieg it seems simple, almost too simple. white scratches on black film, abstract lines that move to the rhythm of african drums. yet this film is captivating. the lines seem to become three-dimensional and jump out at you, and combine with the beat to dance. worth seeing if you get the chance.